complete-vermeer.json

[
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Diana and her Companions",
   "Additional Title": "Diana at Her Toilet?",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Nicholas Maes [in 1876 purchased as such (cat. 1977)]  catalogued as Vermeer as Utrecht?",
   "Provenance": "\"[Dirksen, The Hague (before 1866) (179 florins, to Goldsmid)]; Neville Davison Goldschmidt, The Hague (before 1866-1875 as Maes 4725 francs/ Vries 10,000?); his widow, Eliza Garey, The Hague and Paris (1875-1876); sale, Paris, Goldsmid Collection, May 4, 1876, lot 68 (as Nicholaes Maes) (1000 francs, to Victor de Stuers on behalf of The Netherlands); , Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague (inv. 406).\"",
   "Current Location": "Koninklijk Kabinet van Schilderijen  The Hague  Netherlands  406  public.",
   "Date": "c. 1653",
   "Image Link": "https://www.mauritshuis.nl/en/explore/the-collection/artworks/diana-and-her-nymphs-406/detailgegevens/",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/c/c1/Johannes_Vermeer_-_Diana_and_her_Companions_-_WGA24605.jpg",
   "material": "Oil on canvas",
   "Size": "98.5 x 105 cm.. (38 3/4 x 41 3/8 in.) ",
   "Signature": "Signed lower left (on the rock between the dog and the thistle): JVMeer",
   "Literature": "\"Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 583, cat. no. 3; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913. p. 243, 300-4, ill. opposite p. 132; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937. p. 171-72, pl. 40; Vries, A. B. deJan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 77, cat. no. 1, pl. 27; Vries, A. B. deJan Vermeer de Delft. Paris: P. Tisné, 1948, p. III, cat. no. 1, pl. 1; Gowing, Lawrence. Vermeer. London: Faber and Faber, 1952, p. 93-97, pl. 8 and 9; Blankert, Albert. Johannes Vermeer van Delft : 1632-1675. Oxford: Phaidon, 1978, p. 138, 139, cat. no. 2, color ill. opposite p. 170; Mauritshuis. Illustrated general catalogue. The Hague: Mauritshuis, 1977, p. 247; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13-17, cat. no. 2; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 15, 68-69; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987, p. 171, cat. no. 2, pl. opposite p. 73; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 44, 46-47, 53, 88; Broos, Ben and Marjolein de Boer. Intimacies & Intrigues: history painting in the Mauritshuis. The Hague: Mauritshuis, 1993, cat. no. 37; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 3; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 169, cat. no. A1; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 12, cat. no. 3; Blankert, Albert. Hollands classicisme in de zeventiende-eeuwse schilderkunst. Rotterdam [etc.]: Museum Boijmans Van Beuningen [etc.], 1999, p. 312-315, cat. no. 62, color ill. opposite p. 313; Liedtke, Walter. A view of Delft: Vermeer and his contemporaries. Zwolle: Waanders, 2000, p. 191-194; Pottasch C. and R. Hoppe. 'Vermeer Gemälde: Restaurierung im Mauritshuis.' Restauro 3 (2000), p. 158; Liedtke, Walter et al. Vermeer and the Delft School. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 64; Ploeg, P van der. 'Een vroege Vermeer herontdekt.' Mauritshuis in focus 14 (2001), p. 18-26, ill. 12-13, 15; Pottasch, C. 'De metamorfose van Vermeers Diana.' Origine 5 (2001), p. 48-52, ill. 1, 3-7; Boon, J.J., P. Noble, J. Wadum. 'Dissolution, aggregation and protrusion.' ArtMatters (2002), p. 46-54, ill. 16-19, 25; Boon, J. M. Geldof, R.M.A. Heeren, P. Noble, J. van der Weerd. 'Chemical changes in old master paintings: dissolution, metal soap formation and remineralization processes in lead pigmented paint layers of 17th century paintings.' Zeitschrift für Kunsttechnologie und Konservierung 16 (2002), vol 1, p. 43-45, ill. 5a-5i; Hoppe, R, E. Kolfin, C. Pottasch. 'The metamorphosis of Diana: Changing perceptions of the young Vermeer's painting technique.' Art Matters (2002), p. 90-103, ill. 1, 6-15; Hoppe, R. and C. Pottasch. 'The restauration of an early Vermeer: Diana and her companions transformed: A case study about a painting scarred by time.' Zeitschrift für Kunsttechnologie und Konservierung 17 (2003), Vol.1, p. 148-155, ill. 1-7; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 113, cat. no. 6; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 56-59, 194, cat. no. 1, color ill. opposite p. 56; Buijsen, Edwin and Geerte Broersma. The Young Vermeer. Den Haag [etc.]: Koninklijk Kabinet van Schilderijen Mauritshuis [etc.], 2010, p. 26-29, color ill. opposite p. 25; Franits, Wayne. Vermeer. London: Phaidon, 2015, p. 22, 24, color ill.  Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. III, pl. 1; \"",
   "Exhibitions": "\"London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 148 (313); Amsterdam, Rijksmuseum. Weerzien der meesters. 1945, p. 22 (133); Delft, Stedelijk Museum 'Het Prinsenhof'. Het koninklijke kabinet 'Het Mauritshuis' in het museum 'Het Prinsenhof' te Delft. 1950, p. 11 (26); Milan, Palazzo Reale. Mostra del Caravaggio e dei Caravaggeschi. 1951, p. 99 (187 and ill. 130); Zurich, Fahrhunderts, Kunsthaus. Hollander des 17. 1953, p. 72 (175 and ill. 27); Milan, Palazzo Reale. Mostra di pittura olandese del seicento. 1954, p. 90 (175 and ill. 30); Rome, Palazzo delle Esposizioni. Mostra di pittura olandese del seicento. 1954, p. 90 (175 and ill. 30); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibition of Dutch Pictures of Seventeenth Century. 1954, (6 and ill.); The Hague, Mauritshuis. In het licht van Vermeer. 1966, (1 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (1 and ill.); Tokyo, The National Museum of Western Art. The Age of Rembrandt, Dutch Paintings and Drawings of the 17th Century. 1968 (69 and ill.); Washington D. C., National Gallery of Art. Gods, Saints and Heroes: Dutch Paintings in the Age of Rembrandt. 1980, p. 41, 210-211 (54 and ills.); Tokyo, National Gallery of Art. Dutch Painting of the Golden Age of Rembrandt. 1984, p. 108-109 (39 and ill.); Washington D.C., National Gallery of Art. Johannes Vermeer. 1995, p. 96-101 (3 and ill.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. 1996, p. 96-101 (3 and ill.); New York, Metropolitan Museum of Art. Vermeer and the Delft School. 2001, p. 359-362 (64 and ill.); London, National Gallery. Vermeer and the Delft School. 2001, p. 359-362 (64 and ill.); Tokyo, Metropolitan Art Museum. Vermeer and the Delft Style. 2008, p. 168-170 (26 and ill.); The Hague, Mauritshuis. The Young Vermeer. 2010, p. 26-29 (1 and ill.); Dresden, Old Masters Picture Gallery. The Young Vermeer. 2010.; Edinburgh, National Gallery of Scotland. The Young Vermeer. 2011, p. 26-29 (1 and ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Christ in the House of Mary and Martha",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"In the collection of a Bristol family by the 1880s; [a Bristol antiques dealer in 1884]; Arthur Leslie Colley (Collie), London; [Forbes and Paterson, London, in 1901; sold to Coats];  William Allan Coats, Skelmorlie Castle, Dalskairth, Dumfries and Galloway, Scotland (1901-1926); his sons, Thomas H. Coats and J.A. Coats (1926-1927); in 1927 presented by them in honor of their father to the National Gallery of Scotland, Edinburgh (inv. 1670).\"",
