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J.S. Bach: Ouverture nach Französischer Art BWV831 - Courante
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Signed-off-by: Davide Madrisan <d.madrisan@proton.me>
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madrisan committed May 7, 2024
1 parent fbd22a8 commit 9ea1be3
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4 changes: 2 additions & 2 deletions lyinit/templates/mainfile.ly
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ragged-bottom = ##f
%right-margin = 10\mm
score-markup-spacing =
#'((basic-distance . 2)
(minimum-distance . 1)
#'((basic-distance . 10)
(minimum-distance . 8)
(padding . 2)
(stretchability . 24))
system-system-spacing =
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ragged-last-bottom = ##f
ragged-bottom = ##f
%right-margin = 10\mm
score-markup-spacing =
#'((basic-distance . 10)
(minimum-distance . 8)
(padding . 2)
(stretchability . 24))
system-system-spacing =
#'((basic-distance . 2)
(minimum-distance . 1)
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\include "./parts/bach-ouverture-nach-franzosischer-art-1-ouverture.ly"
\pageBreak
\include "./parts/bach-ouverture-nach-franzosischer-art-2-courante.ly"
\pageBreak
%\pageBreak
\include "./parts/bach-ouverture-nach-franzosischer-art-3-gavotte-1.ly"
\pageBreak
\include "./parts/bach-ouverture-nach-franzosischer-art-3-gavotte-2.ly"
\pageBreak
\include "./parts/bach-ouverture-nach-franzosischer-art-4-passepied-1.ly"
\include "./parts/bach-ouverture-nach-franzosischer-art-4-passepied-2.ly"
\pageBreak
\include "./parts/bach-ouverture-nach-franzosischer-art-5-sarabande.ly"
\include "./parts/bach-ouverture-nach-franzosischer-art-6-bourree-1.ly"
\pageBreak
\include "./parts/bach-ouverture-nach-franzosischer-art-6-bourree-2.ly"
\pageBreak
\include "./parts/bach-ouverture-nach-franzosischer-art-7-gigue.ly"
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Expand Up @@ -6,59 +6,165 @@ Global = {

Soprano = \context Voice = "one" \relative c' {
\voiceOne
\stemUp\tieUp
\stemUp\tieUp\slurDown
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\repeat volta 2 {
\partial 8 r8
\partial 8 fis8
%1
| R1*3/2*11
| r2 r2 r4
| fis4.\arpeggio b8 \appoggiatura b8 ais4 b g4.\prall fis8
| \appoggiatura fis8 g4. fis8 e4 fis8 g fis e d cis
| d[ cis b cis] d e fis4~ fis8 ais b cis
| \appoggiatura b8 <fis ais>2. \stemNeutral cis'4 \appoggiatura g8 fis4. cis'8
%5
| <fis, b d>4.\arpeggio cis'8 b4 e8 gis, \stemUp a4.\mordent b8
| \stemNeutral <e, a cis>4.\arpeggio b'8 a^( b cis dis) dis4.\prallprall cis16 dis
| e2~ e8 d e cis fis4.\mordent e8
| \stemUp e4. e8 cis2~ cis8 fis, b\mordent b
| b2~ b8 gis a b a^( gis) a ^( fis)
%10
| eis4.\prall fis8 gis a b gis cis4.\arpeggio b8
| \once\slurUp \appoggiatura b8 <fis a>4. gis8 fis eis fis gis gis4.\parenthesize\prallprall fis8
| fis2.~\mordent <ais, cis fis>2
}
\break
\repeat volta 2 {
\partial 8 r8
%1
| R1*3/2*11
| r2 r2 r4
\partial 8 \stemNeutral cis'8
| \stemUp\slurUp cis4.\arpeggio b8 a b cis fis, fis'4.\arpeggio e8
| \appoggiatura e8 <b d>4. cis8 b4 fis8 e fis4.\mordent g8
%15
| <d a'>4 \stemNeutral b'8 cis! d e fis d \stemUp \appoggiatura cis8 b4. e8
| cis4.\prall b8 a4( b8 cis) d( cis b a)
| g( fis e d) a'4. b8 e,4.\prallprall d8
| d2.\arpeggio d'8 cis b cis ais4
| \appoggiatura ais8 b4. e,8 dis4 a'~ a8 g ais fis
%20
| g2~ g8 e g b e b e fis
| \appoggiatura fis8 g4. fis8 e d cis d e d16 cis d8 cis16 b
| \appoggiatura b8 ais4.\prall \stemNeutral b8 cis d e cis \stemUp fis4.\arpeggio e8
| \appoggiatura e8 <b d>4. cis8 b ais b cis cis4.\prallprall b8
| \once\stemDown b2.~\parenthesize\mordent <d, fis b>2_-
\override Score.TextMark.self-alignment-X = #CENTER
\textEndMark \markup { \musicglyph "scripts.ufermata" }
}
}

