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[
{
"Image link": "https://www.mauritshuis.nl/en/explore/the-collection/artworks/diana-and-her-nymphs-406/detailgegevens/",
"Frick Call Number": "\"Vermeer, Johannes, 315-4a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Diana and her Companions",
"Add. Title": "Diana at Her Toilet",
"Personal Name": "Vermeer Johannes 1632-1675.",
"Provenance": "\"[Dirksen, The Hague (before 1866) (179 florins, to Goldsmid)]; Neville Davison Goldschmidt, The Hague (before 1866-1875 as Maes 4725 francs/ Vries 10,000?); his widow, Eliza Garey, The Hague and Paris (1875-1876); sale, Paris, Goldsmid Collection, May 4, 1876, lot 68 (as Nicholaes Maes) (1000 francs, to Victor de Stuers on behalf of The Netherlands); , Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague (inv. 406).\"",
"Current Collection": "Koninklijk Kabinet van Schilderijen The Hague Netherlands 406 public.",
"Date": "c. 1653",
"Material": "Oil on canvas",
"Size": "98.5 x 105 cm.. (38 3/4 x 41 3/8 in.) ",
"Sources": "\"Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 583, cat. no. 3; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913. p. 243, 300-4, ill. opposite p. 132; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937. p. 171-72, pl. 40; Vries, A. B. deJan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 77, cat. no. 1, pl. 27; Vries, A. B. deJan Vermeer de Delft. Paris: P. Tisné, 1948, p. III, cat. no. 1, pl. 1; Gowing, Lawrence. Vermeer. London: Faber and Faber, 1952, p. 93-97, pl. 8 and 9; Blankert, Albert. Johannes Vermeer van Delft : 1632-1675. Oxford: Phaidon, 1978, p. 138, 139, cat. no. 2, color ill. opposite p. 170; Mauritshuis. Illustrated general catalogue. The Hague: Mauritshuis, 1977, p. 247; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13-17, cat. no. 2; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 15, 68-69; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987, p. 171, cat. no. 2, pl. opposite p. 73; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 44, 46-47, 53, 88; Broos, Ben and Marjolein de Boer. Intimacies & Intrigues: history painting in the Mauritshuis. The Hague: Mauritshuis, 1993, cat. no. 37; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 3; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 169, cat. no. A1; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 12, cat. no. 3; Blankert, Albert. Hollands classicisme in de zeventiende-eeuwse schilderkunst. Rotterdam [etc.]: Museum Boijmans Van Beuningen [etc.], 1999, p. 312-315, cat. no. 62, color ill. opposite p. 313; Liedtke, Walter. A view of Delft: Vermeer and his contemporaries. Zwolle: Waanders, 2000, p. 191-194; Pottasch C. and R. Hoppe. 'Vermeer Gemälde: Restaurierung im Mauritshuis.' Restauro 3 (2000), p. 158; Liedtke, Walter et al. Vermeer and the Delft School. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 64; Ploeg, P van der. 'Een vroege Vermeer herontdekt.' Mauritshuis in focus 14 (2001), p. 18-26, ill. 12-13, 15; Pottasch, C. 'De metamorfose van Vermeers Diana.' Origine 5 (2001), p. 48-52, ill. 1, 3-7; Boon, J.J., P. Noble, J. Wadum. 'Dissolution, aggregation and protrusion.' ArtMatters (2002), p. 46-54, ill. 16-19, 25; Boon, J. M. Geldof, R.M.A. Heeren, P. Noble, J. van der Weerd. 'Chemical changes in old master paintings: dissolution, metal soap formation and remineralization processes in lead pigmented paint layers of 17th century paintings.' Zeitschrift für Kunsttechnologie und Konservierung 16 (2002), vol 1, p. 43-45, ill. 5a-5i; Hoppe, R, E. Kolfin, C. Pottasch. 'The metamorphosis of Diana: Changing perceptions of the young Vermeer's painting technique.' Art Matters (2002), p. 90-103, ill. 1, 6-15; Hoppe, R. and C. Pottasch. 'The restauration of an early Vermeer: Diana and her companions transformed: A case study about a painting scarred by time.' Zeitschrift für Kunsttechnologie und Konservierung 17 (2003), Vol.1, p. 148-155, ill. 1-7; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 113, cat. no. 6; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 56-59, 194, cat. no. 1, color ill. opposite p. 56; Buijsen, Edwin and Geerte Broersma. The Young Vermeer. Den Haag [etc.]: Koninklijk Kabinet van Schilderijen Mauritshuis [etc.], 2010, p. 26-29, color ill. opposite p. 25; Franits, Wayne. Vermeer. London: Phaidon, 2015, p. 22, 24, color ill. Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. III, pl. 1; \"",
"Exhibitions": "London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 148 (313); Amsterdam, Rijksmuseum. Weerzien der meesters. 1945, p. 22 (133); Delft, Stedelijk Museum 'Het Prinsenhof'. Het koninklijke kabinet 'Het Mauritshuis' in het museum 'Het Prinsenhof' te Delft. 1950, p. 11 (26); Milan, Palazzo Reale. Mostra del Caravaggio e dei Caravaggeschi. 1951, p. 99 (187 and ill. 130); Zurich, Fahrhunderts, Kunsthaus. Hollander des 17. 1953, p. 72 (175 and ill. 27); Milan, Palazzo Reale. Mostra di pittura olandese del seicento. 1954, p. 90 (175 and ill. 30); Rome, Palazzo delle Esposizioni. Mostra di pittura olandese del seicento. 1954, p. 90 (175 and ill. 30); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibition of Dutch Pictures of Seventeenth Century. 1954, (6 and ill.); The Hague, Mauritshuis. In het licht van Vermeer. 1966, (1 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (1 and ill.); Tokyo, The National Museum of Western Art. The Age of Rembrandt, Dutch Paintings and Drawings of the 17th Century. 1968 (69 and ill.); Washington D. C., National Gallery of Art. Gods, Saints and Heroes: Dutch Paintings in the Age of Rembrandt. 1980, p. 41, 210-211 (54 and ills.); Tokyo, National Gallery of Art. Dutch Painting of the Golden Age of Rembrandt. 1984, p. 108-109 (39 and ill.); Washington D.C., National Gallery of Art. Johannes Vermeer. 1995, p. 96-101 (3 and ill.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. 1996, p. 96-101 (3 and ill.); New York, Metropolitan Museum of Art. Vermeer and the Delft School. 2001, p. 359-362 (64 and ill.); London, National Gallery. Vermeer and the Delft School. 2001, p. 359-362 (64 and ill.); Tokyo, Metropolitan Art Museum. Vermeer and the Delft Style. 2008, p. 168-170 (26 and ill.); The Hague, Mauritshuis. The Young Vermeer. 2010, p. 26-29 (1 and ill.); Dresden, Old Masters Picture Gallery. The Young Vermeer. 2010.; Edinburgh, National Gallery of Scotland. The Young Vermeer. 2011, p. 26-29 (1 and ill.)."
},
{
"Image link": "https://www.nationalgalleries.org/art-and-artists/5539/christ-house-martha-and-mary",
"Frick Call Number": "\"Vermeer, Johannes, 303-14a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Christ in the House of Mary and Martha",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"In the collection of a Bristol family by the 1880s; [a Bristol antiques dealer in 1884]; Arthur Leslie Colley (Collie), London; [Forbes and Paterson, London, in 1901; sold to Coats]; William Allan Coats, Skelmorlie Castle, Dalskairth, Dumfries and Galloway, Scotland (1901-1926); his sons, Thomas H. Coats and J.A. Coats (1926-1927); in 1927 presented by them in honor of their father to the National Gallery of Scotland, Edinburgh (inv. 1670).\"",
"Current Collection": "National Gallery of Scotland Edinburgh Scotland 1670 public.",
"Date": "c. 1655",
"Material": "Oil on canvas",
"Size": "160 x 142 cm.. (63 x 55 7/8 in.) ",
"Sources": "\"Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 582, cat. no. 1; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 280-81, ill. opposite p. 112; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, 163-67, pl. 38; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 77-78, cat. no.2 , pl. 28; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. IV, cat. no. 2, pl. 2; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13-17, 34, 76 n. 24, 155, cat. no. 1; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 15, 64-67; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 74-77, 170, cat. no. 1, ill. p. 75; Nash, J.M. Vermeer. London: Scala Books 1991, p. 44-46, 53; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 2; Gowing, Lawrence. Vermeer. London : Giles de la Mare, 1997, p. 79-84, ill. 1-3; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 194-198; Walter Liedtke et al., Vermeer and the Delft School. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 65; Rüger, Axel. Vermeer and painting in Delft. London: National Gallery, 2001, p. 55-56, color ill.; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 10, ill. 2; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 60, 61, 194, cat. no. 2, color ill.; Buijsen, Edwin and Geerte Broersma. The Young Vermeer. Den Haag [etc.]: Koninklijk Kabinet van Schilderijen Mauritshuis [etc.], 2010, p. 30-35, color ill.; Franits, Wayne. Vermeer. London: Phaidon, 2015, p. 23, 30-39, 47, color ill.\"",
"Exhibitions": "London, Royal Academy of Art. Exhibition of Dutch Art, 1450-1900. 1929, p. 147 (310); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 juli 1885. 1935, p. 26-27 (162 and ill. 162); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 34 (79 and ill. 59); Utrecht, Centraal Museum. Caravaggio en de Nederlanden. 1952, p. 57-58 (92 and ill. 71); Edinburgh, National Gallery of Scotland. Williams, J.L. Dutch Art and Scotland. A Reflection of Taste. 1992, p. 150-151, (71 and ill.); Washington D.C. and The Hague. Johannes Vermeer. 1995-1996 (2); Tokyo. Vermeer and the Delft Style. Metropolitan Museum of Art. August 2 – December 14, 2008; The Hague, Mauritshuis. The Young Vermeer. May 12 – August 22, 2010, p. 26-29 (1 and ill.); Dresden, Old Masters Picture Gallery. The Young Vermeer. September 3 – December 28, 2010; Edinburgh, National Gallery of Scotland. The Young Vermeer. End of 2010 – Feb. 2011, p. 26-29 (1 and ill.); Rimini, Castel Sismondo. Da Vermeer a Kandinsky. January 21 - June 3, 2012, p. 76 (ill.); San Francisco, de Young Fine Arts Museums of San Francisco. Botticelli to Braque: Masterpieces from the National Galleries of Scotland. March 7 - May 3, 2015; Fort Worth, Texas, Kimbell Art Museum. Botticelli to Braque: Masterpieces from the National Galleries of Scotland.June 28 - September 20, 2015; Sydney, The Art Gallery of New South Wales. The Greats: Masterpieces from the National Galleries of Scotland. October 24, 2015 - February 14, 2016."
},
{
"Image link": "https://skd-online-collection.skd.museum/Details/Index/415421",
"Frick Call Number": "\"Vermeer, Johannes, 320a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Procuress",
"Add. Title": "The Courtesan ",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Wallenstein Collection, Dux (Duchcov); acquired from that collection in 1741 for the Elector of Saxony; Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden (inv. 1335). Attributed to Vermer first time 1835.\"",
"Current Collection": "Gemäldegalerie Alte Meister Dresden Germany 1335 public.",
"Date": "1656",
"Material": "Oil on canvas",
"Size": "143 x 130 cm.. (56.2 x 51.1 in.)",
"Sources": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 544, cat. no. 1; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 35, cat. no. 1; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 600 (41); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 244, 319-324 (ill. opposite p. 100); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 193-95 (pl. 48); Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 78 (3, pl. 29); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. IV-V (3, pl. 3); Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13, 27-8, 63, 67, 70, 75 n. 12 also 62, 155-56, cat. no. 3; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 13, 27-8, 63, 67, 70, 75 n. 12 also 62, 155-56, cat. no. 3; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 87-90, 171-172, no. 3, color ill. opposite p. 89; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 50-53; Wheelock, Arthur. Vermeer : the complete works. New York: Abrams, 1997, p. 14, ill. 4; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 84-88, ill. 4-5; Gaskell, Ivan and Michiel Jonker. Vermeer Studies. Washington [DC] [etc.]: National Gallery of Art [etc.], 1998, p. 47, 314; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle: Waanders, 2000, p. 188, 197-202; Liedtke, Walter et al. Vermeer and the Delft School. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 66; Rüger, Axel. Vermeer and painting in Delft. London: National Gallery, 2001, p. 56, color ill. opposite p. 57; Giebe, Marlies and Uta Neidhardt. Johannes Vermeer: \"Bei der Kupplerin.” Dresden: Sandstein, 2004; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 16-18, no. 7, color ill. opposite p. 17; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 62-65, 194, cat. no. 3, color ill. opposite p. 62; Buijsen, Edwin and Geerte Broersma. The Young Vermeer. Den Haag [etc.]: Koninklijk Kabinet van Schilderijen Mauritshuis [etc.], 2010, p. 36-47, color ill. opposite p. 37\"",
"Exhibitions": "Berlin, Staatliche Muséen zu Berlin. Restaurierte Kunstwerke in der Deutschen Demokratischen Republic. April – June, 1980, (21); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (66); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (66); Jackson, Mississippi, Mississippi Arts Pavilion. The Glory of Baroque. March 1 – September 6, 2004; Dresden, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen. Das restaurierte meisterwerk: Die Kupplerin von Vermeer (The restored masterpiece: The procuress by Vermeer). December 3, 2004 – February 27, 2005; The Hague, Mauritshuis. The Young Vermeer. Mauritshuis. May 12 – August 22, 2010, p. 36-47 (3 and ill.); Dresden, Old Masters Picture Gallery. The Young Vermeer. September 3 – December 28, 2010; Edinburgh. The Young Vermeer. Mauritshuis. End of 2010 – February, 2011, p. 36-47 (3 and ill.). Vries, A B, and René Huyghe. Jan Vermeer De Delft. Paris: Tisne, 1948. pp. VI."
},
{
"Image link": "https://www.metmuseum.org/art/collection/search/437878",
"Frick Call Number": "\"Vermeer, Johannes, 327-3a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "A Maid Asleep",
"Add. Title": "A Girl Asleep; Woman Asleep at a Table",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d. 1674); probably his widow, Maria de Knuijt, Delft (1674-d. 1681); probably their daughter, Magdalena van Ruiven, Delft (1681-d. 1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695; sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 8, as 'Een dronke slapende Meyd aen een Tafel' [A drunken sleeping Maid at a Table], (62 florins); probably sale, Amsterdam, (V. Postumus Collection), December 19, 1737, lot 37, as 'Een Slapent Vrouwtje, van de Delfse van der Meer' [A Sleeping Woman, by the Delft van der Meer], (8 florins, 5 st., to Carpi); [probably J.B. P. Lebrun, Paris, in 1811]; sale, Paris (Lebrun), Smeth van Alphen et al. Collections, following April 15, 1811, lot 150 (60 francs, to Paillet); [Alexandre-Joseph Paillet, Paris, in 1811]; John Waterloo Wilson, Paris (after 1873-1881); sale, Paris, John Waterloo Wilson Collection, March 14-16, 1881, lot 116 (to Sedelmeyer); [Sedelmeyer, Paris, 1881 (12,000 francs, to Kann)]; Rodolphe Kann, Paris (1881-d. 1905; his estate, 1905-7; sold to Duveen); [Duveen, London, 1907-8; sold to Altman]; Benjamin Altman, New York (1908-d. 1913); Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913 (acc. no. 14.40.611).\"",
"Current Collection": "Metropolitan Museum of Art New York New York United States 14.40.611 public.",
"Date": "c. 1656-57",
"Material": "Oil on canvas",
"Size": "87.6 x 76.5 cm.. (34 1/2 x 30 1/8 in.)",
"Sources": "\"Havard, Henry. Van der Meer de Delft. Paris : Librairie de l'Art, 1888, p. 39, cat. no. 48; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 589, cat. no. 16; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 239, no. 8; p. 260-64, ill. opposite p. 174; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 111-13, pl. 11; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 78-79, cat. no. 4, pl. 30; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V, cat. no. 4, pl. 4; Kahr, M.M. 'Vermeer's girl asleep: A moral emblem.' Metropolitan Museum Journal 6 (1972), p. 115-132; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13, 28, 29, 73, 156 , cat. no. 4, color ill.; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 74-75; Art and autoradiography : insights into the genesis of paintings by Rembrandt, Van Dyck and Vermeer. New York: Metropolitan Museum of Art, 1982, p. 18-26; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 90-92, 172, cat. no. 4, ill. 4; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 54-62; Arasse, D. Vermeer. Faith in Painting. Princeton 1994, p. 29-31; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 39-47, color ill. opposite p. 38; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 16, ill. 5; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 202-205; Liedtke, Walter et al. Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.] , 2001, cat. no. 67; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 18-20, 113, cat. no. 8, color ill. p. 19; Liedtke, Walter. Dutch paintings in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2007, p. 868-877; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 66-69, 194, cat. no. 4, color ill. opposite p. 66; Chapman, H. Perry, Wayne Franits, and Marjorie Wieseman. Vermeer's women: secrets and silence. New Haven [CT] [etc.]: Yale University Press [etc.], 2011, p. 99-100\"",
"Exhibitions": "London, Art Gallery of the Corporation of London. Works by Early and Modern Painters of the Dutch School. April 28 – July 25, 1903, (188) (as \"The Cook Asleep,\" lent by Monsieur X of Paris); New York, September – November 1909. The Hudson-Fulton Celebration. September – November 1909, The Metropolitan Museum of Art. cat. no. 137 (as \"A Girl Sleeping\").; New York, The Metropolitan Museum of Art. Art Treasures of the Metropolitan. November 7, 1952 – September 7, 1953 (117); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001, (67); New York. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008, no catalogue.; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'. September 9 – November 29, 2009, The Metropolitan Museum of Art (6)."