   "Current Location": "National Gallery of Scotland  Edinburgh  Scotland  1670  public.",
   "Date": "c. 1655",
   "Image Link": "https://www.nationalgalleries.org/art-and-artists/5539/christ-house-martha-and-mary",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/d/df/Johannes_Vermeer_-_Christ_in_the_House_of_Martha_and_Mary_-_WGA24603.jpg",
   "material": "Oil on canvas",
   "Size": "160 x 142 cm.. (63 x 55 7/8 in.) ",
   "Signature": "Signed lower left (on the footstool): IVMeer",
   "Literature": "\"Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 582, cat. no. 1; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 280-81, ill. opposite p. 112; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, 163-67, pl. 38; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 77-78, cat. no.2 , pl. 28; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. IV, cat. no. 2, pl. 2; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13-17, 34, 76 n. 24, 155, cat. no. 1; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 15, 64-67; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 74-77, 170, cat. no. 1, ill. p. 75; Nash, J.M. Vermeer. London: Scala Books 1991, p. 44-46, 53; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 2; Gowing, Lawrence. Vermeer. London : Giles de la Mare, 1997, p. 79-84, ill. 1-3; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 194-198; Walter Liedtke et al., Vermeer and the Delft School. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 65; Rüger, Axel. Vermeer and painting in Delft. London: National Gallery, 2001, p. 55-56, color ill.; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 10, ill. 2; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 60, 61, 194, cat. no. 2, color ill.; Buijsen, Edwin and Geerte Broersma. The Young Vermeer. Den Haag [etc.]: Koninklijk Kabinet van Schilderijen Mauritshuis [etc.], 2010, p. 30-35, color ill.; Franits, Wayne. Vermeer. London: Phaidon, 2015, p. 23, 30-39, 47, color ill.\"",
   "Exhibitions": "\"London, Royal Academy of Art. Exhibition of Dutch Art, 1450-1900. 1929, p. 147 (310); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 juli 1885. 1935, p. 26-27 (162 and ill. 162); Rotterdam,  Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 34 (79 and ill. 59); Utrecht, Centraal Museum. Caravaggio en de Nederlanden. 1952, p. 57-58 (92 and ill. 71); Edinburgh, National Gallery of Scotland. Williams, J.L. Dutch Art and Scotland. A Reflection of Taste. 1992, p. 150-151, (71 and ill.); Washington D.C. and The Hague. Johannes Vermeer. 1995-1996 (2); Tokyo. Vermeer and the Delft Style. Metropolitan Museum of Art. August 2 – December 14, 2008; The Hague, Mauritshuis. The Young Vermeer.  May 12 – August 22, 2010, p. 26-29 (1 and ill.); Dresden, Old Masters Picture Gallery. The Young Vermeer. September 3 –  December 28, 2010; Edinburgh, National Gallery of Scotland. The Young Vermeer. End of 2010 – Feb. 2011, p. 26-29 (1 and ill.); Rimini, Castel Sismondo. Da Vermeer a Kandinsky. January 21 - June 3, 2012, p. 76 (ill.); San Francisco,  de Young Fine Arts Museums of San Francisco. Botticelli to Braque: Masterpieces from the National Galleries of Scotland. March 7 - May 3, 2015; Fort Worth, Texas, Kimbell Art Museum. Botticelli to Braque: Masterpieces from the National Galleries of Scotland.June 28 - September 20, 2015; Sydney, The Art Gallery of New South Wales. The Greats: Masterpieces from the National Galleries of Scotland. October 24, 2015 - February 14, 2016.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Procuress",
   "Additional Title": "The Courtesan ",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Wallenstein Collection, Dux (Duchcov); acquired from that collection in 1741 for the Elector of Saxony; Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden (inv. 1335). Attributed to Vermer first time 1835.\"",
   "Current Location": "Gemäldegalerie Alte Meister  Dresden  Germany  1335  public.",
   "Date": "1656",
   "Image Link": "https://skd-online-collection.skd.museum/Details/Index/415422",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/8/84/Jan_Vermeer_van_Delft_002.jpg",
   "material": "Oil on canvas",
   "Size": "143 x 130 cm.. (56.2 x 51.1 in.)",
   "Signature": "Signed and dated lower right: ivMeer./1656",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 544, cat. no. 1; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 35, cat. no. 1; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 600 (41); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 244, 319-324 (ill. opposite p. 100); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 193-95 (pl. 48); Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 78 (3, pl. 29); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. IV-V (3, pl. 3); Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13, 27-8, 63, 67, 70, 75 n. 12 also 62, 155-56, cat. no. 3; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 13, 27-8, 63, 67, 70, 75 n. 12 also 62, 155-56, cat. no. 3; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 87-90, 171-172, no. 3, color ill. opposite p. 89; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 50-53; Wheelock, Arthur. Vermeer : the complete works. New York: Abrams, 1997, p. 14, ill. 4; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 84-88, ill. 4-5; Gaskell, Ivan and Michiel Jonker. Vermeer Studies. Washington [DC] [etc.]: National Gallery of Art [etc.], 1998, p. 47, 314; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle: Waanders, 2000, p. 188, 197-202; Liedtke, Walter et al. Vermeer and the Delft School. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 66; Rüger, Axel. Vermeer and painting in Delft. London: National Gallery, 2001, p. 56, color ill. opposite p. 57; Giebe, Marlies and Uta Neidhardt. Johannes Vermeer: \"Bei der Kupplerin.” Dresden: Sandstein, 2004; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 16-18, no. 7, color ill. opposite p. 17; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 62-65, 194, cat. no. 3, color ill. opposite p. 62; Buijsen, Edwin and Geerte Broersma. The Young Vermeer. Den Haag [etc.]: Koninklijk Kabinet van Schilderijen Mauritshuis [etc.], 2010, p. 36-47, color ill. opposite p. 37\"",