Alto = \context Voice = "two" \relative c' {
\voiceTwo
\stemDown\tieDown
\override Rest.staff-position = #0
\mergeDifferentlyDottedOn
\partial 8 s8
%1
| <b d>2\arpeggio cis4 d dis2
| e4. d8 cis4 d8 e ais,2
| s2. cis4 d e
| s1*3/2
%5
| s1 e2
| s1*3/2*2
| g8\rest b fis4 eis fis s2
| c4\rest e8\rest gis eis2 fis4 c\rest
%10
| s1 <cis~ gis'>2\arpeggio
| cis4. eis8 fis a,\rest s4 eis'2
| s2. s2
\partial 8 s8
| <fis ais>4.\arpeggio s2
\once\omit Flag \once\omit Stem \once\override Tie.staff-position = -5 fis8~ <fis~ cis'>2\arpeggio
| fis4. e8 d4 d d2~
%15
| \once\omit Stem d4 s2. c4\rest e8\rest g
| e2 fis1
| s2 b,8\rest cis d4 cis2
| a2.\arpeggio fis'4 g fis~
| fis4. s8 s2 fis
%20
| b,8\rest s b4~ b8 s4. g'8\rest b4.~
| b8 b a4 g2~ g
| s1 <fis~ cis'>2\arpeggio
| fis4.ais8 b d,\rest c4\rest ais'2
}

Tenor = \context Voice = "three" \relative c {
Tenor = \context Voice = "three" \relative c' {
\voiceThree
\stemUp\tieUp
\override Rest.staff-position = #0
\partial 8 s8
%1
| s1*3/2*2
| g4\rest d fis2 b,4.\prallprall ais16 b
| s1*3/2
| s2 c'8\rest a( gis b) s2
%5
| s1*3/2*2
| s1 fis4. a8\rest
| s1*3/2*2
%11
| s1 cis,2~
| cis4 cis fis~ fis2
\partial 8 s8
| s1*3/2
| a4\rest d, fis \once\stemDown b c b
%15
| a g a2 g4 b
| a b8 cis d1
| s1 a2
| fis\arpeggio s1
| s1*3/2*3
%22
| cis'4 s s1
| s1 fis,2
| b, fis4^. b2^-

}

Bass = \context Voice = "four" \relative c {
\voiceFour
\stemDown\tieDown
\stemNeutral\tieNeutral
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\repeat volta 2 {
\partial 8 r8
%1
| R1*3/2*11
| r2 r2 r4
| b2. b,8 fis' b2~
| b4 b,8 fis' b2. b,8 fis'
| \stemDown b2. a!4 g2
| \stemNeutral <fis cis'>4 fis'8 g \once\stemUp \appoggiatura g8 fis4. e8 d cis b ais
%5
| b4 cis \stemDown d2 cis8( b a gis)
| \stemNeutral a4 b cis b8_( a g fis) b4
| a8( g fis e) ais2~^\mordent ais8 gis ais fis
| b2~^\mordent b16 cis b a b8 cis \stemDown d4. fis,8
| \stemNeutral eis gis cis cis cis2.^\mordent cis,4
%10
| cis'8( b d cis) b a gis fis eis cis' dis eis
| fis4 cis d b \stemDown c,\rest cis
| fis2. fis2
}
\repeat volta 2 {
\partial 8 r8
%1
| R1*3/2*11
| r2 r2 r4
| \stemNeutral fis4 fis' cis e! b8( ais gis fis)
| \stemDown\tieDown\slurUp b2. s4 a'! g!
%15
| fis e fis d g e
| a g fis g8 a b2~
| b8 a g fis g e fis g a4 a,
| d8 cis d e fis4 d e fis
| g8 fis a!( g fis e dis cis) \stemNeutral dis4 b
%20
| e4 e,8 b' e2. e,8 b'
| e2. e,8 b' e2~
| \stemDown e8 fis^\( g fis \stemNeutral e d_( cis b)\) ais fis' gis ais
| b4 fis g! e \stemDown f,\rest fis
| b,4\rest b2~_- b2
\tweak direction #DOWN
\textEndMark \markup { \musicglyph "scripts.dfermata" }
}
}

\score {
\new PianoStaff
\new PianoStaff \with { connectArpeggios = ##t }
<<
\accidentalStyle Score.piano
\context Staff = "upper" <<
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