},
{
"Image link": "https://skd-online-collection.skd.museum/Details/Index/415429",
"Frick Call Number": "\"Vermeer, Johannes, 327-3h\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "A Girl Reading a Letter",
"Add. Title": "The Letter Reader; A Young Woman Reading a Letter",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"?Sale, Pieter van der Lip Collection, June 14, 1712, lot 22, as 'Een leezent Vrouwtje. in een kamer, door vander Meer of Delft' (A Woman reading, in a room, by vander Meer of Delft) (110 florins,); acquired in 1742(1764?) by de Brais in Paris for August III, Elector of Saxony, Dresden, as by Rembrandt; [in the Soviet Union 1945-55]; Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden (inv. 1336).\" ",
"Current Collection": "Gemäldegalerie Alte Meister Dresden Germany 1336 public.",
"Date": "1659",
"Material": "Oil on canvas",
"Size": " 83 x 64.5 cm.. (32 3/4 x 25 3/8 in.)",
"Sources": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 557-58, cat. no. 31; Havard, Henry. Van der Meer de Delft. Paris : Librairie de l'Art, 1888, p. 38, cat. no. 34; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 597, cat. no. 34; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 244; p. 324-327, ill. opposite p. 324; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 195-97, pl .10; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 79, cat. no. 5, pl. 31; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V, cat. no. 5, pl. 5; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 32, 33-35, 40, 44, 62, 67, 70, 77 n. 53, 156-57, cat. no. 6; Mayer-Meintschel, A. 'Die Briefleserin von Jan Vermeer van Delft. Zum inhalt und zur geschichte des bildes.' in Jahrbuch der Staatlichen Kunstsammlungen Dresden, 11 (1978-1979), p. 91-99, ill.; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 30,32, 76-79; Wheelock, A.K. \"Pentimenti in Vermeer's paintings: Changes in style and meaning.\" in Holländische Genremalerei im 17, edited by J. Block. Jahrhundert: Symposium Berlin 1984 (Jahrbuch Preussischer Kulturbesitz, 4). Berlijn 1987, p. 410-411; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 94-98, 173-174, no. 6, ill. 5; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 88-91; Lasius, Angelika , Annaliese Mayer-Meintschel and Angelo Walther. Gemäldegalerie Dresden: Alte Meister : Katalog der ausgestellten Werke, 1992, p. 397, color ill. , with literature; Arasse, D. Vermeer. Faith in painting. Princeton: Princeton University Press, 1994, p. 66-67; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 18, ill. 6; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 97-103, ill. 10-11; Nash, J.M. 'To finde the mindes construction in the face', in Vermeer Studies, edited by I. Gaskell. Washington 1998, p. 59-65; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 177-178, 201-202, 205-210; Walter Liedtke et al., Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, p. 97, 152, 155; Vergara, Alejandro and Mariët Westermann. Vermeer y el interior holandés = Vermeer and the Dutch interior. Madrid: Museo del Prado, 2003, p. 165-166, no. 32; Vergara, L. \"Women, letters, artistic beauty: Vermeer's theme and variations.\" in Love letters. Dutch genre paintings in the age of Vermeer, edited by P.C.Sutton. Dublin: Greenwich [CT]: National Gallery of Ireland: Bruce Museum 2003, p. 51-52; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 30, 115, no. 12, color ill. p. 31; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 70-71, 194, no. 5, color ill. p. 70; Frantis, Wayne. Vermeer. London: Phaidon, 2015, p. 74-82, color ill. Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V, , pl. 5;\"",
"Exhibitions": "Tokyo. Meisterwerke der Europäischen Kunst – Dresden. September 20 - November 24, 1974; Kyoto. Meisterwerke der Europäischen Kunst. Nationalmuseum. December 2, 1974 – January 26, 1975; Moscow, Puschkin Museum. Gerettete Meisterwerke. Puschkin Museum. October 10 - November 18, 1984; Leningrad [St. Petersberg], Staatliche Eremitage. Gerettete Meisterwerke. December 6, 1984 – January 20, 1985; Madrid, Il Prado. Vermeer y el interior holandés. February 19 – May 23, 2003, p. 65-167 (32 and ill.); Kobe, Hyogo Prefectural Museum of Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. January – 22 May, 2005; Tokyo, National Museum of Western Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. June 28 - September 19, 2005; Dresden, Staatliche Kunstsammlungen, Gemäldegalerie Alte Meiste. Der frühe Vermeer. September 3 – November 28, 2010."
},
{
"Image link": "https://collections.frick.org/objects/275/officer-and-laughing-girl",
"Frick Call Number": "\"Vermeer, Johannes, 320-2b\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Officer and Laughing Girl",
"Add. Title": "Soldier and the Laughing Girl;Cavalier and Young Woman; A Gentleman and a Young Lady ",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (d.1674) ; probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682); her widower, Jacob Abrahamsz Dissius (1682-d.1695); Jacob Dissius Collection Sale, Amsterdam, May 16, 1696, lot 11 (44 fl. 10 st.) (as \"Een Soldaet met een laggent Meysje zeer fraei\" [A Soldier with a laughing Girl, very fine] ; Sale: Christie's, London, Charles Scarisbrick Collection, May 10, 1861, lot 89 (as by \"De Hooghe\") (£87 3s to Lee Mainwaring); probably Charles-Benjamin Lee-Mainwaring Old Palace, Richmond Surrey (as by De Hooch) ; Sale: London, by March 1866 (as by De Hooch) (235 guineas to Théophile Thoré as by Vermeer for Léopold Double) ; Léopold Double, Paris (1866- d.1881) ; Sale: Pillet, Paris Léopold Double Collection, May 30, 1881, lot 16 (88,000 francs to Léon Gauchez for Paul Demidoff) ; Paul Demidoff [Pavel Pavlovich Demidov] prince of San Donato, Villa di Pratolino near Florence (d.1881); his widow, Hélène Demidoff [Elena Petrovna Demidov née Troubetskaya] princess of San Donato; Samuel S. Joseph, London in 1891 (d. 1894) ; his widow Mrs. Samuel Joseph (Emma Heilbut), London (1894-1911) ; Knoedler dealer, New York, 1911 ; Henry Clay Frick (1911) ($225 000); Frick Collection New York (11.1.127).\"",
"Current Collection": "Frick Collection New York New York United States Purchased 11.1.127 public.",
"Date": "between 1655-1660",
"Material": "Oil on canvas",
"Size": "50.5 x 46 cm.. (19 7/8 x 18 1/8 in.)",
"Sources": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 548, cat. no. 7; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 35, cat. no. 7; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, Vol 1, 1907, p. 599-600, cat. no. 39; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 239, no. 11; p. 256-58, ill. opposite p. 16; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 121-23, pl. 16; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 79, cat. no. 6, pl. 32; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V-VI, cat. no. 6, pl. 6; Focarino, Joseph. The Frick Collection: an illustrated catalogue: paintings. New York: Frick Collection, 1968, p. 286; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 32, 33, 35, 40, also 73, 77 n. 48, 156, cat. no. 5; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 82-85; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987, p. 94-98, 173, cat. no. 5, color ill. opposite p. 96; Nash, J.M. Vermeer. London: Scala Books. 1991, p. 63-66; Arasse, D. Vermeer. Faith in Painting. Princeton: Princeton University Press, 1994, p. 49-50, 79; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 55-61, color ill. opposite p. 54; Ryskamp, C. et. al,. Art in The Frick Collection: Paintings, Sculpture, Decorative Arts [cat.]. New York: Frick Collection, 1996, p.71; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 104, ill. 12-13; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 22, ill. 8; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 22, 145, 177-178, 190-191, 209-210; Liedtke, Walter et al., Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, p. 155-157, 272; Vergara, L. \"Perspectives on women in the art of Vermeer.\" in The Cambridge Companion to Vermeer, edited by Wayne E. Frantis. Cambridge: New York: Cambridge University Press, 2001, p. 63-64; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 32, 115, cat. no. 13, color ill. opposite p. 33; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 72-75, 194, cat. no. 6, color ill. opposite p. 73\"",
"Exhibitions": "New York, Frick Collection. Frick's Vermeers reunited. June 3 - November 2, 2008. "
},
{
"Image link": "https://www.rijksmuseum.nl/en/collection/SK-A-2344",
"Frick Call Number": "\"Vermeer, Johannes, 327-3i\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Milkmaid",
"Add. Title": "A Maid-Servant Pouring Out Milk; The Milk-Woman",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.16810; probably their daughter Magdelena van Ruijven, Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (16812-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 2, as 'Een Meyd die Melk uytgiet uytnemende goet' [A Maid who pours Milk, exceptionally good] (175 florins,); Isaac Rooleeuw, Amsterdam (1696-1701); sale, Amsterdam, Isaac Rooleeuw Collection, April 20, 1701, lot 7 (320 florins,); Jacob van Hoek, Amsterdam (1701-1719); sale, Amsterdam, Jacob van Hoek Collection, April 12, 1719, lot 20 (126 florins,); Pieter Leendert de Neufville, Amsterdam (1759-65); sale, Amsterdam [J.M. Cok], June 19, 1765, lot 65 (560 florins, to Yver); sale, Amsterdam, Dulong Collection, April 18, 1768, lot 10 (925 florins, to Van Diemen); Jan Jacob de Bruyn, Amsterdam (by 1781); sale, Amsterdam (Ph. van der Schley), Jan Jacob de Bruyn Collection, September 12, 1798, lot 32 (1,550 florins, to J. Spaan); sale, Amsterdam, Hendrik Muilman Collection, April 12, 1813, lot 96 (2,125 florins or 2113 florins, to J. de Vries for L.H. van Winter); Lucretia Johanna van Winter, Amsterdam (1813-1845); Hendrik Six van Hillegom, Amsterdam (1845-47); Jan Pieter Six van Hillegom and Pieter Six van Vromade, Amsterdam (1847-1899/1905); Six van Vromade heirs; purchased in 1908 by the Rijksmuseum Amsterdam with thirty-eight other works, 750,000 florins (inv. A2344).\"",
"Current Collection": "Rijksmuseum Amsterdam Netherlands Sk-A-2344 public.",
"Date": "c. 1657-1658",
"Material": "Oil on canvas",
"Size": "45.5 x 41 cm.. (17 7/8 x 16 1/8 in.)",
"Sources": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 553-54, cat. no. 25; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 37, cat. no. 28; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, Vol 1, 1907, p. 589-90, cat. no. 17; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 238, no. 2; p. 284-86, ill. opposite p. 188; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 175-77, pl. 6; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 81, cat. no. 10, pl. 36; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. VII, cat. no. 9, pl. 9; Thiel, P.J.J. van. All the paintings of the Rijksmuseum in Amsterdam. Amsterdam: Rijskmuseum, 1976, p. 572, cat. no. A 2344; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 32, 35, 40, 63-65, 157-58, cat. no. 7; Slatkes, Leonard J. Vermeer and his contemporaries. New York [NJ] : Abbeville , 1981, p. 32-35; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 86-89; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 94-98, cat. no. 7, pl. 8; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 94-96; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 63-71, color ill. opposite p. 62; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 5; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 109-112, pl. 16-17; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 24, pl. 9; Costaras, N. \"A study of the materials and techniques of Johannes Vermeer.\" in Vermeer studies, edited by I. Gaskell en M. Jonker. Washington: National Gallery of Art, 1998, p. 145-167, pl. 10; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle: Waanders, 2000, p. 131, 207-209, 210-213; Liedtke, Walter et al. Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 68; Rüger, Axel. Vermeer and painting in Delft. London : National Gallery, 2001, p. 59, color ill. opposite p. 58; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 20, cat. no. 9, color ill. opposite p. 21; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 76-79, 194-195, cat.no. 7, color ill. opposite p. 77; Liedtke, Walter. The Milkmaid by Johannes Vermeer. New York: Metropolitan Museum of Art, 2009; Avery-Quash, S. \"The Travel Notebooks of Sir Charles Eastlake.\" The Walpole Society 73 (2011) dl. 1, p. 553\"",
"Exhibitions": "Amsterdam, Katalogus der tentoonstelling van schilderijen van oude meesters. Arti et amicitiae. 1872, p. 21 (142); Amsterdam, Stedelijk Museum. Catalogus der verzameling schilderijen en familieportretten van de heeren jhr. P. H. Six van Vromade, Jhr. J. Six en jhr. W. Six. 1900, p. 17 (70); Paris, Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (105); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (302, and pl. 77); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 27 (163, and ill.); Rotterdam, Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 35 (81, and ill. 62.); New York, New York World's Fair. Masterpieces of Art. 1939, p. 194-195 (398, and pl. 71); Detroit, The Detroit Institute of Arts. Masterpieces of Art from Foreign Collections. European Paintings from the New York and San Francisco World's Fairs. 1939, p. 19 (ill. 52); Detroit, The Detroit Institute of Arts. Masterpieces of Art from European and American Collections. Twenty-Second Loan Exhibition oh Old Masters. 1941, p. 19 (ill. 62); Zurich, Jahrhunderts, Kunsthaus. Hollander des 17. 1953, p. 72 (171, and ill. 28); The Hague, Mauritshuis. In het licht van Vermeer. 1966 (2 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (2, and ill.); Tokyo, The National Art Center. Milkmaid by Vermeer and Dutch Genre Painting. June 26, 2007 – September 26, 2007; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'; September 9 – November 29, 2009. Paris, Louvre Museum. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 20 - May 22, 2017, p. 205 (no. 2, ill.)"
},
{
"Image link": "http://www.smb-digital.de/eMuseumPlus?service=direct/1/ResultLightboxView/result.t1.collection_lightbox.$TspTitleImageLink.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=Slightbox_3x4&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=8",
"Frick Call Number": "\"Vermeer, Johannes, 320-1b\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Glass of Wine",
"Add. Title": "A Girl Drinking with a Gentleman",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Sale, Delft, Jan van Loon Collection, July 18, 1736, lot 16, 52 florins; John Hope, Amsterdam (1774-d.1784); his heirs (until 1794); Henry Thomas Hope, Deepdene, Surrey (d.1862); his daughter, Henrietta Adela (d.1884); her son, Lord Henry Francis Pelham-Clinton-Hope (until 1898); [D. Colnaghi and Asher Wertheimer, London]; purchased (5000?) in 1901 by Kaiser Friedrich Museum, Berlin, later renamed Gemäldegalerie, Staatliche Muséen zu Berlin, Berlin (inv. 912c).\"",
"Current Collection": "Gemäldegalerie Berlin Tiergarten Germany 912c public.",
"Date": "c. 1658-59",
"Material": "Oil on canvas",
"Size": "65 x 77 cm.. (25 5/8 x 30 1/4 in.)",
"Sources": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 552, cat. no. 20; Havard, Henry. Van der Meer de Delft. Paris : Librairie de l'Art, 1888, p. 37, cat. no. 23; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 598-99, cat. no. 37; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 244, 310-13, ill. opposite p. 310; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 189-90, pl. 46; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 82, cat. no. 12, pl. 38; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. VIII, cat. no. 11, pl. 11; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 35, 40, 75 n. 10, 77 n. 59 also 73, 158, cat. no. 8; Slatkes, Leonard J. Vermeer and his contemporaries. New York [NJ]: Abbeville, 1981, p. 46-47; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 90-91; Sutton, Peter C. Masters of seventeenth-century Dutch genre painting. London: Weidenfeld, 1984, cat. no. 116, ill. 106; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 100-102, cat. no. 8, ill. 7; Smith, D.R. Art Bulletin 69 (1987), p. 407-430, fig. 26; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 66, 68-70; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 5; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 112, ill. 18-20; Wheelock, Arthur. Vermeer: the complete works. New York: Abrams, 1997, p. 26, cat. no. 10, color ill. opposite p. 27; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 150, 215-217; Liedtke, Walter et al., Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, p. 156-158, 376-379, cat. no. 70; Goodman, E. 'The landscape on the Wall in Vermeer.' In The Cambridge Companion to Vermeer, edited by Wayne E. Frantis. Cambridge: New York: Cambridge University Press, 2001, p. 75-76; Rüger, Axel. Vermeer and painting in Delft. London : National Gallery, 2001, p. 59-60, cat. no. 49; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 34, cat. no. 14, color ill. opposite p. 35; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 80-83, 195, cat. no. 10. Vries, A B, and René Huyghe. Jan Vermeer De Delft. Paris: Tisne, 1948. pp. VIII.\"",
"Exhibitions": "Amsterdam, Katalogus der tentoonstelling van schilderijen van oude meesters. Arti et amicitiae. 1872, p. 21 (142); Amsterdam, Stedelijk Museum. Catalogus der verzameling schilderijen en familieportretten van de heeren jhr. P. H. Six van Vromade, Jhr. J. Six en jhr. W. Six. 1900, p. 17 (70); Paris, Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (105); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (302, and pl. 77); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 27 (163,and ill.); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 35 (81, and ill. 62.); New York, New York World's Fair. Masterpieces of Art. 1939, p. 194-195 (398, and pl. 71); Detroit, The Detroit Institute of Arts. Masterpieces of Art from Foreign Collections. European Paintings from the New York and San Francisco World's Fairs. 1939, p. 19 (ill. 52); Detroit, The Detroit Institute of Arts. Masterpieces of Art from European and American Collections. Twenty-Second Loan Exhibition of Old Masters. 1941, p. 19 (ill. 62); Zurich, Jahrhunderts. Kunsthaus. Hollander des 17. 1953, p. 72 (171, and ill. 28); Rome, Palazzo delle Esposizioni. Mostra di pittura olandese del seicento. January 4 - February 14, 1954, p. 90 (176, and ill. 31, shown as \"La cuciniera\"); The Hague, Mauritshuis. In het licht van Vermeer. 1966 (2 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24 – November 28 1966 (II, and ill.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996, p. 108-113 (5, repro. (not shown in Washington D.C.)); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (69); London, National Gallery. Vermeer and the Delft School. National Gallery. June 20 – September 16, 2001 (69); Tokyo, The National Art Center. Milkmaid by Vermeer and Dutch Genre Painting. The National Art Center. June 26, 2007 – September 26, 2007; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'. September 9 – November 29, 2009."