   "Exhibitions": "\"Berlin, Staatliche Muséen zu Berlin. Restaurierte Kunstwerke in der Deutschen Demokratischen Republic. April –  June, 1980, (21); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8  – May 27, 2001 (66); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (66); Jackson, Mississippi, Mississippi Arts Pavilion. The Glory of Baroque. March 1 – September 6, 2004; Dresden, Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen. Das restaurierte meisterwerk: Die Kupplerin von Vermeer (The restored masterpiece: The procuress by Vermeer). December 3, 2004 – February 27, 2005; The Hague, Mauritshuis. The Young Vermeer. Mauritshuis. May 12 – August 22, 2010, p. 36-47 (3 and ill.); Dresden, Old Masters Picture Gallery. The Young Vermeer. September 3 – December 28, 2010; Edinburgh. The Young Vermeer. Mauritshuis. End of 2010 – February, 2011, p. 36-47 (3 and ill.).  Vries, A B, and René Huyghe. Jan Vermeer De Delft. Paris: Tisne, 1948. pp. VI.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "A Maid Asleep",
   "Additional Title": "A Girl Asleep; Woman Asleep at a Table",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d. 1674); probably his widow, Maria de Knuijt, Delft (1674-d. 1681); probably their daughter, Magdalena van Ruiven, Delft (1681-d. 1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695; sale, Amsterdam, Jacob Dissius Collection,  May 16, 1696, lot 8, as 'Een dronke slapende Meyd aen een Tafel' [A drunken sleeping Maid at a Table], (62 florins); probably sale, Amsterdam, (V. Postumus Collection), December 19, 1737, lot 37, as 'Een Slapent Vrouwtje, van de Delfse van der Meer' [A Sleeping Woman, by the Delft van der Meer], (8 florins, 5 st., to Carpi); [probably J.B. P. Lebrun, Paris, in 1811]; sale, Paris (Lebrun), Smeth van Alphen et al. Collections, following April 15, 1811, lot 150 (60 francs, to Paillet); [Alexandre-Joseph Paillet, Paris, in 1811]; John Waterloo Wilson, Paris (after 1873-1881); sale, Paris, John Waterloo Wilson Collection, March 14-16, 1881, lot 116 (to Sedelmeyer); [Sedelmeyer, Paris, 1881 (12,000 francs, to Kann)]; Rodolphe Kann, Paris (1881-d. 1905; his estate, 1905-7; sold to Duveen); [Duveen, London, 1907-8; sold to Altman]; Benjamin Altman, New York (1908-d. 1913); Metropolitan Museum of Art, New York, Bequest of Benjamin Altman, 1913 (acc. no. 14.40.611).\"",
   "Current Location": "Metropolitan Museum of Art  New York  New York  United States  14.40.611  public.",
   "Date": "c. 1656-57",
   "Image Link": "https://www.metmuseum.org/art/collection/search/437879",
   "Secondary Image Link": "https://commons.wikimedia.org/wiki/File:A_Maid_Asleep_MET_DP355525.jpg#/media/File:Vermeer_young_women_sleeping.jpg",
   "material": "Oil on canvas",
   "Size": "87.6 x 76.5 cm.. (34 1/2 x 30 1/8 in.)",
   "Signature": "Signed at left (above the figure's head): I-VMeer-",
   "Literature": "\"Havard, Henry. Van der Meer de Delft. Paris : Librairie de l'Art, 1888, p. 39, cat. no. 48; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 589, cat. no. 16; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 239, no. 8; p. 260-64, ill. opposite p. 174; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 111-13, pl. 11; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 78-79, cat. no. 4, pl. 30; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V, cat. no. 4, pl. 4; Kahr, M.M. 'Vermeer's girl asleep: A moral emblem.' Metropolitan Museum Journal 6 (1972), p. 115-132; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 13, 28, 29, 73, 156 , cat. no. 4, color ill.; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 74-75; Art and autoradiography : insights into the genesis of paintings by Rembrandt, Van Dyck and Vermeer. New York: Metropolitan Museum of Art, 1982, p. 18-26; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 90-92, 172, cat. no. 4, ill. 4; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 54-62; Arasse, D. Vermeer. Faith in Painting. Princeton 1994, p. 29-31; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 39-47, color ill. opposite p. 38; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 16, ill. 5; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 202-205; Liedtke, Walter et al. Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.] , 2001, cat. no. 67; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 18-20, 113, cat. no. 8, color ill. p. 19; Liedtke, Walter. Dutch paintings in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2007, p. 868-877; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 66-69, 194, cat. no. 4, color ill. opposite p. 66; Chapman, H. Perry, Wayne Franits, and Marjorie Wieseman. Vermeer's women: secrets and silence. New Haven [CT] [etc.]: Yale University Press [etc.], 2011, p. 99-100\"",
   "Exhibitions": "\"London, Art Gallery of the Corporation of London. Works by Early and Modern Painters of the Dutch School. April 28 – July 25, 1903, (188) (as \"The Cook Asleep,\" lent by Monsieur X of Paris); New York, September – November 1909. The Hudson-Fulton Celebration. September – November 1909, The Metropolitan Museum of Art. cat. no. 137 (as \"A Girl Sleeping\").; New York, The Metropolitan Museum of Art. Art Treasures of the Metropolitan. November 7, 1952 – September 7, 1953 (117); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001, (67); New York. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008, no catalogue.; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'.  September 9 – November 29, 2009, The Metropolitan Museum of Art (6).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "A Girl Reading a Letter",
   "Additional Title": "The Letter Reader; A Young Woman Reading a Letter",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "\"Rembrandt, Pieter de Hooch, Govert Flinck (until 1862)\"",
   "Provenance": "\"?Sale, Pieter van der Lip Collection, June 14, 1712, lot 22, as 'Een leezent Vrouwtje. in een kamer, door vander Meer of Delft' (A Woman reading, in a room, by vander Meer of Delft) (110 florins,); acquired in 1742(1764?) by de Brais in Paris for August III, Elector of Saxony, Dresden, as by Rembrandt; [in the Soviet Union 1945-55]; Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden (inv. 1336).\"  ",
   "Current Location": "Gemäldegalerie Alte Meister  Dresden  Germany  1336  public.",
   "Date": "1659",
   "Image Link": "https://skd-online-collection.skd.museum/Details/Index/415430",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/e/ef/Johannes_Vermeer_-_Girl_Reading_a_Letter_by_an_Open_Window_-_Google_Art_Project.jpg",
   "material": "Oil on canvas",
   "Size": " 83 x 64.5 cm.. (32 3/4 x 25 3/8 in.)",
