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J.S. Bach: Ouverture nach Französischer Art BWV831 - Bourrée I
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Signed-off-by: Davide Madrisan <d.madrisan@proton.me>
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madrisan committed May 14, 2024
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2 changes: 1 addition & 1 deletion README.md
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Expand Up @@ -56,7 +56,7 @@ The source code was compiled with `GNU LilyPond 2.25.12 (running Guile 2.2)` (Fe
| Bach / me | Chorale Prelude - Jesu meine Freude BWV 610 :three: | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/JS-Bach-BWV610-Jesu-meine-Freude.pdf) |
| | Chorale Prelude - Nun komm’ der Heiden Heiland BWV 659 | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/JS-Bach-BWV659-Chorale-Prelude.pdf) |
| Bach / Petri | Schafe können sicher weiden BWV 208 | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/JS-Bach-Petri-Schafe-konnen-sicher-weiden-BWV208.pdf) |
| Bach / Stark | Siciliana BWV 1031 | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/JS-Bach-Stark-Siciliano-BWV1031.pdf) |
| Bach / Stark | Siciliano BWV 1031 | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/JS-Bach-Stark-Siciliano-BWV1031.pdf) |
| Bach / Stradal | Organ Sonata 4 Andante BWV 528 | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/JS-Bach-Stradal-Organ-Sonata-4-Andante-BWV528.pdf) |
| Ludwig van Beethoven | Klaviersonate Nr.8 Opus 13 - "Grande Sonate Pathétique" | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/Ludwig-van-Beethoven-Klaviersonate-8-op.13.pdf) |
| Alfredo Casella | Deux Contrastes op.31 | :white_check_mark: | [pdf](https://github.com/madrisan/open-scores/releases/download/v49/Alfredo-Casella-Deux-Contrastes-op.31.pdf) |
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Expand Up @@ -6,85 +6,103 @@ Global = {

Soprano = \context Voice = "one" \relative c' {
\voiceOne
\stemUp\tieUp
\stemNeutral\tieNeutral\slurNeutral
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\repeat volta 2 {
\partial 4 r4
\partial 4 fis4
%1
| R1*11
| b fis g e
| fis8 e d cis b4 b'
| ais b cis d8 b
| cis4 fis,2 cis'4
%5
| d8( cis b2) e8 b
| cis4 a d cis8\prall b
| a4 g8 fis e fis g e
| fis gis a gis gis a b gis
| a b cis a b cis d b
%10
| cis fis e d cis4 b
| a gis8 fis gis4 eis
\alternative {
{
| \partial 2. r2.
}
{
| \partial 2. r2.
}
{ \partial 2. fis2. }
{ \partial 2. fis }
}
}
\break
\repeat volta 2 {
\partial 4 r4
%1
| R1*11
\partial 4 cis'4
%15
| ais fis b cis
| d8 cis d cis b4 e
| cis b8 a b4 gis
| a2.\mordent e8 d
| e4 fis8 g! a4 g8 fis
%20
| g4 e e'2~
| e8 cis d fis e d cis b
| ais b cis ais fis4 cis'
| d8( cis b2) cis8 d
| e( cis ais2) fis'4
%25
| fis, b d8 cis b ais
\alternative {
{
| r2.
}
{
| r2.
}
{ b2. }
{ b }
}
\override Score.TextMark.self-alignment-X = #CENTER
\textEndMark \markup { \musicglyph "scripts.ufermata" }
}
\fine
}

Alto = \context Voice = "two" \relative c' {
\voiceTwo
\stemDown\tieDown
\override Rest.staff-position = #0
%1
}

Tenor = \context Voice = "three" \relative c {
\voiceThree
\stemUp\tieUp
\override Rest.staff-position = #0
%1
}

Bass = \context Voice = "four" \relative c {
\voiceFour
\stemDown\tieDown
\stemNeutral\tieNeutral\slurNeutral
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\repeat volta 2 {
\partial 4 r4
\partial 4 b8 cis
%1
| R1*11
| d4 b e e,
| b' cis d e~
| e8 d cis b ais4 b
| fis'8 e fis g fis e d cis
%5
| b4 a'! gis e
| a, g'! fis e
| fis g a a,
| d d'2 cis8 b
| cis4 fis, d e
%10
| a gis8 fis eis4 cis
| fis d b cis
\alternative {
{
| r2.
}
{
| r2.
}
{ fis, fis'8 e! d cis }
{ fis,2. }
}
}
\break
\repeat volta 2 {
\partial 4 r4
%1
| R1*11
\partial 4 fis4
%15
| fis'8 e! fis e d cis b ais
| b4 fis'8 gis a! gis fis gis
| a4 fis d e
| a, a'8 b cis d cis b
| a b a g! fis4 b
%20
| e,8 fis g e cis d e cis
| ais4 b g e
| fis fis'~ fis8 gis ais fis
| b( a! g! b) a( g fis a)
| g( fis e g) fis( e d fis)
%25
| e( d cis b) fis'4 fis,
\alternative {
{
| \partial 2. r2.
}
{
| \partial 2. r2.
}
{ \partial 2. b8[ d cis b] ais[ gis] }
{ \partial 2. b2. }
}
\tweak direction #DOWN
\textEndMark \markup { \musicglyph "scripts.dfermata" }
Expand All @@ -101,13 +119,11 @@ Bass = \context Voice = "four" \relative c {
\Global
\clef treble
\Soprano
\Alto
>>
\context Staff = "lower" <<
\set Staff.midiInstrument = #"acoustic grand"
\Global
\clef bass
\Tenor
\Bass
>>
>>
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