},
{
"Image link": "https://collections.frick.org/objects/273/girl-interrupted-at-her-music",
"Frick Call Number": "\"Vermeer, Johannes, 320-23c\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Girl Interrupted at Her Music",
"Add. Title": "The Music Lesson;Young Woman Interrupted at Music",
"Personal Name": "Vermeer Johannes 1632-1675.",
"Provenance": "\"Pieter de Smeth van Alphen, Amsterdam; sale, Amsterdam (Ph. van der Schley), Pieter de Smeth van Alphen Collection, August 1-2, 1810, lot 57 (610 florins, to J. de Vries); J. de Vries; sale, Amsterdam (Ph. van der Schley), Henry Croese et al. Collections, September 18, 1811, lot 45 (399 florins, to Roos); Cornelis Sebille Roos (1811-1820); sale, Amsterdam [J. de Vries], Cornelis Roos Collection, August 28, 1820, lot 64 (340 florins, to Brondgeest, or 420 florins, to N.N.); Brondgeest; sale, London (Christie's), Samuel Woodburn Collection, June 24, 1853, lot 128 (£42, to Smith or directly to Gibson); Francis Gibson, Saffron Walden (d.1858); his daughter, Mrs. Lewis Fry, Clifton, near Bristol; [Lawrie & Co., London]; [Knoedler, New York, in 1901 ($26,000, to Frick)]; Henry C. Frick, New York (1901-d.1919); Frick Collection, New York (acc. no. 1901.1.125).\"",
"Current Collection": "Frick Collection New York New York United States Henry Clay Frick Bequest 1901.1.125 public.",
"Date": "c. 1660",
"Material": "Oil on canvas",
"Size": "39.3 x 44.4 cm.. (15 1/2 x 17 1/2 in.)",
"Sources": "\"Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 36, cat. no. 17 and 18; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 594, cat. no. 27; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 252-256; Johansen, P. 'Jan Vermeer de Delft. A propos de l'orde chronologique de ses tableaux.' Oud Holland 38 (1920), p. 185-199; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 119-121, pl. 15; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. p. 83, cat. no. 14, pl. 40; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. p. IX, cat. no. 13, pl. 13; Bloch, Vitale. Tutta la pittura di Vermeer di Delft. Milan: Rizzoli, 1954, p. 46; Bianconi, Piero and Giuseppe Ungaretti. L'opera completa di Vermeer. Milan: Rizzoli, 1967, p. 104, cat. no. 18; Goldscheider, Ludwig. Johannes Vermeer: the paintings: complete edition. London: Phaidon, 1967, p. 155. cat. no. 12; Focarino, Joseph. The Frick Collection: an illustrated catalogue: paintings. New York: Frick Collection, 1968, p. 292; Grimme, Ernst Gunther. Jan Vermeer van Delft. Koln: DuMont Schauberg, 1974, p. 44, cat. no. 11; Blankert, Albert, Rob Ruurs and Willem L. van de Watering. Johannes Vermeer van Delft: 1632-1675. Utrecht: Spectrum, 1975. cat. no. B2; Wright, Christopher. Vermeer. London: Oresko, 1976, cat. no. 11; Blankert, Albert. Vermeer of Delft: complete edition of the paintings. Oxford: Phaidon, 1978, pp. 77 n. 54, 78 n. 100, 171-72, cat. no. B2; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 98, cat. no. 18; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 204, cat. no. b2; Smith, D.R. Art Bulletin 69 (1987), p. 407-430, fig. 29; Wright, Christopher. Vermeer: catalogue raisonne. London: Visual Arts Publishing, 1995, p. 30, cat. no. 15; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 113, cat. no. 21; Salomon, N. \"From sexuality to civility. Vermeer's women,' in Vermeer Studies, edited by. I. Gaskell (e.a). Washington D.C.: National Gallery of Art, 1998, p. 309-325; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 36, cat. no. 15; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 84, 195, cat. no. 9; Chapman, H. Perry, Marjorie E. Wieseman and Wayne Frantis. Vermeer's women: secrets and silence. New Haven (CT): Yale University Press, 2011, p. 93;\"",
"Exhibitions": "Saint Louis, Saint Louis World's Fair. 1904; New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. September – November 1909 (138 as \" The Music Lesson\" lent by Mr. Henry C. Frick, New York); New York, Frick Collection. Frick’s Vermeers reunited. June 3 – November 2, 2008."
},
{
"Image link": "https://www.3landesmuseen.de/Hollaendische-Malerei-17-und-18-Jahrhu.644.0.html",
"Frick Call Number": "\"Vermeer, Johannes, 320-1a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Girl with the Wine Glass",
"Add. Title": "Young Woman with a Wine Glass;Een vrolijk gezelschap in een kamer kragtig en goet; La Coquette; Woman and Two Men, An Interior with Revellers ",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft, (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682), Delft (1861-d.1862); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); ?sale, Amsterdam, May 16, 1696, Jacob Dissuis Collection, lot 9, as 'Een vrolijk gezelschap in een kamer, kragtig en goet' (A merry company in a room, vigorous and good) (73 florins,); Duke Anton Ulrich of Brunswick (before 1710); in 1714 to Ducal Museum, Brunswick; 1807-1815 in the Louvre, Paris; National Museum, Brunswick (inv.316).\"",
"Current Collection": "National Museum Brunswick Germany 316 public.",
"Date": "c. 1659-60",
"Material": "Oil on canvas",
"Size": "78 x 67 cm.. (30 3/4 x 26 3/8 in.)",
"Sources": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 547, cat. no. 6; Bredius, A. “Iets over Johannes Vermeer. (\"de Delftsche Vermeer\").” Oud-Holland 3 (1885). p. 217-222; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 35, cat. no. 6; von Frimmel. Th. “Zu Vermeer van Delft.” Blätter für Gemäldekunde 2/10 (1906). p. 183-189; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 599, cat. no. 38; Becker, Felix and Ulrich Thieme. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. vol. 34. Leipzig: E.A. Seeman, 1926-1940, p. 265-275; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 239, no. 9; p. 244; pp. 313-16, ill. opposite p. 136; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 190-92, pl. 47; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 82, cat. no. 13, pl. 39; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. VIII-IX, cat. no. 12, pl. 12; Seymour. Ch. “Dark chamber and light-filled room: Vermeer and the camera obscura.”.Art Bulletin 46 (1964). p. 323-331; Kühn, H. “A study of the pigments used by Jan Vermeer.” Report and studies in the history of art. National Gallery of Art (Washington) 2 (1968). p. 153-202; Fink, D.A. “Vermeer”s use of the camera obscura - a comparative study.” Art Bulletin 53 (1971). p. 493-505; Welu, J.A. “Vermeer: his cartographic sources.” Art Bulletin 57 (1975). p. 529-547; Montias, J.M. “New documents on Vermeer and his family.” Oud Holland 91 (1977). p. 267-287; Wheelock, A.K. “Zur Technik zweier Bilder. die Vermeer zugeschrieben sind.” Maltechnik 84 (1978). p. 242-257;Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 41, 62, 63, 77 n. 59, 159, cat. no. 11; Witt Library. A checklist of painters, c. 1200-1976 represented in the Witt Library, Cortauld Institute of Art, London. London: Mansell Information Pub., 1978; Montias, J.M. “Vermeer and his milieu: conclusion of an archival study.” Oud Holland 94 (1980). p. 44-62; Seth, L. “Vermeer och van Veens Amorum Emblemata” Konsthistorisk Tidskrift 49 (1980). p. 17-40; Wheelock, A.K. en K. Kaldenbach. “Vermeer”s View of Delft and his Vision of Reality.” Artibus et Historiae 6 (1982). p. 9-35; Sutton, Peter C. Masters of seventeenth-century Dutch genre painting ; Philadelphia Museum of Art, 18.3.-13.5.1984 : Gemäldegalerie, Staatliche Museen Preuss. Kulturbesitz, Berlin, 8.6.-12.8.1984 ; Royal Academy of Arts, London, 7.9.-8.11.1984. Philadelphia, 1984, p. 77-78; Montias, J.M. e.a. “A Postscript on Vermeer and His Milieu.” Mercury (1991). nr. 12. p. 42-52; Weber, G.J.M. “Antoine Dézallier d”Argenville und fünf Künstler namens Jan van der Meer.” Oud Holland 107 (1993) p. 298-304; Donhauser, P.L. “A key to Vermeer?”.Artibus et Historiae 27 (1993). p. 85-101; Weber, G.J.M. “’om te bevestige(n). Aen-te-raden. verbreeden ende Vercieren.’ Rhetorische Exempellehre und die Struktur des ‘Bildes im Bild.’“ Wallraf-Richartz-Jahrbuch 55 (1994) (Studien zur niederländischen Kunst. Festschrift für Prof.Dr. Justus Müller Hofstede). p. 287-314; Wheelock, Arthur. Vermeer: the complete works. New York: Abrams, 1997, p. 26, 28, cat. no. 11; Kinkelder, Marijke C. de and Aad van der Willigen. Dictionary of Dutch and Flemish Landscape and Marine painters working in oils, active before 1725 (typescript uit 1993-1998, in bewerking door en met aanvullingen van Marijke de Kinkelder, conservator Oude Kunst, RKD). 1993-1998. Briels, J.G.C.A. Vlaamse schilders en de dageraad van Hollands Gouden Eeuw, 1585-1630: met biografieën als bijlage. Antwerp: Mercatorfonds, 1997, p. 396; Harmon, Roger. “Musica laetitiae comes” and Vermeer’s Music Lesson.” Oud Holland 113 (1999). p. 161-166; Kolfin, E., C. Pottasch en R. Hoppe. “The metamorphosis of Diana: changing perceptions of the young Vermeer”s paintings techniques.” Art Matters. Netherlands Technical Studies in Art 1 (2002). p. 90-103; Weber, G.J.M. “Die Empirie des Lichts. Anmerkungen zur Lichtbehandlung bei Johannes Vermeer.” Zeitschrift für Kunst- und Kulturwissenschaften. 30 (2002). nr. 4. p. 38-57; Leonard, K.. “Vermeer’s Pregnant Women. On Human Generation and Pictorial Representation.” Art History 25. nr. 3. juni 2002. p. 293-318; Pottasch. C. and R. Hoppe. “The restoration of an early Vermeer: Diana and her companions transformed. A case study about a painting scarred by time.” Zeitschrift für Kunsttechnologie und Konservierung. 17/1 (2003). p. 148-155; Lindenburg, M.A. “Het huwelijk van Jan Vermeer.” Delfia Batavorum 13 (2003). p. 93-97; Greub. Th. “Vermeer oder die Fragilität des Sehens. Eine metakoinische Interpretation. voltooide diss.” (Kunsthist. Seminar der Universität. Bazel [Prof. Boehm]); Kunstchronik 9/10-2003. p. 531; Glass, M.A. “Vermeer in dialogue. From appropriation to response.” afgesloten PhD. University of Maryland College Park 2003: Kunstchronik 9/10. 2004. p. 501; Rubinstein, G. “Seeing the light.” Sotheby’s Preview. june/july 2004. p. 30-33; Pavel, Thomas. “Theatrum Fidei. Zu Jan Vermeers Allegorie des Glaubens (werktitel). dissertatie in voorbereiding.” Freie Universität Berlin 2004 (Bron: Kunstchronik 2004/8. p. 396); Findeiss, Isabel. “Untersuchungen zum Verhältnis von Bild. Text und Film am Beispiel von Jan Vermeers ‘Das Mädchen mit dem Perlenohrring.’” dissertatie in voorbedeiring. Katholische Universität Eichstätt (bron: Kunstchronik 2005/8. p. 418); Kobayashi-Sato, Y. “Vermeer and his thematic use of perspective. “ In: Golahny, A. e.a. In his milieu. Essays on Netherlandish art in memory of John Michael Montias. Amsterdam 2006. p. 209-218; van der Bas, C. “The Muilman Collection: the progressive taste of an eighteenth-century banking family.” Simiolus 32 (2006). p. 156-181; Balk, H. “Kennerschap en zelfbedrog. Dirk Hannema en Johannes Vermeer.” Kunstschrift 51 (2007). nr. 2. p. 40-45; Binstock, B. “The apprenticeship of Maria Vermeer.” Artibus et Historiae 57 (2008). p. 9-47; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 86-88, 195, cat. no. 10; Smith. D.R. “Vermeer and Iconoclasm.” Zeitschrift für Kunstgeschichte 74 (2011). p. 193-216; Zell, M. “’Liefde baart kunst’: Vermeer”s poetics of painting.” Simiolus 35 (2011). p. 142-164; Waiboer. A. review of Franitz 2015. The Burlington Magazine 158 (2016). p. 131-132;\"",
"Exhibitions": "Berlin, Galerie Dr Schäffer. Erasmus, Kurt. Die Meister des holländischen Interieurs. 1929 (103a, and ill.); Schaffhausen, Museum zu Allerheiligen. Rembrandt und seine Zeit. 1949, p. 76 (188, and ill.); Brunswick. Die Klessmann, Rüdiger. Die Sprache der Bilder: Realität und Bedeutung in der niederlandischen Malerei des 17 Jarhunderts. 1978, p. 164-168 (39, and ill.); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 168-169 (33, and ill.); Tokyo. Vermeer and the Delft Style. Metropolitan Art Museum. August 2 – December 14, 2008, p. 176-178 (28, and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 - January 20, 2013, p. 210 (47, and ill.)."
},
{
"Image link": "https://www.rijksmuseum.nl/en/vermeers-the-little-street-discovered/objects#/SK-A-2860,2",
"Frick Call Number": "\"Vermeer, Johannes, 317-19a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Little Street in Delft",
"Add. Title": "The Little Street;Het Straatje",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1672-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 32, 'as Een Gesicht van een Huys staende in Delft' (A View of a House standing in Delft) (72 florins, 10 st.) or lot 33, as 'Een Gesicht van eenige Huysen' (A View of some Houses) (48 florins,); Gerrit Willem van Oosten de Bruyn, Haarlem (before 1797); his widow, Haarlem; sale, Haarlem [Van der Vinne], G.W. Oosten de Bruyn Collection, April 8, 1800, lot 7 (1,040 florins, to Van Winter); Peter van Winter, Amsterdam (1800-7); Lucretia Johanna Van Winter, Amsterdam (1807-45); Hendrik Six van Hillegom, Amsterdam (1845-47); Jan Pieter Six van Hillegom and Pieter Six van Vromade, Amsterdam (1847-1899/1905); William Six van Wimmenum, Amsterdam (1905-1919); Jan Six, Amsterdam and s'Graveland (1919-21); sale, Amsterdam [Frederik Muller & Co.] Six Collection, April 12, 1921 (bought in); Sir Henry Deterding; gift of Sir Henry W. A. Deterding in 1921 to the Rijksmuseum, Amsterdam (inv. A2860).\"",
"Current Collection": "Rijksmuseum Amsterdam Netherlands A2860 public.",
"Date": "c. 1658-1660",
"Material": "Oil on canvas",
"Size": "54.3 x 44 cm.. (21 3/8 x 17 3/8 in.)",
"Sources": "\"Thoré, T. Van Der Meer De Delft. Paris: Gazette des Beaux-Arts, 1866. p. 568, cat. no. 49; Havard, Henry. Van Der Meer De Delft. Paris: Librairie de l'art, 1888. p. 39, cat. no. 50; Hofstede, de G. C. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century: Based on the Work of John Smith. London: Macmillan and Co, 1907. pp. 602-3, cat. no. 47; Hale, Philip L. Jan Vermeer of Delft. Boston: Small, Maynard and Co, 1913. p. 240, cat. no. 32, pp. 289-91, ill. opposite p. 54; Martin, W, Frans Hals, and Harmenszoon R. Rembrandt. De Hollandsche Schilderkunst in De Zeventiende Eeuw. Amsterdam: J.M. Meulenhoff, 1936. p. 184, 186, 190, 393; Hale, Philip L, Frederick W. Coburn, and Ralph T. Hale. Vermeer. Boston: Hale, Cushman & Flint, 1937. pp. 179-81, pl. 8; Vries, A B. Jan Vermeer Van Delft. Amsterdam: J.M. Meulenhoff uitgever, 1939. p. 80, cat. no. 8, pl. 34; Vries, A B, Johannes Vermeer, and René Huyghe. Jan Vermeer De Delft: Suivi De La Poétique De Vermeer. Paris: P. Tisné, 1948. p. VI, cat. no. 7, pl. 7; Swillens, P T. A. Johannes Vermeer, Painter of Delft, 1632-1675. Utrecht: Spectrum, 1950. p. 93-96; Thiel, P J. J. All the Paintings of the Rijksmuseum in Amsterdam: A Completely Illustrated Catalogue. Amsterdam: Rijksmuseum, 1976. p. 571-572, cat. no. A 2860; Blankert, Albert, Rob Ruurs, and Willem L. Watering. Johannes Vermeer Van Delft 1632-1675. Utrecht [etc.: Spectrum, 1977. p. 53-59, cat. no. 9, pl. 9; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978. p. 36-40, cat. no. 9; Wheelock, Arthur K, and Johannes Vermeer. Jan Vermeer. New York: Abrams, 1981. p. 80; Slatkes, Leonard J. Vermeer and His Contemporaries. New York: Abbeville Press, 1981. p. 37-38; Blankert, Albert, John M. Montias, Gilles Aillaud, Rob Ruurs, Bab Westerveld, and Johannes Vermeer. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987. p. 102-108, cat. no. 9, pl. 9; Wheelock, Arthur K. Vermeer & the Art of Painting. New Haven: Yale University Press, 1995. p. 49-53, ill. opposite p. 48; Broos, Ben, Albert Blankert, Jørgen Wadum, and Arthur K. Wheelock. Johannes Vermeer [washington, 1995]. Zwolle: Waanders, 1995. cat. no. 4; Wheelock, Arthur K, and Johannes Vermeer. Vermeer: The Complete Works. New York: H.N. Abrams, 1997. p. 20, pl. 7; Kaldenbach, Kees. \"Het Straatje Van Johannes Vermeer: Nieuwe Langendijk 22-26? ; Een Kunsthistorische Visie Op Een Archeologisch En Bouwhistorisch Onderzoek.\" Bulletin Knob / Koninklijke Nederlandse Oudheidkundige Bond. (2000): 238-249; Liedtke, Walter A. A View of Delft: Vermeer and His Contemporaries. Zwolle: Waanders Publishers, 2000. p. 184, 220-221; Liedtke, Walter A, Michiel Plomp, and Axel Rüger. Vermeer and the Delft School. New York: Metropolitan Museum of Art, 2001. cat. no. 69; Wright, Christopher, and Johannes Vermeer. Vermeer. London: Chaucer, 2005. p. 28, pl. 11; Liedtke, Walter A, and Johannes Vermeer. Vermeer: The Complete Paintings. Ghent, Belgium: Ludion Press, 2008. p. 89-91, 195, cat. no. 11, ill. opposite p. 89; Eastlake, Charles L, and Susanna Avery-Quash. The Travel Notebooks of Sir Charles Eastlake: 1. London: Walpole Soc, 2011. p. 553; Grijzenhout, Frans. Het Straatje Van Vermeer: Gezicht Op De Penspoort in Delft. Amsterdam: Rijks Museum, 2015.\"",
"Exhibitions": "Amsterdam, Katalogus der tentoonstelling van schilderijen van oude meesters. Arti et amicitiae. 1872, p. 22 (143); Amsterdam, Stedelijk Museum. Catalogus der verzameling schilderijen en familieportretten van de heeren jhr. P. H. Six van Vromade, Jhr. J. Six en jhr. W. Six. 1900, p. 17 (71); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 149-150 (316, and pl. 80); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 28 (165, and ill. 165); Rotterdam, Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 36 (83, and ill. 64); Paris, Orangerie des Tuileries. Le Paysage hollandais au XVII siècle. 1950 (98); Brussel, Paleis voor Schone Kunsten. De Hollandsche schilderkunst van Jeroen Bosch tot Rembrandt. April 28, 1946; London, Royal Academy of Arts. Dutch Pictures 1450-1750. 1952, vol. 1 (529, 2: ill. 13); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibitio of Dutch Pitcures of Seventeenth Century. 1954 (ill. 7); Rome, Palazzo delle Esposizioni. Le XVII siècle Européen. Réalisme classique baroque. 1956, p. 246 (31, and pl. 28); Tokyo. Vermeer and the Delft Style. Metropolitan Art Museum. August 2 – December 14, 2008, p. 172-174 (26 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. 27 September, 2012 - 20 January, 2013, p. 206 (46, and ill.)."