   "Signature": "\"Signed lower right (on wall, to right of woman's skirt): J Meer [fragmentary]\"",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 557-58, cat. no. 31; Havard, Henry. Van der Meer de Delft. Paris : Librairie de l'Art, 1888, p. 38, cat. no. 34; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 597, cat. no. 34; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 244; p. 324-327, ill. opposite p. 324; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 195-97, pl .10; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 79, cat. no. 5, pl. 31; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V, cat. no. 5, pl. 5; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 32, 33-35, 40, 44, 62, 67, 70, 77 n. 53, 156-57, cat. no. 6; Mayer-Meintschel, A. 'Die Briefleserin von Jan Vermeer van Delft. Zum inhalt und zur geschichte des bildes.' in Jahrbuch der Staatlichen Kunstsammlungen Dresden, 11 (1978-1979), p. 91-99, ill.; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 30,32, 76-79; Wheelock, A.K. \"Pentimenti in Vermeer's paintings: Changes in style and meaning.\" in Holländische Genremalerei im 17, edited by J. Block. Jahrhundert: Symposium Berlin 1984 (Jahrbuch Preussischer Kulturbesitz, 4). Berlijn 1987, p. 410-411; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 94-98, 173-174, no. 6, ill. 5; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 88-91; Lasius, Angelika , Annaliese Mayer-Meintschel and Angelo Walther. Gemäldegalerie Dresden: Alte Meister : Katalog der ausgestellten Werke, 1992, p. 397, color ill. , with literature; Arasse, D. Vermeer. Faith in painting. Princeton: Princeton University Press, 1994, p. 66-67; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 18, ill. 6; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 97-103, ill. 10-11; Nash, J.M. 'To finde the mindes construction in the face', in Vermeer Studies, edited by I. Gaskell. Washington 1998, p. 59-65; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 177-178, 201-202, 205-210; Walter Liedtke et al., Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, p. 97, 152, 155; Vergara, Alejandro and Mariët Westermann. Vermeer y el interior holandés = Vermeer and the Dutch interior. Madrid: Museo del Prado, 2003, p. 165-166, no. 32; Vergara, L. \"Women, letters, artistic beauty: Vermeer's theme and variations.\" in Love letters. Dutch genre paintings in the age of Vermeer, edited by P.C.Sutton. Dublin: Greenwich [CT]: National Gallery of Ireland: Bruce Museum 2003, p. 51-52; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 30, 115, no. 12, color ill. p. 31; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 70-71, 194, no. 5, color ill. p. 70; Frantis, Wayne. Vermeer. London: Phaidon, 2015, p. 74-82, color ill. Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V, , pl. 5;\"",
   "Exhibitions": "\"Tokyo. Meisterwerke der Europäischen Kunst – Dresden. September 20 - November 24, 1974; Kyoto. Meisterwerke der Europäischen Kunst. Nationalmuseum.  December 2, 1974 – January 26, 1975; Moscow, Puschkin Museum. Gerettete Meisterwerke. Puschkin Museum. October 10 - November 18, 1984; Leningrad [St. Petersberg], Staatliche Eremitage. Gerettete Meisterwerke. December 6, 1984 – January 20, 1985; Madrid, Il Prado. Vermeer y el interior holandés. February 19 –  May 23, 2003, p. 65-167 (32 and ill.); Kobe, Hyogo Prefectural Museum of Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. January – 22 May, 2005; Tokyo, National Museum of Western Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. June 28 - September 19, 2005; Dresden, Staatliche Kunstsammlungen, Gemäldegalerie Alte Meiste. Der frühe Vermeer. September 3 – November 28, 2010.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Officer and Laughing Girl",
   "Additional Title": "Soldier and the Laughing Girl; Cavalier and Young Woman; A Gentleman and a Young Lady ",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (d.1674) ; probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682); her widower, Jacob Abrahamsz Dissius (1682-d.1695); Jacob Dissius Collection Sale, Amsterdam, May 16, 1696, lot 11 (44 fl.  10 st.) (as \"Een Soldaet met een laggent Meysje  zeer fraei\" [A Soldier with a laughing Girl, very fine] ; Sale: Christie's, London, Charles Scarisbrick Collection,  May 10, 1861, lot 89 (as by \"De Hooghe\") (£87 3s to Lee Mainwaring); probably Charles-Benjamin Lee-Mainwaring  Old Palace, Richmond  Surrey (as by De Hooch) ; Sale: London, by March 1866 (as by De Hooch) (235 guineas to Théophile Thoré as by Vermeer for Léopold Double) ; Léopold Double, Paris (1866- d.1881) ; Sale: Pillet, Paris Léopold Double Collection, May 30, 1881, lot 16 (88,000 francs to Léon Gauchez for Paul Demidoff) ; Paul Demidoff [Pavel Pavlovich Demidov]  prince of San Donato, Villa di Pratolino near Florence (d.1881); his widow, Hélène Demidoff [Elena Petrovna Demidov née Troubetskaya] princess of San Donato; Samuel S. Joseph, London in 1891 (d. 1894) ; his widow Mrs. Samuel Joseph (Emma Heilbut), London (1894-1911) ; Knoedler dealer, New York, 1911 ; Henry Clay Frick (1911) ($225 000); Frick Collection  New York (11.1.127).\"",
   "Current Location": "Frick Collection  New York  New York  United States  Purchased  11.1.127  public.",
   "Date": "between 1655-1660",
   "Image Link": "https://collections.frick.org/objects/275/officer-and-laughing-girl",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/b/bd/Johannes_Vermeer_-_Officer_with_a_Laughing_Girl_-_WGA24622.jpg",
   "material": "Oil on canvas",
   "Size": "50.5 x 46 cm.. (19 7/8 x 18 1/8 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 548, cat. no. 7; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 35, cat. no. 7; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, Vol 1, 1907, p. 599-600, cat. no. 39; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 239, no. 11; p. 256-58, ill. opposite p. 16; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 121-23, pl. 16; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 79, cat. no. 6, pl. 32; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. V-VI, cat. no. 6, pl. 6; Focarino, Joseph. The Frick Collection: an illustrated catalogue: paintings. New York: Frick Collection, 1968, p. 286; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 32, 33, 35, 40, also 73, 77 n. 48, 156, cat. no. 5; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 82-85; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987, p. 94-98, 173, cat. no. 5, color ill. opposite p. 96; Nash, J.M. Vermeer. London: Scala Books. 1991, p. 63-66; Arasse, D. Vermeer. Faith in Painting. Princeton: Princeton University Press, 1994, p. 49-50, 79; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 55-61, color ill. opposite p. 54; Ryskamp, C. et. al,. Art in The Frick Collection: Paintings, Sculpture, Decorative Arts [cat.]. New York: Frick Collection, 1996, p.71; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 104, ill. 12-13; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 22, ill. 8; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 22, 145, 177-178, 190-191, 209-210; Liedtke, Walter et al., Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, p. 155-157, 272; Vergara, L. \"Perspectives on women in the art of Vermeer.\" in The Cambridge Companion to Vermeer, edited by Wayne E. Frantis. Cambridge: New York: Cambridge University Press, 2001, p. 63-64; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 32, 115, cat. no. 13, color ill. opposite p. 33; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 72-75, 194, cat. no. 6, color ill. opposite p. 73\"",
   "Exhibitions": "\"New York, Frick Collection. Frick's Vermeers reunited. June 3 - November 2, 2008.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Milkmaid",
   "Additional Title": "A Maid-Servant Pouring Out Milk; The Milk-Woman",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.16810; probably their daughter  Magdelena van Ruijven, Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (16812-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 2, as 'Een Meyd die Melk uytgiet uytnemende goet' [A Maid who pours Milk, exceptionally good] (175 florins,); Isaac Rooleeuw, Amsterdam (1696-1701); sale, Amsterdam, Isaac Rooleeuw Collection, April 20, 1701, lot 7 (320 florins,); Jacob van Hoek, Amsterdam (1701-1719); sale, Amsterdam, Jacob van Hoek Collection, April 12, 1719, lot 20 (126 florins,); Pieter Leendert de Neufville, Amsterdam (1759-65); sale, Amsterdam [J.M. Cok], June 19, 1765, lot 65 (560 florins, to Yver); sale, Amsterdam, Dulong Collection, April 18, 1768, lot 10 (925 florins, to Van Diemen); Jan Jacob de Bruyn, Amsterdam (by 1781); sale, Amsterdam (Ph. van der Schley), Jan Jacob de Bruyn Collection,  September 12, 1798, lot 32 (1,550 florins, to J. Spaan); sale, Amsterdam, Hendrik Muilman Collection, April 12, 1813, lot 96 (2,125 florins or 2113 florins, to J. de Vries for L.H. van Winter); Lucretia Johanna van Winter, Amsterdam (1813-1845); Hendrik Six van Hillegom, Amsterdam (1845-47); Jan Pieter Six van Hillegom and Pieter Six van Vromade, Amsterdam (1847-1899/1905); Six van Vromade heirs; purchased in 1908 by the Rijksmuseum  Amsterdam with thirty-eight other works, 750,000 florins (inv. A2344).\"",
   "Current Location": "Rijksmuseum  Amsterdam  Netherlands  Sk-A-2344  public.",
   "Date": "c. 1657-1658",
   "Image Link": "https://www.rijksmuseum.nl/en/collection/SK-A-2345",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/4/4e/Vermeer_The_Milkmaid_1660_ca.jpg",
   "material": "Oil on canvas",
   "Size": "45.5 x 41 cm.. (17 7/8 x 16 1/8 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 553-54, cat. no. 25; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 37, cat. no. 28; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, Vol 1, 1907, p. 589-90, cat. no. 17; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 238, no. 2; p. 284-86, ill. opposite p. 188; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 175-77, pl. 6; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 81, cat. no. 10, pl. 36; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. VII, cat. no. 9, pl. 9; Thiel, P.J.J. van. All the paintings of the Rijksmuseum in Amsterdam. Amsterdam: Rijskmuseum, 1976, p. 572, cat. no. A 2344; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 32, 35, 40, 63-65, 157-58, cat. no. 7; Slatkes,  Leonard J. Vermeer and his contemporaries. New York [NJ] : Abbeville , 1981, p. 32-35; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 86-89; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 94-98, cat. no. 7, pl. 8; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 94-96; Wheelock, Arthur. Vermeer & the art of painting. New Haven [CT] [etc.]: Yale University Press, 1995, p. 63-71, color ill. opposite p. 62; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 5; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 109-112, pl. 16-17; Wheelock, Arthur. Vermeer: the complete works. New York : Abrams, 1997, p. 24, pl. 9; Costaras, N. \"A study of the materials and techniques of Johannes Vermeer.\" in Vermeer studies, edited by I. Gaskell en M. Jonker. Washington: National Gallery of Art, 1998, p. 145-167, pl. 10; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle: Waanders, 2000, p. 131, 207-209, 210-213; Liedtke, Walter et al. Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, cat. no. 68; Rüger, Axel. Vermeer and painting in Delft. London : National Gallery, 2001, p. 59, color ill. opposite p. 58; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 20, cat. no. 9, color ill. opposite p. 21; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 76-79, 194-195, cat.no. 7, color ill. opposite p. 77; Liedtke, Walter. The Milkmaid by Johannes Vermeer. New York: Metropolitan Museum of Art, 2009; Avery-Quash, S. \"The Travel Notebooks of Sir Charles Eastlake.\" The Walpole Society 73 (2011) dl. 1, p. 553\"",
   "Exhibitions": "\"Amsterdam, Katalogus der tentoonstelling van schilderijen van oude meesters. Arti et amicitiae. 1872, p. 21 (142); Amsterdam, Stedelijk Museum. Catalogus der verzameling schilderijen en familieportretten van de heeren jhr. P. H. Six van Vromade, Jhr. J. Six en jhr. W. Six. 1900, p. 17 (70); Paris,  Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (105); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (302, and pl. 77); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 27 (163, and ill.); Rotterdam, Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 35 (81, and ill. 62.); New York, New York World's Fair.  Masterpieces of Art. 1939, p. 194-195 (398, and pl. 71); Detroit, The Detroit Institute of Arts. Masterpieces of Art from Foreign Collections. European Paintings from the New York and San Francisco World's Fairs. 1939, p. 19 (ill. 52); Detroit, The Detroit Institute of Arts. Masterpieces of Art from European and American Collections. Twenty-Second Loan Exhibition oh Old Masters. 1941, p. 19 (ill. 62); Zurich, Jahrhunderts, Kunsthaus. Hollander des 17. 1953, p. 72 (171, and ill. 28); The Hague, Mauritshuis. In het licht van Vermeer. 1966 (2 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (2, and ill.); Tokyo, The National Art Center. Milkmaid by Vermeer and Dutch Genre Painting. June 26, 2007 –  September 26, 2007; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'; September 9 – November 29, 2009.  Paris, Louvre Museum.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 20 - May 22, 2017, p. 205 (no. 2, ill.)\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Glass of Wine",