},
{
"Image link": "https://www.mauritshuis.nl/en/explore/the-collection/artworks/view-of-delft-92/",
"Frick Call Number": "\"Vermeer, Johannes, 318-21a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "A View of Delft",
"Add. Title": "A View of Delft from the Rotterdam Canal",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Madgalena van Ruijven (1681-d.1882); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissuis Collection, May 16, 1696, lot 31, as 'De Stad Delft in perspectief, te sien van de Zuyd-zy' [The City of Delft in perspecitve, see from the South] (200 florins,); Willem Philip Kops, Haarlem and Bloemendaal (before 1805); Cornelia Kops-de Wolf, Bloemendaal (1805-1820); Anna Johann Teding van Berkhout-Kops, Haarlem May 22, 1822 sale, Amsterdam, S.J. Sinstra et al. Collections, May 22, 1822, lot 112 (2,900 florins, to J. de Vries); purchased by the Netherlands for the Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague (inv. 92).\"",
"Current Collection": "Koninklijk Kabinet van Schilderijen The Hague Netherlands public.",
"Date": "c. 1660-61",
"Material": "Oil on canvas",
"Size": "98.5 x 117.5 cm.. (38 3/4 x 46 1/4 in.)",
"Sources": "\"Thoré, T. Van Der Meer De Delft. Paris: Gazette des Beaux-Arts, 1866. p. 568, cat. no. 48; Havard, Henry. Van Der Meer De Delft. Paris: Librairie de l'art, 1888. p. 39, cat. no. 49; Hofstede, de G. C. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century: Based on the Work of John Smith. London: Macmillan and Co, 1907. p. 603, cat. no. 48; Hale, Philip L. Jan Vermeer of Delft. Boston: Small, Maynard and Co, 1913. p. 239, no. 31, pp. 291-96, ill. opposite p. 58; Hale, Philip L, Frederick W. Coburn, and Ralph T. Hale. Vermeer. Boston: Hale, Cushman & Flint, 1937. pp. 168-70, pl. 3; Vries, A B. Jan Vermeer Van Delft. Amsterdam: J.M. Meulenhoff uitgever, 1939. pp. 80-81, cat. no. 9, pl. 35; Vries, A B, and René Huyghe. Jan Vermeer De Delft. Paris: Tisne, 1948. pp. VI-VII, cat. no. 8, pl. 8; Kühn, Hermann. \"A Study of the Pigments and the Grounds Used by Jan Vermeer.\" Report and Studies in the History of Art / National Gallery of Art. (1968): 154-202; Hoetink, H.R, and G Kilburn. Mauritshuis: The Royal Cabinet of Paintings : Illustrated General Catalogue. The Hague: Government Publishing Office, 1977. p. 247; Blankert, Albert, Rob Ruurs, and Willem L. Watering. Johannes Vermeer Van Delft 1632-1675. Utrecht [etc.: Spectrum, 1977. p. 53-59, cat. no. 10, pl. 10; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978. pp. 40, 43, 66-67, 69, 158-59, cat. no. 10; Wheelock, Arthur K, and Johannes Vermeer. Jan Vermeer. New York: Abrams, 1981. p. 94-96; Slatkes, Leonard J. Vermeer and His Contemporaries. New York: Abbeville Press, 1981. p. 40-43; Wheelock, Arthur K, and C J. Kaldenbach. \"Vermeer's View of Delft and His Vision of Reality.\" Artibus Et Historiae / Istituto Internationale Per Le Ricerche Di Storia Dell'arte (irsa). (1982): 9-35; Blankert, Albert, John M. Montias, Gilles Aillaud, Rob Ruurs, Bab Westerveld, and Johannes Vermeer. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987; Nash, J M. Vermeer. London: Scala Books, 1991. p. 6-14; Chong, Alan, and H Martherus. Johannes Vermeer: Gezicht Op Delft. Bloemendaal: Becht, 1992; Wheelock, Arthur K. Vermeer & the Art of Painting. New Haven: Yale University Press, 1995. p. 73-83, ill. opposite p. 72; Broos, Ben, Arthur K. Wheelock, Albert Blankert, and Jack Horn. Johannes Vermeer. Zwolle: Waanders, 1995. p. 123-124, pl. 5, p. 166; Wheelock, Arthur K, and Johannes Vermeer. Vermeer: The Complete Works. New York: H.N. Abrams, 1997. pp. 30-31, cat. no. 13; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997. p. 128-130, pl. 30-32; Costaras, Nicola. \"A Study of the Materials and Techniques of Johannes Vermeer.\" Studies in the History of Art / Publ. by the National Gallery of Art, Washington. (1998): 144-167; Groen, Karin M. \"Scientific Examination of Vermeer's Girl with a Pearl Earring.\" Studies in the History of Art / Publ. by the National Gallery of Art, Washington. (1998): 168-183; Liedtke, Walter A. A View of Delft: Vermeer and His Contemporaries. Zwolle: Waanders Publishers, 2000. p. 221-226; Liedtke, Walter A, Michiel C. Plomp, Axel Rüger, and van D. J. Vermeer. Vermeer and the Delft School: [catalog of the Exhibition \"vermeer and the Delft School\" Held at the Metropolitan Museum of Art, New York, N.y., Mar. 8-May 27, 2001 and at the National Gallery, London, June 20-Sept. 16, 2001]. New Haven [u.a.: Yale Univ. Press, 2001. p. 24, 551; Blankert, Albert. Selected Writings on Dutch Painting: Rembrandt, Van Beke, Vermeer, and Others. Zwolle: Waanders, 2004. p. 267-269; Wright, Christopher, and Johannes Vermeer. Vermeer. London: Chaucer, 2005. p. 23-27, pl. 10; Liedtke, Walter A, and Johannes Vermeer. Vermeer: The Complete Paintings. Ghent, Belgium: Ludion Press, 2008. pp. 92-97, 195, cat. no. 12; Eastlake, Charles L, and Susanna Avery-Quash. The Travel Notebooks of Sir Charles Eastlake: 1. London: Walpole Soc, 2011. p. 553\"",
"Exhibitions": "Paris, Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (104); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (304); Amsterdam, Rijksmuseum. Weerzien der meesters. 1945, (132); Delft, Stedelijk Museum Het Prinsenhof. Het Koninklijke kabinet 'Het Mauritshuis' in het museum 'Het Prinsenhof' te Delft. 1950, p. 11 (25); The Hague, Mauritshuis. In het licht van Vermeer. 1966 (3 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (3 and ill.); Paris, Grand Palais. De Rembrandt à Vermeer: Les peintres hollandais au Mauritshuis à la Haye. 1986, p. 350-557 (53 and ill. (with extensive literature)); Washington. November 12, 1995–February 11, 1996, p. 120-127 (7, repro.); The Hague. 25 June – 5 September, 1966, (III and ill.); The Hague, Gemeentemuseum The Hague. Meesters uit het Mauritshuis Zes eeuwen kunst onder een dak. (Highlights Mauritshuis in Gemeentemuseum The Hague). 28 April, 2012 – 30 June, 2014."
},
{
"Image link": "https://www.metmuseum.org/art/collection/search/437881",
"Frick Call Number": "\"Vermeer, Johannes, 327-3 f\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Young Woman with a Water Pitcher",
"Add. Title": "Girl with a Water Jug; Woman with a Water Jug, A Young Woman Opening a Casement, Woman at the Casement? ",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Robert Vernon, Hatley Park, Cambridgeshire, and London (1801?-d.1849); sale, London (Christie's), Vernon Collection, April 21 1877, lot 9, as 'Interior, with a lady at a table covred with a carpet, on which is an ewer and dish, opening a window,' by Metsu, (£404, 10s. to Colnaghi); [Colnaghi, London 1877-1878, sold (as by Metsu) to Wingfield]; Mervyn Wingfield, 7th Viscount Powerscourt, Ireland (1878-?1887, as by Vermeer); [Agnew, London]; [Bourgeois Frères, Paris]; [Charles Pillet, Paris, 1887; sold to Marquand reportedly for an amount equivalent to $800]; Henry G. Marquand, New York (1887-1889); The Metropolitan Museum of Art, New York, Marquant Collection, Gift of Henry G. Marquand, 1889 (acc. no. 89.15.21).\"",
"Current Collection": "Metropolitan Museum of Art New York New York United States 89.15.21 public.",
"Date": "c. 1662",
"Material": "Oil on canvas",
"Size": "45.7 x 40.6 cm.. (18 x 16 in.)",
"Sources": "\"New York Metropolitan Museum of Art Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke et al. March 8 - May 27 2001 p.379-381 (71).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.98-100 (195).\"",
"Exhibitions": "London, British Institution. Catalogue of Pictures by Italian, Spanish, Flemish, Dutch and French Masters. British Institution. June 1838, (29 (as \"A Female at a window,\" by Metsu, lent by R. Vernon, Esq.)); London, Royal Academy of Arts. Winter Exhibition. 1878, p. 50 (267 (as \"Lady at a Casement,\" by Jan van der Meer, lent by Viscount Powerscourt)); New York, The Metropolitan Museum of Art. Exhibition of 1888–89. 1888-89, (29 (as \"Young Woman opening a Casement\")); New York, The Metropolitan Museum of Art. Temporary Exhibition. April 1906 (40 (as \"Young Woman at a Window\")); New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. September – November 1909, p. 138 (137 (as \"Girl with Water Jug\")); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, Oorsprong en Invloed Fabritius, De Hooch, De Witte. July 9 – October 9, 1935, p. 37 (85 and ill. 66.); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. October 21 – November 3, 1935, p. 29 (167 and ill. 85.); The Hague, Mauritshuis. In Het Licht van Vermeer. June 25 – September 5, 1966 (4 and ill.); Paris, Orangerie des Tuileries. Dans la lumière de Vermeer. September 24 – November 28, 1966 (5 and ill.); Boston, Museum of Fine Arts. Masterpieces of Painting in The Metropolitan Museum of Art. September 16 – November 1, 1970, p. 45 (unnumbered cat.); New York, The Metropolitan Museum of Art. Masterpieces of Fifty Centuries. November 15, 1970 – February 15, 1971 (283); Washington, National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996 (11); The Hague, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996 (11); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (71); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (71); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003 (34); Boston, Museum of Fine Arts. Dutch Interiors in the Age of Vermeer: a Rare Vermeer Comes to Boston. November 19, 2003 – February 22, 2004. New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008 (no catalogue); New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'. 9 September – 29 November, 2009 (7); Kyoto, Kyoto Municipal Museum of Art. Vermeer and Painters of the Dutch Golden Age. October 24 - January 5, 2015; Tokyo. Mori Arts Center Gallery. \"Vermeer and Rembrandt: The Masters of the 17th Century Dutch Golden Age,\" January 14–March 31, 2016, no. 48; Fukushima Prefectural Museum of Art. \"Vermeer and Rembrandt: The Masters of the 17th Century Dutch Golden Age,\" April 6–May 8, 2016, no. 48."
},
{
"Image link": "https://www.metmuseum.org/art/collection/search/437880",
"Frick Call Number": "\"Vermeer, Johannes, 327-3c\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Woman with a Lute",
"Add. Title": "Lady with a Lute",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Sale, Amsterdam (Roos, De Vries and Brondgeest), Philippus van der Schley and Daniel du Pré Collections, December 22, 1817, lot 62 (65 florins, to Coclers); [Paris, before 1900, sold for 2000 francs, to Huntington], Collis P. Huntington, New York (until d. 1900); life interest to his widow, Arabella D. Huntington, later (from 1913) Mrs. Henry E. Huntington (1900-d.1924); life interest to their son, Archer Milton Huntington (1924-terminated in 1925); The Metropolitan Museum of Art, New York, Bequest of Collis P. Huntington, 1900 (acc. no. 25.110.24)\"",
"Current Collection": "Metropolitan Museum of Art New York New York United States 25.110.24 public.",
"Date": "c. 1662-63",
"Material": "Oil on canvas",
"Size": "51.4 x 45.7 cm.. (20 1/4 x 18 in.)",
"Sources": "\"New York Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke et al. March 8 - May 27 2001 p.381-383 (73); Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.101-103 194 (14). http://metmuseum.org/exhibitions/view?exhibitionId=%7b4318132f-0779-46f5-a12c-54823e3da1b2%7d&oid=437881&pos=1&ft=*.\"",
"Exhibitions": "New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. September – November 1909 (135 (lent by Mrs. Collis P. Huntington, New York)); New York, The Metropolitan Museum of Art. Fiftieth Anniversary Exhibition. May 8 – August 1920, p. 8 (unnumbered cat. (lent by Mrs. Henry E. Huntington)); Philadelphia, Philadelphia Museum of Art. \"Diamond Jubilee Exhibition: Masterpieces of Painting.” November 4, 1950 – February 11, 1951 (42); New York, The Metropolitan Museum of Art. The Painter's Light. October 5 – November 10, 1971 (13); Leningrad [St. Petersburg], State Hermitage Museum. 100 Paintings from the Metropolitan Museum. May 22 – July 27, 1975 (24); Moscow, State Pushkin Museum. 100 Paintings from the Metropolitan Museum. August 28 – November 2, 1975 (24); Philadelphia, Philadelphia Museum of Art. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. March 18 – May 13, 1984 (117); Berlin, Gemäldegalerie, Staatliche Muséen Preussischer Kulturbesitz. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. June 8 – August 12, 1984 (117); London, Royal Academy of Arts. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. September 7 – November 18, 1984 (117); Stockholm, Nationalmuseum. Rembrandt och Hans Tid. October 2, 1992 – January 6, 1993 (128); Athens, National Gallery Alexandros Soutzos Museum. From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York. December 13, 1992 – April 11, 1993 (14); Osaka, Municipal Museum of Art. The public and the private in the age of Vermeer. April 4 – July 2, 2000, p. 178-181 (32 and ill.); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (72); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (72); Rotterdam, Museum Boijmans Van Beuningen. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. October 23, 2004 – January 9, 2005 (68); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 – May 1, 2005 (68); New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008 (no catalogue); Tokyo. Vermeer and the Delft Style. Metropolitan Art Museum. August 2 – December 14, 2008 (29); New York, The Metropolitan Museum of Art. Vermeer's Masterpiece \"The Milkmaid\". September 9 – November 29, 2009 (8); Pasadena, Norton Simon Museum. The Norton Simon Museum Presents Vermeer’s \"Woman with a Lute,\" On Loan from the Metropolitan Museum of Art. July 8, 2011 – September 26, 2011; Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 214 (48 and ill.); Naples, Italy. Pinacoteca di Capodimonte. November 21, 2016 - February 9, 2017; Paris. Musée du Louvre. Vermeer et les maîtres de la peinture de genre. February 22–May 22, 2017, no. 20.; Dublin. National Gallery of Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 17–September 17, 2017, no. 20; Washington. National Gallery of Art. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017–January 21, 2018, no. 20."
},
{
"Image link": "https://www.rct.uk/collection/405346/lady-at-the-virginals-with-a-gentleman?_ga=2.201902039.776645573.1560351591-698046801.1560351591",
"Frick Call Number": "\"Vermeer, Johannes, 320-23a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "A Lady at the Virginal with a Gentleman (The Music Lesson)",
"Add. Title": "Lady at the Virginals and a Gentleman;The Music Lesson (A Woman at a Virginal with a Genleman)",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d. 1674); probably his widow, Maria de Knuijt, Delft (1674-1681); probably their daughter, Magdelena van Ruijven, Delft (1681-d. 1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 6, as 'Een speelende Juffrouw op de Clavecimbael in een Kamer met een toeluisterend Monsier' [A Young Woman playing on a Clavecin in a Room, with a listening Gentleman], (80 florins,); ?sale, Amsterdam, July 11, 1714, lot 12; Giovanni Antonio Pellegrini, Amsterdam/The Hague (in 1718), and Venice (in 1741); his widow, Angela Carriera, Venice (1741-1742; sold to Smith); Joseph Smith, Venice and Mogliano (1742-1762; sold for £20,000, to George III, as by Frans van Mieris); King George III, Windsor Castle (1762 acquired with Smith Collection); since 1762 Royal Collection, Windsor Castle and Buckingham Palace (inv. 109).\"",
"Current Collection": "Royal Collection Buckingham Palace London England 109 public.",
"Date": "c. 1662-65",
"Material": "Oil on canvas",
"Size": "73.3 x 64.5 cm.. (28 7/8 x 25 3/8 in.)",
"Sources": "\"Wheelock Jr. Arthur K. Jan Vermeer. London 1981 p.100;(c) Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comp. Frederikc Duparc and Arthur Wheelock Jr. November 12 1995 - February 11 1996 p.128-133 (8); Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.104-107 195 (15).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 278-279; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. X, pl. A;\"",
"Exhibitions": "London, Royal Academy of Arts. Exhibition of Works by Old Masters and by Deceased Masters of British School. 1876 (The Music Lesson (211)); London, Art Gallery of the Corporation of London. Temple, A. G. Catalogue of the Loan Collection of Pictures. 1895, p. 92-93 (127); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (305 and pl. 78); London, Burlington House. Dutch Art. An Illustrated Souvenir of the Exhibition of Dutch Art at Burlington House, London. 1929, p. 89 (107 and ill.); London, Royal Academy of Arts. Catalogue of Exhibition of the King's Pictures. 1946, p. 108 (305); The Hague, Mauritshuis. Masterpieces of the Dutch School from the Collection of H.M. the King of England on the Occasion of 50-year Reign of Queen Wilhelmina. 1948, p. 30 (10 and ill.); London, Royal Academy of Arts. Dutch Pictures 1450-1750. 1952, p. 1 (515) and 2 (ill. 45); London, The Queen's Gallery, Buckingham Palace. Dutch Pictures from the Royal Collection. 1971, p. 19 and 74 (10); Philadelphia, Philadelphia Museum of Art. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. 1984, p. 344-345 (119 and ill. 109.); London, The Royal Collection, Buckingham Palace. Enchanting the Eye: Dutch Painters of the Golden Age. February 11 – October 30, 2005; London, The Dulwich Picture Gallery. Masterpiece a Month: Presiding Genius Johannes Vermeer - A Lady at the Virginals with a Gentleman (The Music Lesson). March 2011; Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 204 (26 and ill.); London. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013, p. 62 (21 and ill.); London, The Queen's Gallery, Buckingham Palace. Masters of the Everyday: Dutch Artists in the Age of Vermeer. An exhibition from the British Royal Collection. November 13, 2015 - February 14, 2016; Edinburgh, The Queen's Gallery, Palace of Holyroodhouse. Masters of the Everyday: Dutch Artists in the Age of Vermeer. An exhibition from the British Royal Collection; March 4 - July 24, 2016. The Hague, Mauritshuis. Masters of the Everyday: Dutch Artists in the Age of Vermeer. An exhibition from the British Royal Collection. September 29, 2016 - January 8, 2017."
},
{
"Image link": "https://www.gardnermuseum.org/experience/collection/10966",
"Frick Call Number": "\"Vermeer, Johannes, 320-11a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Concert",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675.",
"Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682), Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, possibly lot 9, as \"Een vrolijk gezelschap in een kamer kragtig en goet\" (A merry company in a room vigorous and good) (73 florins,); sale, Amsterdam, Johannes Lodewijk Strantwijk Collection, May 10, 1780, lot 150 (315 florins, to A. Delfos, for the 'Heer van Vlaardingen', the following); Diederik van Leyden; sale, Paris [Paillet], Monsieur van Leyden Collection, November 5, 1804, lot 62 (350 francs, to Paillet, 29,000 francs - Hale); sale, London (Foster), February 26, 1835, lot 127; sale, London (Christie's), Admiral Lysaght et. al. Collections, April 2, 1860, lot 49 (£21 to Toothe); sale, Paris (Pillet), Demidoff Collection, April 1, 1869, lot 14 (5100 francs, to ?Thoré-Bürger); William Thoré-Bürger (Etienne Joseph Théophile Thoré), Paris (?1869-d.1869); sale, Paris [Drouot], Thoré-Bürger Collection, December 5, 1892, lot 31 (29,000 francs, to Robert for Gardner); Mrs. John L. Gardner, Boston (1869-d.1924); Isabella Stewart Gardner Museum, Boston (inv. P21W27); stolen March 18, 1990.\"",
"Current Collection": "Isabella Stewart Gardner Museum Boston Massachusetts United States P21W27 public.",
"Date": "c. 1665-66",
"Material": "Oil on canvas",
"Size": "72.5 x 64.7 cm.. (28 1/2 x x 25 1/2 in.)",
"Sources": "\"Wheelock Jr. Arthur K. Jan Vermeer. London 1981 p.120.; Blankert Albert et al. Vermeer. New York 1988 p.183-184.; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.108-111 195 (16).\"",
"Exhibitions": "Boston, Copely Hall, Copley Society. One Hundred Masterpieces. March 5 - March 28, 1897 (98)."
},
{
"Image link": "https://www.rijksmuseum.nl/en/vermeers-the-little-street-discovered/objects#/SK-C-251,1",
"Frick Call Number": "\"Vermeer, Johannes, 327-3d\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Woman in Blue Reading a Letter",
"Add. Title": "A Girl Reading a Letter; Woman in Blue",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"?Sale, Amsterdam, Pieter van der Lip Collection, June 14, 1712, lot 22, as 'Een leezent Vrouwtje, in een kamer, door vander Meer van Delft' (A Woman reading, in a room, by wander Meer of Delft) (110 florins,); Mozes de Chaves, Amsterdam (in 1759); sale, Amsterdam, De Chaves Collection, November 30, 1772, lot 23, as by 'Van der Neer, de Delftsche' (40 florins, to Fouquet); sale, Amsterdam, P. Lyonet Collection, April 11, 1791, lot 181 (47/43 florins, to Fouquet); sale, Amsterdam, Ph. van der Schley Collection, August 14, 1793, lot 73, (70 florins,); Herman ten Kate, Amsterdam (?1793-1800); sale, Amsterdam, H. Ten Kate Collection, June 10, 1801, lot 118 (110 florins, to Taijs (Tyssen)); sale, Paris (Paillet), Lespinasse de Langeac Collection, January 16, 1809, lot 85 (200 florins,); sale, Paris (Henry), Lapeyriè re Collection, April 19, 1825, lot 127 (1060 francs, to Berthaud); [John Smith, London (after 1833-1839) sold for £70, to Van der Hoop]; Adriaan van der Hoop, Amsterdam (1839-54) sold for 882 florins for it as well as two other pictures?; Academy of Fine Arts, Amsterdam (1854-85); city of Amsterdam, since 1885 on loan to the Rijksmuseum, Amsterdam (inv. C251).\"",
"Current Collection": "Rijksmuseum Amsterdam Netherlands C 251 public.",
"Date": "c. 1662-65",
"Material": "Oil on canvas",
"Size": "46.5 x 39 cm.. (18 1/4 x 15 3/8 in.)",
"Sources": "\"Blankert Albert et. al. Vermeer. New York 1988 p.180-181.; Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock Jr. November 12 1995 - February 11 1996 p.134-139 (9).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.112-144 195-196 (17). Weber, Gregor J.M., trans. Michael Hoyle, Amsterdam Rijksmuseum 2013. Woman in Blue Reading a Letter.\"",
"Exhibitions": "Tokyo. Meisterwerke der Europäischen Kunst – Dresden. September 20 – November 24, 1974; Kyoto. Meisterwerke der Europäischen Kunst. Nationalmuseum. December 2, 1974 – January 26, 1975; Moscow, Puschkin Museum. Gerettete Meisterwerke. October 10 – November 18, 1984; Leningrad [St. Petrsberg], Staatliche Eremitage. Gerettete Meisterwerke. December 6, 1984 – January 20, 1985; Madrid, Il Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 165-167 (32 and ill.); Kobe, Hyogo Prefectural Museum of Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. January – May 22, 2005; Tokyo, National Museum of Western Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. June 28 – September 19, 2005; Dresden, Staatliche Kunstsammlungen, Gemäldegalerie Alte Meister. Der frühe Vermeer. September 3 – November 28, 2010; Minneapolis, MN. Centennial Exhibition. January 16 - May 3, 2015; San Diego, CA. The Private World of Vermeer. May 14 - September 11, 2015; Washington D. C. Vermeer's Woman in Blue Reading a Letter from the Rijksmuseum. September 19 – December 1, 2015; Art Gallery of New South Wales, Sydney, Australia. Rembrandt and the Dutch olden Age: Masterpieces from the Rijksmuseum. Rembrandt and the Dutch olden Age: Masterpieces from the Rijksmuseum. November 11, 2017- February 18, 2018."
},
{
"Image link": "http://www.smb-digital.de/eMuseumPlus?service=direct/1/ResultLightboxView/result.t1.collection_lightbox.$TspTitleImageLink.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=Slightbox_3x4&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=9",
"Frick Call Number": "\"Vermeer, Johannes, 327-3j\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Woman with a Pearl Necklace",
"Add. Title": "A Young Lady with a Pearl Necklace",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdelena van Ruijven (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 36, as 'Een Paleerende dito [Juffrouw], seer fraey' (A Bepearling Young Woman, very fine) (30 florins,); sale, Amsterdam (Ph. van der Schley), Johannes Caudri Collection, September 6, 1809, lot 42 (55 florins, to Ths. Spaan); sale, Amsterdam, D. Teengs Collection, April 24, 1811, lot 73 (36 florins, to Gruyter); sale, Amsterdam (Roos), March 26, 1856, lot 93 (111 florins, to Philip); Henri Grevedon, Paris (before 1860); Thoré-Bürger, Paris (c. 1860-68); sale, Brussels, Thoré-Bürger et. al. Collections, April 22, 1868, lot 49 (3,500 Bfs., to Sedelmeyer for Suermondt); Barthold Suermondt, Aachen (1868-74); acquired in 1874 as part of Suermondt collection by the Gemäldegalerie, Staaliche Muséen zu Berlin (inv. 912B).\"",
"Current Collection": "Gemäldegalerie Berlin Tiergarten Germany 912 b public.",
"Date": "c. 1664",
"Material": "Oil on canvas",
"Size": "55 x 45 cm.. (21 5/8 x 17 3/4 in.)",
"Sources": "Washington National Gallery of Art. Johannis Vermeer [trav. exh.] Comps. Frederik Duparc and Arthur Wheelock Jr. November 12 1995- February 11 1996 p.152-155 (12).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.115-117 196 (18).",
"Exhibitions": "Paris, Palais des Champs-Elysées. Exposition rétrospective tableaux anciens empruntés aux galeries particulières. 1866 (not in cat. 5); Paris, Sedelmeyer Gallery. Hundred Masterpieces. A Selection from the Pictures by Old Masters. 1914, p. 52 (24, and ill.); Amsterdam, Rijksmuseum. 120 Beroemde schilderrijen uit het Kaiser-Friederich-Museum te Berlijn. 1950, p. 56 (112 and ill. 107); Washington D.C., National Gallery of Art. Johannes Vermeer. Nov. 12, 1995 - Feb. 11, 1996, p. 152-155 (12, repro.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996, p. 152-155 (12, repro.); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 174-175 (36 and ill.); Rome, Museo del Corso. Da Rembrandt a Vermeer. Valori civili nella pittura fiamminga e olandese del '600 Fondazione Roma. November 11, 2008 – February 15, 2009, p. 104-105 (33 and ill.); Tokyo, The National Museum of Western Art. From Renaissance to Rococo. Four Centuries of European Drawing, Painting and Sculpture. June 13 – September 17, 2012; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 174-175 (62, ill.). National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 174-175 (62, ill.); National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p. 174-175 (62, ill.)."
},
{
"Image link": "https://www.nga.gov/collection/art-object-page.1236.html",
"Frick Call Number": "\"Vermeer, Johannes, 327-3g\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Woman with a Balance",
"Add. Title": "A Woman Weighing Gold; A Woman Weighing Pearls ",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probaby Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1881-d.1862); ?her widower, Jacob Abrahamsz Dissius, Delft (1882-1895); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 1, as 'een Juffrouw, die goud weegt, in een kasje van J. vander Meer van Delft, extraordinaer konstig en kragtig geschildert' (A Young Woman who weighs gold, in a case by J. vander Meer van Delft, extraordinarily artful and vigorously painted) (155 florins, including a case to hold the painting); Isaac Rooleeuw, Amsterdam (1696-1701); sale, Amsterdam, Isaac Rooleeuw Collection, April 20, 1701, lot 7 (113 florins,); Paulo van Uchelen, Amsterdam (1701-d.1702); Paulo van Uchelen the Younger, Amsterdam (1703-1754); Anna Gertruijda van Uchelen, Amsterdam (1754-d.1766); sale, Amsterdam [B. Tideman], Anna Gertruijda van Uchelen Collection, March 18, 1767, lot 6 (170 florins, to Kok); sale, Amsterdam (Ph. van der Schley), Nicolaas Nieuhoff Collection, April 14, 1777, lot 116 (235 florins, to Van den Boogaerd); sale, Amsterdam, Trochel et. al. Collections, May 11, 1801, lot 48 (60 florins, to Van der Schley); King Maximilian I Jozef Nymphenburg (before d.1825); sale, Munich, King Maximilain I Jozef Collection, December 5, 1826, lot 101, aas by Metsu (800 florins to Caraman); Victor-Louis-Charles de Riquet, duc de Caraman, Paris (1826-30); sale, Paris [Lacoste], Marquis de Caraman Collection, May 10, 1830, lot 68 (2,410 francs); Casimir Périer, Paris (1830-1832); his heirs, sister, Countess de Segur, Paris (1832-80); sale, Paris [Christie's], Périer Collection, May 5, 1848, lot 7 (£141. 15s. (bought in)); Auguste Casimir Victor Laurent Périer, Paris (1848-1876); Jean Paul Pierre Casimir Périer, Paris (1876-1907); comtesse de Ségur-Périer, Paris (1907-1911); [P. and D. Colnaghi, London and M. Knoedler, New York, (1911)]; Peter A.B. Widener, Lynnewood Hall, Elkins Park, Philadelphia (1911-1915); Joseph E. Widener, Lynnewood Hall, Elkins Park, Philadelphia (1915-1942); since 1942 National Gallery of Art, Washington DC, Widener bequest (acc. no. 1942.9.97).\"",
"Current Collection": "National Gallery of Art Washington District of Columbia United States 1942.9.97 public.",
"Date": "c. 1663-64",
"Material": "Oil on canvas",
"Size": "42.5 x 38 cm.. (16 3/4 x 15 in.)",
"Sources": "\"New York Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke et al. March 8 - May 27 2001 p.383-386 (73).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 266.; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.118-121 196 (19).\"",
"Exhibitions": "New York, M. Knoedler & Co. Exhibition of Old Masters for the Benefit of The Artists' Funds and Artists' Aid Societies. 1912 (49); Detroit, Detroit Institute of Arts. A Loan Exhibition of Dutch Paintings. 1925 (33, repro.); Chicago, Art Institute of Chicago. A Century of Progress Exhibition of Paintings and Sculpture. 1933 (80); Philadelphia, Philadelphia Museum of Art. Masters of Seventeenth-Century Dutch Genre Painting. 1984 (118); Berlin. Gemäldegalerie, Staatliche Muséen Preussischer Kulturbesitz. Royal Academy of Arts, London, 1984. 1984; Washington, D.C., National Gallery of Art. Dutch Cabinet Galleries. 1995-1996 (no cat.); Washington, D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996, p. 140-145 (10, repro.); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996, p. 140-145 (no. 10, repro.); Washington D.C., National Gallery of Art. A Collector's Cabinet. 1998 (61, fig. 14); Washington, D.C., National Gallery of Art. Johannes Vermeer: The Art of Painting. 1999-2000 (9); Osaka, Municipal Museum of Art. The Public and the Private in the Age of Vermeer. April 4 – July 2, 2000, p. 182-185 (33 and ill.); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (73, repro., as \"Woman with a Balance\"); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (73, repro., as \"Woman with a Balance\"); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 172-173 (35 and ill.); Amsterdam, Rijksmuseum. Woman Holding a Balance. March 11 – June 1, 2009; Munich, Alte Pinakothek. Vermeer in Munich: King Max I Joseph of Bavaria as a Collector of Old Masters. March 17 – June 19, 2011; Detroit, Detroit Institute of Art. August 9 - Labour Day (about), 2012; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 192 (2, ill.). National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 192 (2, ill.); National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p. 192 (2, ill.)."
},
{
"Image link": "https://www.nga.gov/collection/art-object-page.46437.html",
"Frick Call Number": "\"Vermeer, Johannes, 327-3e\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "A Lady Writing",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 35, as 'Een Schryvende Juffrouw hell goet' (A Young Woman Writing, very good) (63 florins,); J. van Buren, The Hague; sale, The Hague [Scheurleer], J. van Buren Collection, November 7, 1808, lot 22; Cornelis Jan Luchtmans, Rotterdam (1808-16); sale, Rotterdam [Muys], Cornelis Jan Luchtmans Collection, April 20, 1816, lot 90 (70 florins, to Lelie); possibly Kamernan Sale, Rotterdam, 1825 (305 florins); sale, Amsterdam (J. de Vries), Hendrik Reydon et. al. Collections, April 5, 1827, lot 26 (withdrawn); François-Xavier, comte de Robaino, Brussels (1827-37) ; sale, Brussels [Barbé], Comte F. de Robiano Collection, May 1, 1837, lot 436 (400 Bfr. to J. Héris for the following); Ludovic, comte de Robiano, Brussels (1837-d. 1887); Heirs of De Robiano, Brussels (1888-1906); [J. and A. LeRoy, Brussels (1907)]; J. Pierpont Morgan, New York (1907-d.1913) (bought for £100,000, from G.S. Hellman); his son, J. P. Morgan Jr., New York (1913-1940); [M. Knoedler, New York]; Sir Harry Oakes, Nassau, Bahamas (1940-1943); Lady Eunice Oakes, Nassau Bahamas (1943-1946); [Knoedler, New York (1946)]; Horace Havemeyer, New York (1946-1956); his sons, Harry Waldron Havemeyer and Horace Havemeyer Jr., New York (1956-62); National Gallery of Art, Washington DC, Gift of Harry Waldron Havemeyer and Horace Havemeyer Jr. in memory of their father, Horace Havemeyer (acc. no. 1962.10.1); Returned for her lifetime to Mrs. Horace Havemeyer, New York; transferred to the National Gallery of Art, Washington in 1966.\"",
"Current Collection": "National Gallery of Art Washington District of Columbia United States 1962.10.1 public.",
"Date": "c. 1665",
"Material": "Oil on canvas",
"Size": "45 x 39.9 cm.. (17 3/4 x 15 3/4 in.)",
"Sources": "\"Blankert Albert et al. Vermeer New York 1988 p.185-186.; Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock Jr. November 12 1995- February 11 1996 p.156-159 (13).;; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.122-125 196 (20); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. Xiii, pl. 19\"",
"Exhibitions": "Brussels, Musées Royaux. Exposition de tableaux et dessins d'anciens maitres organisée par la société néerlandaise de bienfaisance à Bruxelles. 1873, p. 76 (264); New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. 1909, p. 137 (136); Rotterdam, Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 37 (86a); New York, New York World's Fair. Masterpieces of Art. European Paintings and Sculpture from 1300-1800. April 1939 - October 1940, p. 195 (399 and pl. 72); New York, M. Knoedler & Co. Loan Exhibition in Honor of Royal Cortizzos and His 50 Years of Criticism in the New York Herald Tribune. 1941, p. 18-19 (17); New York, Duveen Galleries. Paintings by the Great Dutch Masters of the Seventeenth Century. 1942, p. 89 and 159 (68 and ill.); New York, M. Knoedler & Co. Loan Exhibition: 24 Masterpieces. 1946 (15 and ill.); Paris. 1976 (no catalogue); Leningrad, State Hermitage Museum. Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Moscow, State Pushkin Museum. Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Kiev, State Museum. Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Minsk, State Museum. Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Tokyo, National Museum of Western Art. Space in European Art: Council of Europe Exhibition in Japan. 1987 (86); Leningrad, State Hermitage Museum. Masterpieces of Western European Painting of the XVIth-XXth Centuries from the Museums of the European Countries and USA. 1989 (14, repro.); The Hague, Mauritshuis. Great Dutch Paintings from America. 1990; San Francisco, The Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum.Great Dutch Paintings from America. 1990-1991. (67, color repro., as \"A Girl Writing a Letter\"); Frankfurt, Schirn Kunsthalle. Leselust: Niederländische Malerei von Rembrandt bis Vermeer. 1993-94 (85, repro.); Washington D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996 (13, repro.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996 (13, repro.); Washington, D.C., National Gallery of Art. Johannes Vermeer: The Art of Painting. 1999; Kyoto, Kyoto Municipal Museum of Art. Masterpieces from the National Gallery of Art, Washington. 1999 (83, repro.); Tokyo. Masterpieces from the National Gallery of Art, Washington. Metropolitan Art Museum Metropolitan Art Museum. 1999 (83, repro.); Newark. Art and Home: Dutch Interiors in the Age of Rembrandt. Denver Art Museum. 2001 (108, fig. 108 (shown only in Denver)); Denver, Denver Art Museum. Art and Home: Dutch Interiors in the Age of Rembrandt. 2001-2002 (108, fig. 108); Dublin, National Gallery of Ireland. Love letters: Dutch genre painting in the age of Vermeer. October 1 – December 31, 2003 (38, fig. 55, repro. 181); Rotterdam, Museum Boijmans Van Beuningen. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. October 23, 2004 – January 9, 2005 (69, repro.); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 – May 1, 2005 (69, repro.); Pasadena. Vermeer's A Lady Writing from the National Gallery of Art, Washington. November 7, 2008 – February 16, 2009; Kyoto, Municipal Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. June 25 – October 16, 2011 (42 and ill.); Sendai, Miyagi Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. October 27, 2011 – December 12, 2011 (42 and ill.); Tokyo, The Bunkamura Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. December 23 – March 14, 2012 (42 and ill.); Boston, Museum of Fine Arts. Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. October 11, 2015 – January 18, 2016; Kansas City, Nelson-Atkins Museum of Art. Reflecting Class in the Age of Rembrandt and Vermeer. February 4 - May 29, 2016; Norfolk, Chrysler Museum of Art. A Lady Writing. November 1- December 18, 2016. Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 126 (3, ill.). National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 126 (3, ill.); National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p. 126 (3, ill.)."