   "Additional Title": "A Girl Drinking with a Gentleman",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Sale, Delft, Jan van Loon Collection, July 18, 1736, lot 16, 52 florins; John Hope, Amsterdam (1774-d.1784); his heirs (until 1794); Henry Thomas Hope,  Deepdene, Surrey (d.1862); his daughter, Henrietta Adela (d.1884); her son, Lord Henry Francis Pelham-Clinton-Hope (until 1898); [D. Colnaghi and Asher Wertheimer, London]; purchased (5000?) in 1901 by Kaiser Friedrich Museum, Berlin, later renamed Gemäldegalerie, Staatliche Muséen zu Berlin, Berlin (inv. 912c).\"",
   "Current Location": "Gemäldegalerie  Berlin  Tiergarten  Germany  912c  public.",
   "Date": "c. 1658-59",
   "Image Link": "http://www.smb-digital.de/eMuseumPlus?service=direct/1/ResultLightboxView/result.t1.collection_lightbox.$TspTitleImageLink.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=Slightbox_3x4&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=9",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/7/7b/The_Glass_of_Wine_by_Vermeer_-_Gem%C3%A4ldegalerie_-_Berlin_-_Germany_2017_%282%29.jpg",
   "material": "Oil on canvas",
   "Size": "65 x 77 cm.. (25 5/8 x 30 1/4 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 552, cat. no. 20; Havard, Henry. Van der Meer de Delft. Paris : Librairie de l'Art, 1888, p. 37, cat. no. 23; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 598-99, cat. no. 37; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 244, 310-13, ill. opposite p. 310; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 189-90, pl. 46; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 82, cat. no. 12, pl. 38; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. VIII, cat. no. 11, pl. 11;  Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 35, 40, 75 n. 10, 77 n. 59 also 73, 158, cat. no. 8; Slatkes, Leonard J. Vermeer and his contemporaries. New York [NJ]: Abbeville, 1981, p. 46-47; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 90-91; Sutton, Peter C. Masters of seventeenth-century Dutch genre painting. London: Weidenfeld, 1984, cat. no. 116, ill. 106; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 100-102, cat. no. 8, ill. 7; Smith, D.R. Art Bulletin 69 (1987), p. 407-430, fig. 26; Nash, J.M. Vermeer. London: Scala Books, 1991, p. 66, 68-70; Broos, Ben et al. Johannes Vermeer. Zwolle: Waanders, 1995, cat. no. 5; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 112, ill. 18-20; Wheelock, Arthur. Vermeer: the complete works. New York: Abrams, 1997, p. 26, cat. no. 10, color ill. opposite p. 27; Liedtke, Walter. A view of Delft : Vermeer and his contemporaries. Zwolle : Waanders, 2000, p. 150, 215-217; Liedtke, Walter et al., Vermeer and the Delft school. New Haven [CT] [etc.]: Yale University Press [etc.], 2001, p. 156-158, 376-379, cat. no. 70; Goodman, E. 'The landscape on the Wall in Vermeer.' In The Cambridge Companion to Vermeer, edited by Wayne E. Frantis. Cambridge: New York: Cambridge University Press, 2001, p. 75-76; Rüger, Axel. Vermeer and painting in Delft. London : National Gallery, 2001, p. 59-60, cat. no. 49; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 34, cat. no. 14, color ill. opposite p. 35; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 80-83, 195, cat. no. 10.  Vries, A B, and René Huyghe. Jan Vermeer De Delft. Paris: Tisne, 1948. pp. VIII.\"",
   "Exhibitions": "\"Amsterdam, Katalogus der tentoonstelling van schilderijen van oude meesters. Arti et amicitiae. 1872, p. 21 (142); Amsterdam, Stedelijk Museum. Catalogus der verzameling schilderijen en familieportretten van de heeren jhr. P. H. Six van Vromade, Jhr. J. Six en jhr. W. Six. 1900, p. 17 (70); Paris, Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (105); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (302, and pl. 77); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 27 (163,and ill.); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 35 (81, and ill. 62.); New York, New York World's Fair.  Masterpieces of Art. 1939, p. 194-195 (398, and pl. 71); Detroit, The Detroit Institute of Arts. Masterpieces of Art from Foreign Collections. European Paintings from the New York and San Francisco World's Fairs. 1939, p. 19 (ill. 52); Detroit, The Detroit Institute of Arts. Masterpieces of Art from European and American Collections. Twenty-Second Loan Exhibition of Old Masters. 1941, p. 19 (ill. 62); Zurich, Jahrhunderts. Kunsthaus. Hollander des 17. 1953, p. 72 (171, and ill. 28); Rome, Palazzo delle Esposizioni. Mostra di pittura olandese del seicento. January 4 - February 14, 1954, p. 90 (176, and ill. 31, shown as \"La cuciniera\"); The Hague, Mauritshuis. In het licht van Vermeer. 1966 (2 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24 – November 28 1966 (II, and ill.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996, p. 108-113 (5, repro. (not shown in Washington D.C.)); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (69); London, National Gallery. Vermeer and the Delft School. National Gallery. June 20 – September 16, 2001 (69); Tokyo, The National Art Center. Milkmaid by Vermeer and Dutch Genre Painting. The National Art Center. June 26, 2007 –  September 26, 2007; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'. September 9 – November 29, 2009.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Girl Interrupted at Her Music",
   "Additional Title": "The Music Lesson; Young Woman Interrupted at Music",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Pieter de Smeth van Alphen, Amsterdam; sale, Amsterdam (Ph. van der Schley), Pieter de Smeth van Alphen Collection, August 1-2, 1810, lot 57 (610 florins, to J. de Vries); J. de Vries; sale, Amsterdam (Ph. van der Schley), Henry Croese et al. Collections, September 18, 1811, lot 45 (399 florins, to Roos); Cornelis Sebille Roos (1811-1820); sale, Amsterdam [J. de Vries], Cornelis Roos Collection, August 28, 1820, lot 64 (340 florins, to Brondgeest, or 420 florins, to N.N.); Brondgeest; sale, London (Christie's), Samuel Woodburn Collection, June 24, 1853, lot 128 (£42, to Smith or directly to Gibson); Francis Gibson, Saffron Walden (d.1858); his daughter, Mrs. Lewis Fry, Clifton, near Bristol; [Lawrie & Co., London]; [Knoedler, New York, in 1901 ($26,000, to Frick)]; Henry C. Frick, New York (1901-d.1919); Frick Collection, New York (acc. no. 1901.1.125).\"",
   "Current Location": "Frick Collection  New York  New York  United States  Henry Clay Frick Bequest  1901.1.125  public.",
   "Date": "c. 1660",
   "Image Link": "https://collections.frick.org/objects/273/girl-interrupted-at-her-music",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/1/14/Vermeer_Girl_Interrupted_at_Her_Music.jpg",
   "material": "Oil on canvas",
   "Size": "39.3 x 44.4 cm.. (15 1/2 x 17 1/2 in.)",
   "Signature": "",
   "Literature": "\"Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 36, cat. no. 17 and 18; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 594, cat. no. 27; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 252-256; Johansen, P. 'Jan Vermeer de Delft. A propos de l'orde chronologique de ses tableaux.' Oud Holland 38 (1920), p. 185-199; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 119-121, pl. 15; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. p. 83, cat. no. 14, pl. 40;  Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. p. IX, cat. no. 13, pl. 13; Bloch, Vitale. Tutta la pittura di Vermeer di Delft. Milan: Rizzoli, 1954, p. 46; Bianconi, Piero and Giuseppe Ungaretti. L'opera completa di Vermeer. Milan: Rizzoli, 1967, p. 104, cat. no. 18; Goldscheider, Ludwig. Johannes Vermeer: the paintings: complete edition. London: Phaidon, 1967, p. 155. cat. no. 12; Focarino, Joseph. The Frick Collection: an illustrated catalogue: paintings. New York: Frick Collection, 1968, p. 292; Grimme, Ernst Gunther. Jan Vermeer van Delft. Koln: DuMont Schauberg, 1974, p. 44, cat. no. 11; Blankert, Albert, Rob Ruurs and Willem L. van de Watering. Johannes Vermeer van Delft: 1632-1675. Utrecht: Spectrum, 1975. cat. no. B2; Wright, Christopher. Vermeer. London: Oresko, 1976, cat. no. 11; Blankert, Albert. Vermeer of Delft: complete edition of the paintings. Oxford: Phaidon, 1978, pp. 77 n. 54, 78 n. 100, 171-72, cat. no. B2; Wheelock, Arthur. Jan Vermeer. New York [NJ]: Abrams, 1981, p. 98, cat. no. 18; Blankert, Albert. Vermeer. Amsterdam: Meulenhoff/Landshoff , 1987, p. 204, cat. no. b2; Smith, D.R. Art Bulletin 69 (1987), p. 407-430, fig. 29; Wright, Christopher. Vermeer: catalogue raisonne. London: Visual Arts Publishing, 1995, p. 30, cat. no. 15; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997, p. 113, cat. no. 21; Salomon, N. \"From sexuality to civility. Vermeer's women,' in Vermeer Studies, edited by. I. Gaskell (e.a). Washington D.C.: National Gallery of Art, 1998, p. 309-325; Wright, Christopher. Vermeer. Bungay: Chaucer Press, 2005, p. 36, cat. no. 15; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 84, 195, cat. no. 9; Chapman, H. Perry, Marjorie E. Wieseman and Wayne Frantis. Vermeer's women: secrets and silence. New Haven (CT): Yale University Press, 2011, p. 93;\"",
   "Exhibitions": "\"Saint Louis,  Saint Louis World's Fair. 1904; New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. September – November 1909 (138 as \" The Music Lesson\" lent by Mr. Henry C. Frick, New York); New York, Frick Collection. Frick’s Vermeers reunited. June 3 – November 2, 2008.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Girl with the Wine Glass",
   "Additional Title": "\"Young Woman with a Wine Glass; La Coquette; Woman and Two Men, An Interior with Revellers \"",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft, (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682), Delft (1861-d.1862); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); ?sale, Amsterdam, May 16, 1696, Jacob Dissuis Collection, lot 9, as 'Een vrolijk gezelschap in een kamer, kragtig en goet' (A merry company in a room, vigorous and good) (73 florins,); Duke Anton Ulrich of Brunswick (before 1710); in 1714 to Ducal Museum, Brunswick; 1807-1815 in the Louvre, Paris; National Museum, Brunswick (inv.316).\"",
   "Current Location": "National Museum  Brunswick  Germany  316  public.",
   "Date": "c. 1659-60",
   "Image Link": "https://www.3landesmuseen.de/Hollaendische-Malerei-17-und-18-Jahrhu.644.0.html",
   "Secondary Image Link": "https://commons.wikimedia.org/w/index.php?search=The+Girl+with+the+Wine+Glass+vermeer&title=Special%3ASearch&go=Go&ns0=1&ns6=1&ns12=1&ns14=1&ns100=1&ns106=1#/media/File:Jan_Vermeer_van_Delft_006.jpg",
   "material": "Oil on canvas",
   "Size": "78 x 67 cm.. (30 3/4 x 26 3/8 in.)",
   "Signature": "Signed (in lower right corner of window): IVMeer",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 547, cat. no. 6; Bredius, A. “Iets over Johannes Vermeer. (\"de Delftsche Vermeer\").” Oud-Holland 3 (1885). p. 217-222; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 35, cat. no. 6; von Frimmel. Th. “Zu Vermeer van Delft.” Blätter für Gemäldekunde 2/10 (1906). p. 183-189; Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 599, cat. no. 38; Becker, Felix and Ulrich Thieme. Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart. vol. 34. Leipzig: E.A. Seeman, 1926-1940, p. 265-275; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 239, no. 9; p. 244; pp. 313-16, ill. opposite p. 136; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 190-92, pl. 47; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff uitgever, 1939, p. 82, cat. no. 13, pl. 39; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. VIII-IX, cat. no. 12, pl. 12; Seymour. Ch. “Dark chamber and light-filled room: Vermeer and the camera obscura.”.Art Bulletin 46 (1964). p. 323-331; Kühn, H. “A study of the pigments used by Jan Vermeer.” Report and studies in the history of art. National Gallery of Art (Washington) 2 (1968). p. 153-202; Fink, D.A. “Vermeer”s use of the camera obscura - a comparative study.” Art Bulletin 53 (1971). p. 493-505; Welu, J.A. “Vermeer: his cartographic sources.” Art Bulletin 57 (1975). p. 529-547;  Montias, J.M. “New documents on Vermeer and his family.” Oud Holland 91 (1977). p. 267-287; Wheelock, A.K. “Zur Technik zweier Bilder. die Vermeer zugeschrieben sind.” Maltechnik 84 (1978). p. 242-257;Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978, p. 41, 62, 63, 77 n. 59, 159, cat. no. 11; Witt Library. A checklist of painters, c. 1200-1976 represented in the Witt Library, Cortauld Institute of Art, London. London: Mansell Information Pub., 1978; Montias, J.M. “Vermeer and his milieu: conclusion of an archival study.” Oud Holland  94 (1980). p. 44-62; Seth, L. “Vermeer och van Veens Amorum Emblemata” Konsthistorisk Tidskrift 49 (1980). p. 17-40; Wheelock, A.K. en K. Kaldenbach. “Vermeer”s View of Delft and his Vision of Reality.” Artibus et Historiae 6 (1982). p. 9-35; Sutton, Peter C. Masters of seventeenth-century Dutch genre painting ; Philadelphia Museum of Art, 18.3.-13.5.1984 : Gemäldegalerie, Staatliche Museen Preuss. Kulturbesitz, Berlin, 8.6.-12.8.1984 ; Royal Academy of Arts, London, 7.9.-8.11.1984. Philadelphia, 1984, p. 77-78; Montias, J.M. e.a. “A Postscript on Vermeer and His Milieu.” Mercury (1991). nr. 12. p. 42-52; Weber, G.J.M. “Antoine Dézallier d”Argenville und fünf Künstler namens Jan van der Meer.” Oud Holland 107 (1993) p. 298-304; Donhauser, P.L. “A key to Vermeer?”