},
{
"Image link": "https://collections.frick.org/objects/274/mistress-and-maid",
"Frick Call Number": "\"Vermeer, Johannes, 320-2c\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Mistress and Maid",
"Add. Title": "A Lady and a Maidservant;A Lady Writing a Letter with Her Maid",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probaby their daughter, Magdalena van Ruijven, Delft (1681-d.1682), Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 7, as \"Een Juffrouw die door een Meyd een brief gebragt word\" (A Young Woman to whom a letter is brought by a Maid) (possibly Amsterdam picture instead) (70 florins,); sale, Rotterdam, Josua van Belle Collection, September 6, 1730, lot 92 (possibly National Gallery Ireland picture) (155 florins with another painting,); sale, Amsterdam (Haring), October 15, 1738, lot 12 (160 florins, to Oortman); sale, The Hague, Burgomaster Hendrik van Slingelandt Collection, 1770 (not mentioned); sale, Paris, Blondel de Gagny Collection, December 10-24, 1776, lot 72, as by Terburg (3,902 francs, with \"Une Femme assise, lisant une Letter\" to Lengliev, for Poullain); sale, Paris, Poullain Collection, March 15, 1780, lot 40, as by Terburg (4,550 francs,); sale, Paris (Paillet), Van Helsleuter et al. Collections, January 25, 1802, lot 106, (2000 francs, withdrawn) (to Pitour); [Charles Lebrun, Paris]; sale, Paris (Paillet), Lespinasse de Langeac Collection, January 16, 1809, lot 34 (600 francs, to Lebrun); sale, Paris, Lebrun Collection, March 20, 1810, lot 143 (601 francs, to Chevalier); sale, Paris (Paillet), March 24, 1818, lot 48 (460 francs); Dufour, Marseilles (from 1819 or earlier); sale, Paris (Bataillard), Duchesse de Berri Collection, April 4-6, 1837, lot 76 (4,015 francs, or 405 francs to Paillet); sale, Paris (Boussod), E. Secrétan Collection, July 1, 1889, lot 139 (75,000 francs, to Sedelmeyer) or 1890, 600 francs; A. Paulovstof, St. Petersburg; [Lawrie & Co., London]; [Sulley and Co., London, in 1905]; James Simon, Berlin (?1906-at least 1914); [Knoedler, New York]; [Duveen Brothers, 1919]; Henry Clay Frick, New York (in 1919, d. 1919) ($265,000); Frick Collection, New York (acc. no. 1919.1.126).\"",
"Current Collection": "Frick Collection New York New York United States Henry Clay Frick Bequest 1919.1.126 public.",
"Date": "probably between 1665-1670",
"Material": "Oil on canvas",
"Size": "90.2 x 78.7 cm.. (35 1/2 x 31 in.)",
"Sources": "\"New York, Frick Collection. Art in The Frick Collection: Paintings, Sculpture, Decorative Arts [cat.]. Comp. C. Ryskamp, et al. 1996, p.72.; Blankert, Albert, et al. Vermeer. New York, 1988, p.186 (21); Sale, Bataillard, Paris. Duchesse de Berri Collection. April 4, 1837, lot 76 (priced copy).; Sale, Paillet, Paris. Van Helsleuter et al. January 25, 1802, lot 106 (annotated copy); Liedtke, Walter. Vermeer: The Complete Paintings. Ghent, 2008, p.126-129, 196 (231); New York, Frick Collection. An Illustrated Catalogue. Vol.1, Paintings. [cat.]. 1968, p.296-299, p.297 (reproduced).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 318. Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XI, pl 16.\"",
"Exhibitions": "New York, Frick Collection. Frick's Vermeers reunited. June-2 November 2008."
},
{
"Image link": "https://www.mauritshuis.nl/en/explore/the-collection/artworks/girl-with-a-pearl-earring-670/",
"Frick Call Number": "\"Vermeer, Johannes, 322-12a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Girl with a Pearl Earring",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, May 16 1696, lot 38 or 39 or 40 (tronies) (36 florins, or 17 florins,); sale, The Hague, Braams Collection, 1881 (day and month unknown) (to A.A. des Tombe) 2.2 fl?; Arnoldus Andries des Tombe, The Hague (1881-d.1902); in 1903 bequest of Arnoldus des Tombe to the Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague (inv. 670).\"",
"Current Collection": "Koninklijk Kabinet van Schilderijen The Hague Netherlands 670 public.",
"Date": "c. 1665-1666",
"Material": "Oil on canvas",
"Size": "46.5 x 40 cm.. (18 1/4 x 15 1/4 in.)",
"Sources": "\"Blankert Albert et. al. Vermeer. New York 1988 p.184; Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comp. Frederik Duparc and Arthur Wheelock Jr. November 12 1995 - February 11 1996 p.166-169 (15).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p. 130-132 196 (22).; San Francisco de Young Museum. Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis [trav. exh.]. Comps. Quentin Buvelot et al. January 26 - June 2 2013 p.74-75 (8). Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. X, pl. B;\"",
"Exhibitions": "The Hague, Pulchri Studio. Catalogus der tentoonstelling van schilderijen van oude meesters. 1890, p. 57 (117); Paris, Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (106); Rome, Galleria Borghese. Mostra di capolavori della pittura olandese. 1928, p. 100 (125 and ill.); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 145 (306); The Hague, Mauritshuis. Nederlandsche kunst van de XVde en XVIde eeuw. 1945 (134); Antwerp, Koninklijk Museum voor Schone Kunsten. De Hollandsche Schilderkunst van Jeroen Bosch tot Rembrandt. Keuze van Meesterwerken uit Nederlandsche Musea. 1946 (91 and ill.); Delft, Stedelijk Museum Het Prinsenhof. Het Koninklijke kabinet 'Het Mauritshuis' in het museum 'Het Prinsenhof' te Delft. 1950, p. 11 (27); The Hague, Mauritshuis. In het licht van Vermeer. June 24 – September 5, 1966 (V and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24 – November 28, 1966 (VI and ill.); Washington D.C., National Gallery of Art. Mauritshuis, Dutch Paintings of the Golden Age. 1982, p. 120-121 (38 and ill.); Paris, Grand Palais. De Rembrandt à Vermeer: Les peintres hollandais au Mauritshuis à la Haye. 1986, p. 358-362 (54 and ill.); Washington D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995 - February 11, 1996, p. 166-169 (15, repro.); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1 - June 2, 1996, p. 166-169 (15, repro.); Osaka, Osaka Municipal Museum of Art. The public and the private in the age of Vermeer. April 4 – July 2, 2000, p. 186-189 (34 and ill.); Kobe, City Museum Kobe. Masterpieces from the Royal Picture Gallery. October 1, 2012 – December 23, 2013; Tokyo, Tokyo Art Museum. Masterpieces from the Royal Picture Gallery. June 30 – September 17, 2012; San Francisco, de Young - San Francisco Museum of Art. Masterpieces from the Royal Picture Gallery. January 26 – June 2, 2013; New York. Masterpieces from the Royal Picture Gallery. October 22, 2013 – January 12, 2014; Atlanta, High Museum of Art. Masterpieces from the Royal Picture Gallery. June 22 – September 29, 2013; Bologna, Italy, Palazzo Fava. La ragazza con l'orecchino di perla: Il mito della Golden Age. Da Vermeer a Rembrandt capolavori dal Mauritshuis. February 8 – May 25, 2014."
},
{
"Image link": "https://www.metmuseum.org/art/collection/search/437879",
"Frick Call Number": "\"Vermeer, Johannes, 322-12b\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Study of a Young Woman",
"Add. Title": "Portrait of a Young Girl",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 38, 39, or 40 (tronies) (36 florins, or 17 florins,); Jan Luchtmans, Rotterdam (in 1816); sale, Rotterdam (Muys), Jan Luchtmans Collection, April 20, 1816, lot 92 (3 florins,); Auguste Marie Raymond, prince d'Arenberg, Belgium (by 1829-d.1833); Arenberg family, Brussels and Schloss Meppen, Germany (1833-1945); Engelbert-Marie, 9th duc d'Arenberg, Brussels, Schloss Meppen and Schloss Nordkirchen, Germany (1945-d.1949); his son, Engelbert-Charles, 10th duc d'Arenberg (1949-1955); [Germaine Seligman, sold for $325,000, to Wrightsman]; Mr. and Mrs. Charles Wrightsman, New York (1955-79); The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Charles Wrightsman, in memory of Theodore Rousseau Jr., 1979 (acc. no. 1979.396.1).\"",
"Current Collection": "Metropolitan Museum of Art New York New York United States 1979.396.1 public.",
"Date": "c. 1666-67",
"Material": "Oil on canvas",
"Size": "44.5 x 40 cm.. (17 1/2 x 15 3/4 in.)",
"Sources": "\"New York Metropolitan Museum. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke et al. March 8 2001 - May 27 2001 p.389-393 (75).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.134-135 196 (23).\"",
"Exhibitions": "Düsseldorf, Kunsthistorische Ausstellung. Location unknown. August 1904 (398 (lent by Herzog von Arenberg, Brussels)); The Hague, Mauritshuis. In het licht van Vermeer. June 25–September 5, 1966 (VI (lent by Mr. and Mrs. Charles B. Wrightsman, New York and Palm Beach)); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24–November 28, 1966 (VII (lent by Mr. and Mrs. Charles B. Wrightsman, New York and Palm Beach)); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8–May 27, 2001 (75); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19–May 18, 2003, p. 178-181 (38 and ill.); New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007–January 6, 2008 (no catalogue); New York, The Metropolitan Museum of Art. The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions. October 24, 2008–February 1, 2009 (online catalogue); New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid. September 9–November 29, 2009 (9)."
},
{
"Image link": "https://www.nga.gov/collection/art-object-page.60.html",
"Frick Call Number": "\"Vermeer, Johannes, 322-7b\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Girl with a Red Hat",
"Add. Title": "Portrait of a Young Woman (\"The Girl in the Red Hat\")",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 38, 39, or 40 (tronies) (36 florins, or 17 florins,); sale, Paris (Hôtel de Bullion), Lafontaine Collection, December 10, 1822, lot 28 (200 francs); Louis Marie, Baron Atthalin, Colmar (1823-56); Gaston, Baron Laurent-Atthalin, Limay, Seine-et-Oise (1856-1911); his widow, Baroness Laurent-Atthali, Paris (1911-1925); [Knoedler Galleries, New York and London, 1925]; Andrew W. Mellon, Pittsburgh and Washington DC (1925-1932) (for $290,000); A.W. Mellon Educational and Charitable Trust, Pittsburgh (1932-37); in 1937 National Gallery of Art, Washington DC, Andrew Mellon Collection (acc. no. 1937.1.53).\"",
"Current Collection": "National Gallery of Art Washington District of Columbia United States Andrew W. Mellon Collection 1937.1.53 public.",
"Date": "c. 1665-1667",
"Material": "Oil on panel",
"Size": "23.2 x 18.1 cm.. (9 1/8 x 7 1/8 in.)",
"Sources": "\"New York Metropolitan Museum of Art. Vermeer and the Delft School [exh.]. March 8 - May 27 2001 p.386-389 (74).; Blankert Albert et. al. Vermeer. New York 1988 p.196 (b3).; Washington National Gallery of Art. A Collector's Cabinet [exh.]. Comp. Arthur K. Wheelock Jr. May 17 - August 9 1998 p.68 (60).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.136-139 196.\"",
"Exhibitions": "New York, M. Knoedler & Co. Loan Exhibition of Dutch Masters of the Seventeenth Century. 1925 (1); New York, M. Knoedler & Co. A Loan Exhibition of Twelve Masterpieces of Painting. 1928 (12); Washington, D.C., National Gallery of Art. Dutch Cabinet Galleries. 1995-1996 (no catalogue); Washington, D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995–February 11, 1996 (14, repro.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1–June 2, 1996 (14, repro.); Washington D.C., National Gallery of Art. A Collector's Cabinet. 1998 (60); Washington D.C., National Gallery of Art. Johannes Vermeer: The Art of Painting. 1999 (fig. 11.); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8–May 27, 2001 (74, repro.); London, The National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (74, repro.); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 176-177 (37 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 214 (48 and ill.); Raleigh, N.C. Small Treasures: Rembrandt, Vermeer, Hals and their Contemporaries. October 12, 2014 - January 4, 2015."
},
{
"Image link": "https://www.khm.at/en/objectdb/detail/2574/?offset=0&lv=list",
"Frick Call Number": "\"Vermeer, Johannes, 320-38a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Art of Painting",
"Add. Title": "Allegory of Painting;The Artist at Work; The Studio?",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"The artist's widow, Catharina Bolnes (1675-76); transfered to her mother, Maria Thins (February 24, 1676); evidently sold at auction on March, 15, 1676 in Delft; possibly Baron Gerard van Swieten (d.1772), prefect of the Imperial Court Library, Vienna; his son, Gottfried van Swieten (d.1803); his estate, as by Pieter de Hooch (1803-1813; sold to Czernin); Count Johann Rudolf Czernin (1813-45, as by de Hooch ?); by descent to Count Eugen Czernin (d.1955) and Jaromir Czernin (d.1966); Adolf Hitler (1940-1945); Munich Central Collecting Point (1945); transferred November 17, 1945 to the Kunsthistorisches Museum, Vienna, and in 1958 to the museum's permanent collection (inv. 9128).\"",
"Current Collection": "Kunsthistorisches Museum Vienna Austria 9128 public.",
"Date": "c. 1666-68",
"Material": "Oil on canvas",
"Size": "120 X 100 cm.. (47 1/4 x 39 3/8 in.)",
"Sources": "\"New York Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps . Walter Liedtke et al. March 8 - May 27 2001 p.394-398 (76); Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.144-147 197 (26).\"",
"Exhibitions": "Zurich, Kunsthaus. Meisterwerke aus Oesterreich. October 1946 - March, 1947 (426); Brussels. April - June, 1947 (148); Amsterdam. July - October, 1947 (193); Paris. November 1947 - March 1948; Stockholm. May - October 1948; Kopenhagen. December 1948 - March 1949; London, Tate Gallery. Art treasures from the Vienna collections. May 12 – September 3, 1949 (191); Washington, D.C., National Gallery of Art. Art treasures from the Vienna collections. November 20, 1949 - January 22, 1950 (124); New York, The Metropolitan Museum of Art. Art treasures from the Vienna collections. February - May 1950 (124); San Francisco, M.H. De Young Memorial Museum. Art treasures from the Vienna collections. July - October 1950 (124); Chicago, The Art Institute of Chicago. Art treasures from the Vienna collections. November 1950 - January 1951 (124); St Louis. Imperial Vienna Art Treasures. March 4 – April 22, 1951; Toledo, Toledo Museum of Art. Art treasures from the Vienna collections. May - June, 1951; Toronto. Art treasures from the Vienna collections. August - September 1951; Boston. Art treasures from the Vienna collections. October 1951 - January 1952; Philadelphia. Art treasures from the Vienna collections. February - April 1952; Oslo. May - July 1952 (176); Innsbruck. August - November 1952; Vienna, Kunsthistorisches Museum. Österreichs Amerika-Ausstellung \"Kunstschätze aus Wien.\". 1953 (264); Zurich, Jahrhunderts, Kunsthau. Hollander des 17. 1953 (173); Rome, Palazzo delle Esposizioni. Mostra di pittura olandese del seicento. 1954 (177); Milan, Palazzo Reale. Mostra di pittura olandese del seicento. 1954 (177); Delft, Stedelijk Museum Het Prinsenhof. De schilder in zijn wereld: Van Jan van Eyck tot Van Gogh en Ensor. 1964-65; Antwerp, Koninklijk Museum voor Schone Kunsten. De schilder in zijn wereld: Van Jan van Eyck tot Van Gogh en Ensor. 1965 (113 (shown in Delft only)); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (IX); Washington D.C., National Gallery of Art. Johannes Vermeer's The art of Painting. November 24, 1999 – February 8, 2000; The Hague, Mauritshuis. De Weense Vermeer, een bijzonder bruikleen (The Vienna Vermeer, an exceptional loan). March 25 – June 26, 2005; Vienna, Kunsthistorisches Museum Maria Theresien-Platz. Vermeer: The Art of Painting. January 25 – April 25, 2010."
},
{
"Image link": "https://upload.wikimedia.org/wikipedia/commons/0/0e/Johannes_Vermeer_-_The_Astronomer_-_WGA24685.jpg",
"Frick Call Number": "\"Vermeer, Johannes, 326-2c\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Geographer",
"Add. Title": "The Astronomer",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly Adriaen Paets I, Rotterdam (?1669-d.1686); possibly his son, Adriaen Paets II, Rotterdam (1686-d.1712); sale, Rotterdam, April 27, 1713, lot 10, as 'Een stuk verbeeldende een Mathematis Konstenaar, door vander Meer' (A piece representing a Mathematical Artist, by vander Meer) or lot 11, 'Een dito door denzelven' (A ditto by the same) (sold together, 300 florins,); Hendrik Sorgh, Amsterdam (?1713-d.1720); sale, Amsterdam, Hendrik Sorgh Collection, March 28, 1720, lot 3 or 4 (sold together with the pendant, 160 florins,); Govert Looten, Amsterdam, (before d.1727); sale, Amsterdam, Govert Looten Collection, March 13, 1729, lot 6, as 'twee Astrologisten van de Delfze van der Meer, heerlyk en konstig geschildert' (two Astrologers by the Delft van der Meer, wonderfully and artfully painted) (sold together with pendant, 104 florins,); Jacob Crammer Simonsz, Amsterdam (by d.1778); sale, Amsterdam (Ph. van der Schley), Jacob Crammer Simonsz Collection, November 25, 1778, lot 18 (sold together with pendant, 172 florins, to De Vries); Jean-Étienne Fizeaux, Amsterdam (1778-d.1780); his widow, Amsterdam (1780-?1785); [Pieter Fouquet, Amsterdam and Alexandre Joseph Paillet, Paris, 1784-1785]; Jan Danser Nijman, Amsterdam (?before 1794-d.1796); sale, Amsterdam, J. Danser Nijman Collection, August 16, 1797, lot 167 (sold separately, 270 florins, to Gildemeester); Jan Gildemeester, Amsterdam (1797-d.1799); sale, Amsterdam (Ph. van der Schley), Jan Gildemeester Collection, June 11, 1800, lot 139 (340 florins, to Labouchère); sale, ?London, Michael Bryan Collection, May 9, 1804, lot 145a, as The Astronomer (£36 15s.); John Gibbons, near Birmingham (by 1820-28 or later); sale, place unknown, October 7, 1820, lot 31 (£35 14s., bought in); his brother?, William Gibbons; sale, London, June 18, 1857, lot 52, as A Philosopher (£53 11s. to [Henry?] Tate); sale, London (Christie's), 1863, lot 3; Léopold Double, Paris ; sale, Paris [Pillet et al.], Léopold Double Collection, May 30, 1881, lot 17 (44,500 francs to Gauchez); [Léon Gauchez, Paris; sold to Rothschild between 1881 and 1888]; Baron Alphonse de Rothschild, Paris (until d.1905); his son, Baron Edouard de Rothschild, Paris (1905-d.1949); (between November 1940 and 1945 confiscated for Hitler's intended museum in Linz); restored to owner in 1945, his son, Guy de Rothschild (1949-82); acquired in 1983 by the Musée du Louvre, Paris in 1983 (inv. RD 1983-28).\"",
"Current Collection": "Städelsches Kunstinstitut und Städtische Galerie Frankfurt am Main Germany 1149 public.",
"Date": "1669",
"Material": "Oil on canvas",
"Size": "50 x 45 cm.. (19 5/8 x 17 3/4 in.)",
"Sources": "\"Blankert Albert. Vermeer. New York 1988 p.187.; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.148-152 197 (28). Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 334-337.\"",
"Exhibitions": "Paris, Palais des Champs-Elysées. Exposition rétrospective tableaux anciens empruntés aux galeries particulières. 1866, p. 35 (106); Paris, Palais de la Présidence du Corps léegislatif. Exposés au profit de la colonisation de l'Algérie par les Alsaciens-Lorrains. 1874, p. 60 (332); Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 104 (87 and ill.); Paris, Sedelmeyer Gallery. Hundred Masterpieces. A Selection from the Pictures by Old Masters. 1914, p. 54 (25 and ill.); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 38 (87 and ill. 68); Washington D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995–February 11, 1996, p. 170-175 (16, repro.); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1–June 2, 1996, p. 170-175 (16, repro.); Frankfurt, Städelschen Kunstinstitut. Johannes Vermeer: der Geograph und der Astronom nach 200 Jahren wieder vereint. 1997 (1); Osaka, Osaka Municipal Museum of Art. The public and the private in the age of Vermeer. April 4 – July 2, 2000, p. 190-193 (35 and ill.); Kassel, Gemäldegalerie Alte Meister, Museumslandschaft Hessen. Johannes Vermeer: Der Geograph. Die Wissenschaft der Malerei (The geographer. The science of painting). February 14 – May 11, 2003; Rotterdam, Museum Boijmans Van Beuningen. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. October 23, 2004 – January 9, 2005; Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 - May 1, 2005; Aichi, Japan, Toyota Municipal Museum of Aichi. The Golden Age of Dutch and Flemish Painting from the Städel Museum. June 11 - August 28, 2011; Bilbao, Guggenheim. The Golden Age of Dutch and Flemish Painting from the Städel Museum. October 7, 2010 - January 23, 2011; Budapest, Szépművészeti Múzeum, Budhapest. Rembrandt and the Dutch Golden Age. October 31, 2014 – February 15, 2015; Frankfurt, Städel Museum, Frankfurt am Main. Masterworks in Dialogue. Eminent Guests for the Anniversary. October 7, 2015 – January 24, 2016; Frankfurt am Main, Germany. Masterpieces from the World’s Museums in the Hermitage. Hermitage, St. Petersburg. August 27- November 20, 2016; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 211 (no. 4, ill.); National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 211 (no. 4, ill.); National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p. 211 (no. 4, ill.)."
},
{
"Image link": "https://sammlung.staedelmuseum.de/en/work/the-geographer",
"Frick Call Number": "\"Vermeer, Johannes, 326-2b\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Astronomer",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly Adriaen Paets I, Rotterdam (?1669-d.1686); possibly his son, Adriaen Paets II, Rotterdam (1686-d.1712); sale, Rotterdam, April 27, 1713, lot 10, as 'Een stuk verbeeldende een Mathematis Konstenaar, door vander Meer' (A piece representing a Mathematical Artist, by vander Meer), or lot 11, as 'Een dito door denzelven' (A ditto by the same) (sold together for 300 florins,); Hendrik Sorgh, Amsterdam (?1713-d.1720); sale, Amsterdam, Hendrik Sorgh Collection, March 28, 1720, lot 3 or 4 (sold together with pendant for 160 florins,); Govert Looten, Amsterdam (before d.1727); sale, Amsterdam, Govert Looten Collection, March 31, 1729, lot 6, as 'twee Astrologisten van de Delfze van der Meer, heerlyk en konstig geschildert' (Two Astrologers by the Delft van der Meer, wonderfully and artfully painted) (sold together for 104 florins,); Jacob Crammer Simonsz, Amsterdam (by d.1778); sale, Amsterdam (Ph. van der Schley), Jacob Crammer Simonsz Collection, November 25, 1778, lot 19 (sold together with the pendant for 172 florins, to De Vries); Jean Etiènne Fizeaux, Amsterdam (1778-d.1780); his widow, Amsterdam (1780-?1785); [Pieter Fouquet, Amsterdam and Alexandre Joseph Paillet, Paris 1784-1785]; Jan Danser Nijman, Amsterdam (1797); sale , Amsterdam (Ph. van der Schley), J. Danser Nijman Collection, August 16, 1797, lot 168 (sold separately for 133 florins, to Josi); [Christian Josi, Amsterdam and London]; Arnoud de Lange, Amsterdam (?1797-d.1803); sale, Amsterdam (Ph. van der Schley), Arnoud de Lange Collection, December 12, 1803, lot 55 (360 florins, to Coclers); Johann Goll van Franckenstein Jr., Velzen and Amsterdam (before 1821); Pieter Hendrick Goll van Franckenstein, Amsterdam (before 1832); sale, Amsterdam [J. de Vries], Jonkheer J. Goll van Franckenstein Collection, July 1, 1833, lot 47 (195 florins, to Nieuwenhuys); [Christian johannes Nieuwenhuys, Brussels and London; sold to Dumont]; Alexandre Dumont, Cambrai (before 1860-1866; sold through Thoré-Bürger to Périere); Isaac Périere, Paris (1866-1872); sale, Paris [Pillet], Péreire Brothers Collection, March 6, 1872, lot 132 (17,200 francs 7200? Vries?); ?Max Kann, Paris (1872); [Sedelmeyer, Paris, about 1875; sold to Demidoff]; Prince Demidoff di San Donato, villa di Partolino, near Florence (before 1877-80); sale, San Donato, Demidoff Collection, March 15, 1880, lot 1124 ( £22 000, probably to Bösch); Adolf Joself Bösch, Döbling, Vienna (?1880-d.1884); sale, Vienna, Joseph Bösch Collection, April 28, 1885, lot 32 (AS 8,000, to Kohlbacher of the Frankfurter Kunstverein on behalf of the Städelsches Kunstinstitut); given on May 26, 1885, for DM 16,380, to the Städelsches Kunstinstitut, Frankfurt am Main (inv. 1149).\"",
"Current Collection": "Musée du Louvre Paris France R.F. 1983-28 public.",
"Date": "1668",
"Material": "Oil on canvas",
"Size": "53 x 46.6 cm.. (20 7/8 x 18 1/4 in.)",
"Sources": "\"Blankert Albert et al. Vermeer. New York 1988 p.189.; Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock Jr. November 12 1995 - February 11 1996 p.170-175 (16).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.148-152 197 (27). Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 327-329; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XVIII, pl. 28;\"",
"Exhibitions": "Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24 – November 28, 1966 (X and ill.); Frankfurt, Städelschen Kunstinstitut. Johannes Vermeer: der Geograph und der Astronom nach 200 Jahren wieder vereint. 1997 (2); Atlanta, The High Museum of Art. The Louvre and the Masterpiece. October 12, 2008 - September 6, 2009; Minneapolis, MN., Institute of Arts. The Louvre and the Masterpiece. October 18, 2009 - January 19, 2010; Budapest, Szépművészeti Múzeum, Budhapest. Rembrandt and the Dutch Golden Age. October 31, 2014 – February 15, 2015. Boston, Museum of Fine Arts. Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. October 11, 2015 – January 18, 2016; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 210 (3, ill.). National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 210 (3, ill.); National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p. 210 (3, ill.)."
},
{
"Image link": "https://www.louvre.fr/en/oeuvre-notices/lacemaker",
"Frick Call Number": "\"Vermeer, Johannes, 327-3r\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Lacemaker",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daugher, Madgelena van Ruijven, Delft (1681-d.1682); her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 12, as 'Een Juffertje dat speldewerkt' (A Young Woman doing pinwork)(28 florins,); Jacob Crammer Simonsz, Amsterdam (before d. 1778); sale, Amsterdam (Ph. van der Schley), Jacob Crammer Simonsz. Collection, November 25, 1778, lot 17 (150 florins, to Nijman); Jan Danser Nijman, Amsterdam, (1778-before 1792); sale, Amsterdam (Ph. van der Schley), Jan Wubbels Collection, July 16, 1792, lot 213 (210 florins, to J. Spaan);( J. Schepens, January 21, 1811?); sale, Amsterdam (Ph. van der Schley), Hendrik Muilman Collection, April 12, 1813, lot 97 (84 florins, to Coclers); sale, Paris, A. Lapeyrière Collection, April 14, 1817, lot 50 (501 francs, to Coclers); sale, The Hague (J. de Vries), Anne Willem Carel, Baron van Nagell van Ampsen Collection, September 5, 1851, lot 40 (265 florins, to Lamme); Dirk Vis Blokhuyzen, Rotterdam (?1851-d.1869); sale, Paris [Pillet], Vis Blokhuyzen Collection, April 1, 1870, lot 40 (6000 francs or 1270 francs?, to Gauchez); [Léon Gauchez, Paris in 1870]; [Féral, Paris, 7,900 francs, to the Louvre in 1870]; Musée du Louvre, Paris (inv. M.I.1448).\"",
"Current Collection": "Musée du Louvre Paris France M.I.1448 public.",
"Date": "c. 1669-1670",
"Material": "Oil on canvas",
"Size": "24.5 x 21 cm.. (9 5/8 x 8 1/4 in.)",
"Sources": "\"Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock Jr. November 12 1995 - February 11 1996 p.176-179 (17).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.153-155 197 (29). Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XIV, pl. D;\"",
"Exhibitions": "Rotterdam, Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. July 9–October 9, 1935, p. 36-37 (ill. 65.); The Hague, Mauritshuis. In het licht van Vermeer. June 25–September 5, 1966 (7 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24–November 28, 1966 (8 and ill.); Paris, Musée du Petit Palais. Le siécle de Rembrandt. Tableaux hollandais des collections publiques françaises. November 17, 1970 – Febraury 15, 1971, p. 228-229 (222 and ill.); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 - May 1, 2005; Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 210 (29 and ill.); Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 194 (4, ill.). National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 194 (4, ill.); National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p 194 (4, ill.)."
},
{
"Image link": "https://www.rijksmuseum.nl/en/vermeers-the-little-street-discovered/objects#/SK-A-1595,3",
"Frick Call Number": "\"Vermeer, Johannes, 320-23b\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Love Letter",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly 1696 sale, A Lady to whom a Maid-Servant is Bringing a Letter, 70 florins; Pieter van Lennep, Amsterdam (?c.1810-1850); his daughter, Margaretha Catharina van Lennep, Amsterdam (1850-d.1891) (married Jan Messchert van Vollenhoven (d.1881) in 1850); J.F. van Lennep, Amsterdam (1892); sale, Amsterdam (Roos), Messchert van Vollenhoven/Van Engelenberg Collection, March 29, 1892, lot 14 (45,100 florins, to J. Ankersmit of the Vereniging Rembrandt); Vereniging Rembrandt, Amsterdam (1892-93); purchased by Rijksmuseum in 1893 with funds from Rembrandt Society (Vereniging Rembrandt) and Mr. J.F. van Lenneys (A 1595) (45,000 florins from State) (stolen September 24, 1971 and returned October 6, 1971).\"",
"Current Collection": "Rijksmuseum Amsterdam Netherlands A 1595 public.",
"Date": "c. 1669-70",
"Material": "Oil on canvas",
"Size": "44 x 38.5.cm.. (17 3/8 x 15 1/8 in.)",
"Sources": "\"Wheelock Jr. Arthur K. Jan Vermeer. London 1981 p.140.; Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock Jr. November 12 1995 - February 11 1996 p.180-185 (18).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.156-159 197 (30).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 266.\"",
"Exhibitions": "Amsterdam, Arti et amicitiae. Katalogus der tentoonstelling van schilderijen van oude meesters. 1867, p. 18 (113); The Hague. 1890 p. 56 (116); Amsterdam, Arti et Amicitiae. \"Rembrandt.\" Vereeniging tot behoud in Nederland van Kunstschatten. 1892 ( unpaginated, no. A.); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. October 21 – November 3, 1935, p. 30 (169); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibition of Dutch Pictures of Seventeenth Century. 1954 (86 and ill.); Rome, Palazzo delle Esposizioni. Le XVII siècle Européen. Réalisme classique baroque. December 1956 - January 1957, p. 245-246 (310 and pl. 27); London, Victoria and Albertum Museum. The Orange and the Rose. Holland and Britain in the Age of Observation 1600-1750. 1964, p. 44 (74 and ill. 5.); Stockholm, Nationalmuseum. Holländska mästare. I svensk ägo. 1967, p. 26 (ill. 9); Brussels, Palaeis voor Schone Kunsten. Rembrandt en zijn tijd. 1971, p. 132-133 (112 and ill.); Amsterdam, Rijksmuseum. Tot lering en vermaak. Betekenissen van Hollande genrevoorstellingen uit de zeventiende eeuw. 1976, p. 268-271 (71, and ill.); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 182-183 (39 and ill.); Dublin, National Gallery of Ireland. Love letters: Dutch genre painting in the age of Vermeer. October 1 – December 31, 2003 (38, fig. 55, repro. 181); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 – May 1, 2005; Melbourne, National Gallery of Victoria. Dutch Masters from the Rijksmuseum. June 24 – October 20, 2005; Rome, Galleria d'arte antica di Palazzo Barberini. Una Lettera d'amore dall'Olanda: Vermeer a Palazzo Barberini. April 27 – June 18, 2006; Amsterdam. 125 grote liefdes. Met steun van de Vereniging Rembrandt Van Goghmuseum. October 2, 2008 – January 18, 2009; Vancouver, Art Gallery. Vermeer, Rembrandt and the Golden Age of Dutch Art: Masterpieces from the Rijksmuseum. May 9 - September 13, 2009; Paris, Pinacothèque de Paris. The Dutch Golden Age: From Rembrandt to Vermeer. October 7 2009 – February 7, 2010; Doha, Museum of Islamic Art. The Golden Age of Dutch Painting, Masterpieces from the Rijksmuseum. March 11 – June 6, 2011; St Petersburg, New Hermitage. Love Letter by Vermeer. From the collection of the Rijksmuseum, Amsterdam. In the Masterpieces from the World`s Museums in the Hermitage series. Italian Cabinet (233). October 14 – November 6, 2011; Istanbul, Sakip Sabanci Museum in Istanbul. Where Darkness Meets Light...Rembrandt and his Contemporaries. February 21 – June 10, 2012; National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017 p. 228 (no. 3, ill.); National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p. 228 (no. 3, ill.)."
},
{
"Image link": "https://www.nationalgallery.ie/art-and-artists/highlights-collection/woman-writing-letter-her-maid-johannes-vermeer",
"Frick Call Number": "\"Vermeer, Johannes, 320-2a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Lady Writing a Letter with her Maid",
"Add. Title": "The \"Billet Doux;\" Hale- The Love Letter",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"The artist's widow, Catharina Bolnes (1675-76); on January 27, 1676, given with another painting as security for a debt of 617 florins along with Lady Playing a Guitar to Van Buyten; Hendrik van Buyten, Delft (1676-d.1701); Josua van Belle, Rotterdam (before 1710); his widow, Catharina van der Meyden, Rotterdam (1710-29); sale, Rotterdam, Josua van Belle Collection, September 6, 1730, lot 92 (155 florins); Franco van Bleyswijck, Delft (d.1734); inherited by Catharina van der Burch (wife of Hendrick van Slingeland), The Hague (1734-61); inherited by one of their daughers, either Maria Catharina van Slingelandt, The Hague (1761-71) or Agatha van Slingelandt, The Hague (1761-75); ?Barthout van Slingelandt, Dordrecht (1771-98) or Willem Bentinck, The Hague (1775-98); Viktor von Miller zu Aichholz, Vienna (before 1881); sold to Sedelmeyer, Paris; [Sedelmeyer, Paris, 60,000 francs, sold to Secrétan in 1881]; E. Secrétan, Paris (1881-89); sale, Paris [Boussod], July 1, 1889, lot 140 (62,000 francs, to Boussod, Valadon and Co.); Marinoni collection, Paris; [Kleinberger, Paris]; Alfred Beit, London (c. 1895-1906); Sir Otto Beit, Bt, London (1906-30); Lady Beit, London ; her son, Sir Alfred Beit, 2nd Bt, London and (from 1952) Blessington, Ireland; Sir Alfred Beit Collection Russborough, Ireland; stolen in 1986 and returned in 1993 at the Antwerp airport; bequeathed by Beit to National Gallery of Ireland, Dublin in 1987 (inv.4535).\"",
"Current Collection": "National Gallery of Ireland Dublin Ireland public.",
"Date": "c. 1670",
"Material": "Oil on canvas",
"Size": "71.1 x 58.4 cm.. (28 x 23 in.)",
"Sources": "\"Washington National Gallery of Art. Johannes Vermeer [trav. exh.]. Comp. Frederik Duparc and Arthur K. Wheelock Jr. November 12 1995- February 11 1996 p. 186-189 (19); Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p. - 198 (31).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 276.\"",
"Exhibitions": "Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 102 (86); Paris, Sedelmeyer Gallery. Hundred Masterpieces. A Selection from the Pictures by Old Masters. 1914, p. 48 (22 and ill.); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 148-149 (314); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 28 (164); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 35-36 (82 and ill.); London, Royal Academy of Arts. Catalogue of the Exhibition of the King's Pictures. 1938, (1: 106, no. 253, 2: 62, ill. 253.); Cape Town, Nationale Kunstmuseum. Skilderye van ou Meesters uit de Beit- Versameling. 1949, p. 2 and 13 (35); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibition of Dutch Pictures of Seventeenth Century. 1954; The Hague, Mauritshuis. In het licht van Vermeer. June 25 – September 5, 1966 (X and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (XI and ill.); Washington D. C., National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996, p. 186-189 (19, repro.); The Hague, National Gallery of Art. Johannes Vermeer. March 1 – June 2, 1996, p. 186-189 (19, repro.); Dublin, National Gallery of Ireland. Love letters: Dutch genre painting in the age of Vermeer. October 1 – December 31, 2003 (39, fig. 59, repro 187.); Greenwich, CT, Bruce Museum of Arts and Science. Love Letters: Dutch Genre Paintings in the Age of Vermeer. January 30, 2004 – May 1, 2004 (39, fig. 59, repro 187 and ill.); Kyoto, Municipal Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. June 25 – October 16, 2011, p. 132 (43 and ill.); Sendai, Japan, Miyagi Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. October 27, 2011 – December 12, 2011, p. 132 (43 and ill.); Tokyo, The Bunkamura Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. December 23 – March 14, 2012, p. 132 (43 and ill.); Masterworks in Dialogue. Eminent Guests for the Anniversary. Städel Museum, Frankfurt, Germany. October 7, 2015- January 24, 2016; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 120 (5, ill.). National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 120 (5, ill.; National Gallery of Art, Washington D.C. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. October 22, 2017 – January 21, 2018, p. 120 (5, ill.)."
},
{
"Image link": "https://www.metmuseum.org/art/collection/search/437877",
"Frick Call Number": "\"Vermeer, Johannes, 309a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Allegory of Faith",
"Add. Title": "Allegory of the New Testament;Allegory of the Catholic Faith",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly commissioned by Michiel or Otto van der Dussen; Herman Stoffels van Swoll, Amsterdam (until d.1698); sale, Amsterdam, Herman Stoffels van Swoll Collection, April 22, 1699, lot 25, as 'Een zittende Vrouw met meer beteekenisse verbeeldende het Nieuwe Testament' (A seated Woman rich in meaning, representing the New Testament) (400 florins); sale, Amsterdam, July 13, 1718, lot 8 (500 florins); sale, Amsterdam, April 19, 1735, lot 11 (53 florins); [David Ietswaart, until 1749]; sale, Amsterdam, David Ietswaart Collection, April 22, 1749, lot 152, as ''Een Dame in haar kamer, in haar devotie, met veel uitvoerig bywerk, door de delfse van der Meer, zo goed als Eglon vander Neer' (A Lady in her Room, in prayer, with many detailed accessories, by the Delft van der Meer, as good as Eglon vander Neer) (70 florins, to Ravensberg); possibly in a private collection, Austria (in 1824); Dmitri Shchukin, Moscow (1899, probably as by Eglon van der Neer); [Wächtler, Berlin, 1899 (as by Eglon vander Neer) (700 DM, to Bredius)]; Dr. Abraham Bredius, The Hague (1899-1928 (as by Vermeer) on loan to Mauritshuis, The Hague (1899-1923) and to Boymans Museum, Rotterdam (1923-28), sold to Kleinberger); [Kleinberger, Paris, 1928; sold $300,000 to Friedsam]; Michael Friedsam, New York (1928-d.1931); Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931 (acc. no. 32.100.18).\"",
"Current Collection": "Metropolitan Museum of Art New York New York United States 32.100.18 public.",
"Date": "c. 1670-72",
"Material": "Oil on canvas",
"Size": "114.5 x 89 cm.. (45 x 35 in.)",
"Sources": "\"New York Metropolitan Museum of Art. European Paintings in the Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue [cat.]. Comp. Katherine Baetjer 1995 p.336.; New York Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke et al. March 8 - May 27 2001 p.399-402 (77).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.162-165 198 (32).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 304; http://metmuseum.org/exhibitions/view?exhibitionId=%7b4318132f-0779-46f5-a12c-54823e3da1b2%7d&oid=437877&pos=1&ft=*.\"",
"Exhibitions": "New York, The Metropolitan Museum of Art. The Michael Friedsam Collection. November 15, 1932 – April 9, 1933, no catalogue; Delft, Stedelijk Museum 'Het Prinsehof'. Prisma der bijbelse kunst. May 17 –August 12, 1952, p. 216-217 (324 and ill.); Dallas, Museum of Art. Trompe l'Oeil: Paintings that Fool the Eye by Masters from Vermeer to Dali. October 10 – 30, 1953; Washington, National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996 (20); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1 – 2, 1996 (20); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (77); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (77); New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008, no catalogue; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'. September 9 – November 29, 2009 (10); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 218 (50 and ill.); Budapest, Hungry, Szépművészeti Múzeum. Rembrandt and the Dutch Golden Age. October 31, 2014- February 15, 2015; Paris. Musée du Louvre. \"Vermeer et les maîtres de la peinture de genre,\" February 22–May 22, 2017, no. 81."
},
{
"Image link": "https://www.nationalgallery.org.uk/paintings/johannes-vermeer-a-young-woman-standing-at-a-virginal",
"Frick Call Number": "\"Vermeer, Johannes, 327-3l\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Young Woman Standing at a Virginal",
"Add. Title": "A Young Lady at the Virginals",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly the painting cited as 'A work with a young woman playing on the virginal with other motifs by Vermeer,' in the collection of Diego Duarte, Antwerp, 1682 (sold by 1691); or possibly 'A Young Woman Playing on the Clavecin' in sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 37 (42 florins); possibly 'A young woman playing the clavecin by Vermeer' in the estate of the widow of Nicolaes van Assendelft (1630-92), Delft, 1711; possibly 'A clavecin player in a room, by Vermeer of Delft, artfully painted,' in an Amsterdam sale July 11 1714 (recorded in Hoet 1752-70, col. 1, p. 176, lot 12 (55 florins); sale, Amsterdam (Ph. van der Schley), Jan Danser Nijman Collection, August 16, 1797, lot 169, as 'A young woman standing to play a clavecin; on the wall hang paintings; very fine in execution' (49 florins (19- Vries?), to Bergh); possibly in the collection of Edward Solly, Berlin and London, before 1844 (not in sale, London, Edward Solly Collection, May 8, 1847); sale, London, Edward William Lake Collection, July 11, 1845, lot 5 (15 guineas, to Farrer); J.T. Thorn; sale, London, J.T. Thorn Collection, May 2, 1855, lot 22 (14 1/2 Guineas, to Grey); Théophile Thoré-Bürger (Etienne Joseph Théophile Thoré), Paris (before 1866-d.1869); inherited from him by the Lacroix family (Mde. Lacroix), Paris (1869-92); sale, Paris, Théophile Thoré-Bürger Collection, December 5, 1892, lot 20 (29,000 francs, to [Bourgeois Frères, Paris, and/or Lawrie & Co., London in 1892]); purchased in 1892 by the National Gallery (2400?), London (inv. 1383).\"",
"Current Collection": "National Gallery London England 1383 public.",
"Date": "c. 1670-72",
"Material": "Oil on canvas",
"Size": "52 x 45 cm.. (20 3/8 x 17 3/4 in.)",
"Sources": "\"New York Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke et al. March 8 - May 27 2001 p.402-406 (78).; Sale London. Edward Solly Collection. May 8 1847.; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.166-171 197 (33). Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XIX, pl. 30;\"",
"Exhibitions": "London, Royal Academy of Arts. Exhibition of Works by Old Masters and by Deceased Masters of British School. 1894, p. 22 (93); Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 102 (85); London, Burlington Fine Arts Club. Exhibition of Pictures by Dutch Masters of Seventeenth Century. 1900, p. 24 (15); London, The National Gallery. Brown, Christopher. Art in Seventeenth-Century Holland. 1976, p. 93 (117 and ill.); Modena, Italy, Galleria Estense. Vermeer. La ragazza alla spinetta e i pittori di Delft. April 15 – July 15, 2006, p. 134-135 (18); Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 206 (27 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 - January20, 2013, p. 224 (51 and ill.); London, National Gallery. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013, p. 65 (22 and ill.)"
},
{
"Image link": "https://www.nationalgallery.org.uk/paintings/johannes-vermeer-a-young-woman-seated-at-a-virginal",
"Frick Call Number": "\"Vermeer, Johannes, 327-1a\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "Young Woman Seated at a Virginal",
"Add. Title": "A Young Lady Seated at the Spinet; A Girl at the Spinet",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly the painting cited as 'A work with a young woman playing on the virginal with other motifs by Vermeer,' in the collection of Diego Duarte, Antwerp, 1682 (sold by 1691); or possibly 'A Young Woman Playing on the Clavecin' in sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 37 (42 florins); possibly 'A young woman playing the clavecin by Vermeer' in the estate of the widow of Nicolaes van Assendelft (1630-92), Delft, 1711; possibly 'A clavecin player in a room, by Vermeer of Delft, artfully painted,' in an Amsterdam sale of 1714 (recorded in Hoet 1752-70, col. 1, p. 176, lot 12 (55 florins); reportedly in the collection of Lothar Franz von Schönborn (1655-1729), Elector of Mainz and Archbishop of Bamberg, Schloss Weissenstein, Pommersfelden; Count von Schönborn, Pommersfelden (said to have been in the lost catalogue of 1746); sale, Paris, Graf Schönborn-Pommersfelden Collection, following May 17, 1867, lot 78 (2,000 francs, to Thoré); Théophile Thoré-Bürger (Etienne Joseph Théophile Thoré), Paris (1867-d.1869); inherited from him by the Lacroix family, Paris (1869-1892); sale, Paris, Théophile Thoré-Bürger Collection, December 5, 1892, lot 32 (25,000 francs, to Sedelmeyer; [Sedelmeyer, Paris, in 1892-93]; [Lawrie & Co., London, in 1893]; [T. Humphry Ward, London, 1894]; George Salting, London (before 1898-d.1910); National Gallery, London, Salting Bequest, 1910 (inv. 2568).\"",
"Current Collection": "National Gallery London England 2568 public.",
"Date": "c. 1670-72",
"Material": "Oil on canvas",
"Size": "51.5 x 45.5 cm.. (20 1/4 x 17 7/8 in.)",
"Sources": "\"New York Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke et al. March 8 - May 27 2001 p.402-406 (79).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.167-171 198 (34).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 274.\"",
"Exhibitions": "London, Royal Academy of Arts. Exhibition of Works by Old Masters and by Deceased Masters of British School. 1894, p. 22 (93); Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 102 (85); London, Burlington Fine Arts Club. Exhibition of Pictures by Dutch Masters of Seventeenth Century. 1900, p. 24 (15); London, The National Gallery. Brown, Christopher. Art in Seventeenth-Century Holland. 1976, p. 93 (117 and ill.); Modena, Italy, Galleria Estense. Vermeer. La ragazza alla spinetta e i pittori di Delft. April 15 – July 15, 2006, p. 134-135 (18); Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 206 (27 and ill.); London, The National Gallery. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013, p. 70 (25 and ill.); Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 137 (no.2, ill.)."
},
{
"Image link": "https://www.english-heritage.org.uk/visit/places/kenwood/history-stories-kenwood/history/collections/",
"Frick Call Number": "\"Vermeer, Johannes, 327-3q\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "The Guitar Player",
"Add. Title": "",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly the artist's widow, Catharina Bolnes (1675-76); possibly given by her as a security on January 27, 1676 to Hendrick van Buyten; possibly Pieter van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682); possibly her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 4, as 'Een speelende Juffrouw op een Guiteer, heel goet' (A Young Woman playing on the Guitar, very good) (70 florins); ?Jan Danser Nijman, Amsterdam, (before 1794); Henry Temple, 2nd Viscount Palmerston, London (1794-d.1802); his son, Henry John Temple, 3rd Viscount Palmerston, London and Broadlands, Hampshire (1802-d.1865); his stepson, William Francis Cowper-Temple, 1st Baron Mount Temple, Broadlands, Hampshire (1865-d.1888); his nephew, (Anthony) Evelyn Melbourn Ashley (in 1888; sold to Agnew); [Thos. Agnew Gallery, London, 1888-1889; sold to Guinness); Edward Cecil Guinness, (from 1919) Earl of Iveagh, London (1889-d.1927); bequeathed by him in 1917 or 1927 as The Iveagh Bequest, Kenwood House, London (inv. 88028841); stolen February 24-25, 1974; returned May 8, 1974.\"",
"Current Collection": "Iveagh Bequest London England 88028841 public.",
"Date": "1671-1672",
"Material": "Oil on canvas",
"Size": "53 x 46.3 cm.. (20 7/8 x 18 1/4 in.)",
"Sources": "\"Blankert Albert et al. Vermeer. New York 1988 p.192 (28).; Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.172-174 198 (35).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 275.\"",
"Exhibitions": "London, Royal Academy. An Exhibition of the Old Masters, Associated with Works of Deceased Masters of the British School. 1871 (266, as \"The Lute Player\" lent by LR. T. Hon. W. Cowper-Temple); London, Royal Academy. Exhibition of Works by the Old Masters and by Deceased Masters of the British School including a Collection of Watercolour Drawings, Studies, and Sketches from Nature. 1892 (46, as \"The Lute Player\", lent by Lord Iveagh); The Hague, Mauritshuis. In het licht van Vermeer. June 25 - September 5, 1966 (VIII); London, The National Gallery. July, 2012 – 2013. London, The National Gallery. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 - September 8, 2013, p. 68 (24 and ill.)"
},
{
"Image link": "https://www.theleidencollection.com/artwork/young-woman-seated-at-a-virginal/",
"Frick Call Number": "\"Vermeer, Johannes, 327-3m\"",
"Artist": "Vermeer Johannes 1632-1675",
"Title": "A Young Woman Seated at the Virginals",
"Add. Title": "A Girl at the Spinet",
"Personal Name": "Vermeer Johannes 1632-1675",
"Provenance": "\"Possibly Pieter van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1764-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1862); possibly her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, May 16, 1696, lot 37, as 'Een Speelende Juffrouw op de Clavecimbael van dito [Vermeer]' (A Young Woman Playing on the Clavecin by ditto [Vermeer]) (42 florins); probably Wessel Ryers; sale, Amsterdam, W. Reyers Collection, September 21, 1714, lot 93 (30 florins, to Gruyter); Alfred Beit, London (1890s?; by 1904); his brother, Sir Otto Beit, London (in 1906); Lady Beit, London (until 1934); her son, Alfred Beit, Blessington, Ireland (until 1960); [Marlborough Fine Art, London, in 1960]; Baron Frédéric Rolin, Brussels (1960-d.2002); his heirs; sale, London (Sotheby's), Old Master Paintings, July 7, 2004, lot 8 (£16,245,600, Wynn); Steve Wynn, Las Vegas; Thomas Kaplan, [Leiden Gallery, New York (by December 2008)].\"",
"Current Collection": "Leiden Gallery New York New York United States private.",
"Date": "c. 1670-1672",
"Material": "Oil on canvas",
"Size": "25 x 20 cm.. (9 7/8 x 7 7/8 in.)",
"Sources": "\"Liedtke Walter. Vermeer: The Complete Paintings. Ghent 2008 p.175-177 198 (36).; Kinsella Eileen. \"Steve Wynn Buys a Vermeer and Other Major Works\". ARTnewsletter XXX 17 (2005) (accessed online September 2009) http://artnewsletter.artnews.com/ArchivedIssues.aspx?id=123]; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. 68.\"",
"Exhibitions": "London, Burlington Fine Arts Club. Burlington Fine Arts Club, Winter Exhibition, “Catalogue of a Collection of Pictures, Decorative Furniture and Other Works of Art”. 1907, p. 4 (13, lent by Otto Beit); Philadelphia, Philadelphia Museum of Art. A Young Woman Seated at the Virginals by Johannes Vermeer. August 11, 2004 –March 1, 2005; Tokyo, Metropolitan Art Museum. Vermeer and the Delft Style. August 2 – December 14, 2008, p. 190-192 (31 and ill.); New York, Metropolitan Museum of Art. Vermeer and the Delft Style. 2009; Norfolk, Virginia, Chrysler Museum of Art. Johannes Vermeer \"A Lady Writing\". June 1, 2010 – January 1, 2011; Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 –January 15, 2012 (28 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 220 (51 and ill.); London, The National Gallery. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013; Raleigh, North Carolina, North Carolina Museum of Art. Small Treasures: Rembrandt, Vermeer, Hals and their Contemporaries. October 12, 2014 - January 4, 2015; Dallas, Dallas Museum of Art. Vermeer Suite: Music in 17th-Century Dutch Painting. January 17 - August 21, 2016; Beijing. National Museum of China. Rembrandt and His Time: Masterpieces from The Leiden Collection. June 17 - September 3, 2017."
}
]