.Artibus et Historiae 27 (1993). p. 85-101; Weber, G.J.M. “’om te bevestige(n). Aen-te-raden. verbreeden ende Vercieren.’ Rhetorische Exempellehre und die Struktur des ‘Bildes im Bild.’“ Wallraf-Richartz-Jahrbuch 55 (1994) (Studien zur niederländischen Kunst. Festschrift für Prof.Dr. Justus Müller Hofstede). p. 287-314; Wheelock, Arthur. Vermeer: the complete works. New York: Abrams, 1997, p. 26, 28, cat. no. 11; Kinkelder, Marijke C. de and Aad van der Willigen. Dictionary of Dutch and Flemish Landscape and Marine painters working in oils, active before 1725 (typescript uit 1993-1998, in bewerking door en met aanvullingen van Marijke de Kinkelder, conservator Oude Kunst, RKD). 1993-1998. Briels, J.G.C.A. Vlaamse schilders en de dageraad van Hollands Gouden Eeuw, 1585-1630: met biografieën als bijlage. Antwerp: Mercatorfonds, 1997, p. 396; Harmon, Roger. “Musica laetitiae comes” and Vermeer’s Music Lesson.” Oud Holland 113 (1999). p. 161-166; Kolfin, E., C. Pottasch en R. Hoppe. “The metamorphosis of Diana: changing perceptions of the young Vermeer”s paintings techniques.” Art Matters. Netherlands Technical Studies in Art 1 (2002). p. 90-103; Weber, G.J.M. “Die Empirie des Lichts. Anmerkungen zur Lichtbehandlung bei Johannes Vermeer.” Zeitschrift für Kunst- und Kulturwissenschaften. 30 (2002). nr. 4. p. 38-57; Leonard, K.. “Vermeer’s Pregnant Women. On Human Generation and Pictorial Representation.” Art History 25. nr. 3. juni 2002. p. 293-318; Pottasch. C. and R. Hoppe. “The restoration of an early Vermeer: Diana and her companions transformed. A case study about a painting scarred by time.” Zeitschrift für Kunsttechnologie und Konservierung. 17/1 (2003). p. 148-155; Lindenburg, M.A. “Het huwelijk van Jan Vermeer.” Delfia Batavorum 13 (2003). p. 93-97; Greub. Th. “Vermeer oder die Fragilität des Sehens. Eine metakoinische Interpretation. voltooide diss.” (Kunsthist. Seminar der Universität. Bazel [Prof. Boehm]); Kunstchronik 9/10-2003. p. 531; Glass, M.A. “Vermeer in dialogue. From appropriation to response.” afgesloten PhD. University of Maryland College Park 2003: Kunstchronik 9/10. 2004. p. 501; Rubinstein, G. “Seeing the light.” Sotheby’s Preview. june/july 2004. p. 30-33; Pavel, Thomas. “Theatrum Fidei. Zu Jan Vermeers Allegorie des Glaubens (werktitel). dissertatie in voorbereiding.” Freie Universität Berlin 2004 (Bron: Kunstchronik 2004/8. p. 396); Findeiss, Isabel. “Untersuchungen zum Verhältnis von Bild. Text und Film am Beispiel von Jan Vermeers ‘Das Mädchen mit dem Perlenohrring.’” dissertatie in voorbedeiring. Katholische Universität Eichstätt (bron: Kunstchronik 2005/8. p. 418); Kobayashi-Sato, Y. “Vermeer and his thematic use of perspective. “ In: Golahny, A. e.a. In his milieu. Essays on Netherlandish art in memory of John Michael Montias. Amsterdam  2006. p. 209-218; van der Bas, C. “The Muilman Collection: the progressive taste of an eighteenth-century banking family.” Simiolus 32 (2006). p. 156-181; Balk, H. “Kennerschap en zelfbedrog. Dirk Hannema en Johannes Vermeer.” Kunstschrift 51 (2007). nr. 2. p. 40-45; Binstock, B. “The apprenticeship of Maria Vermeer.” Artibus et Historiae 57 (2008). p. 9-47; Liedtke, Walter. Vermeer: the complete paintings. Ghent: Ludion, 2008, p. 86-88, 195, cat. no. 10; Smith. D.R. “Vermeer and Iconoclasm.” Zeitschrift für Kunstgeschichte 74 (2011). p. 193-216; Zell,  M. “’Liefde baart kunst’: Vermeer”s poetics of painting.” Simiolus 35 (2011). p. 142-164; Waiboer. A. review of Franitz 2015. The Burlington Magazine 158 (2016). p. 131-132;\"",
   "Exhibitions": "\"Berlin, Galerie Dr Schäffer. Erasmus, Kurt. Die Meister des holländischen Interieurs. 1929 (103a, and ill.); Schaffhausen, Museum zu Allerheiligen. Rembrandt und seine Zeit. 1949, p. 76 (188, and ill.); Brunswick. Die Klessmann, Rüdiger. Die Sprache der Bilder: Realität und Bedeutung in der niederlandischen Malerei des 17 Jarhunderts. 1978, p. 164-168 (39, and ill.); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 168-169 (33, and ill.); Tokyo. Vermeer and the Delft Style. Metropolitan Art Museum. August 2 –  December 14, 2008, p. 176-178 (28, and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 - January 20, 2013, p. 210 (47, and ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Little Street in Delft",
   "Additional Title": "The Little Street",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1672-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 32, 'as Een Gesicht van een Huys staende in Delft' (A View of a House standing in Delft) (72 florins, 10 st.) or lot 33, as 'Een Gesicht van eenige Huysen' (A View of some Houses) (48 florins,); Gerrit Willem van Oosten de Bruyn, Haarlem (before 1797); his widow, Haarlem; sale, Haarlem [Van der Vinne], G.W. Oosten de Bruyn Collection, April 8, 1800, lot 7 (1,040 florins, to Van Winter); Peter van Winter, Amsterdam  (1800-7); Lucretia Johanna Van Winter, Amsterdam (1807-45); Hendrik Six van Hillegom, Amsterdam (1845-47); Jan Pieter Six van Hillegom and Pieter Six van Vromade, Amsterdam (1847-1899/1905); William Six van Wimmenum, Amsterdam (1905-1919); Jan Six, Amsterdam and s'Graveland (1919-21); sale, Amsterdam [Frederik Muller & Co.] Six Collection, April 12, 1921 (bought in); Sir Henry Deterding; gift of  Sir Henry W. A. Deterding in 1921 to the Rijksmuseum, Amsterdam (inv. A2860).\"",
   "Current Location": "Rijksmuseum  Amsterdam  Netherlands  A2860  public.",
   "Date": "c. 1658-1660",
   "Image Link": "https://www.rijksmuseum.nl/en/vermeers-the-little-street-discovered/objects#/SK-A-2860,3",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/2/2b/Johannes_Vermeer_-_Gezicht_op_huizen_in_Delft%2C_bekend_als_%27Het_straatje%27_-_Google_Art_Project.jpg",
   "material": "Oil on canvas",
   "Size": "54.3 x 44 cm.. (21 3/8 x 17 3/8 in.)",
   "Signature": "Signed at left (below windows): i VMeer",
   "Literature": "\"Thoré, T. Van Der Meer De Delft. Paris: Gazette des Beaux-Arts, 1866. p. 568, cat. no. 49; Havard, Henry. Van Der Meer De Delft. Paris: Librairie de l'art, 1888. p. 39, cat. no. 50; Hofstede, de G. C. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century: Based on the Work of John Smith. London: Macmillan and Co, 1907. pp. 602-3, cat. no. 47; Hale, Philip L. Jan Vermeer of Delft. Boston: Small, Maynard and Co, 1913. p. 240, cat. no. 32, pp. 289-91, ill. opposite p. 54; Martin, W, Frans Hals, and Harmenszoon R. Rembrandt. De Hollandsche Schilderkunst in De Zeventiende Eeuw. Amsterdam: J.M. Meulenhoff, 1936. p. 184, 186, 190, 393; Hale, Philip L, Frederick W. Coburn, and Ralph T. Hale. Vermeer. Boston: Hale, Cushman & Flint, 1937. pp. 179-81, pl. 8; Vries, A B. Jan Vermeer Van Delft. Amsterdam: J.M. Meulenhoff uitgever, 1939. p. 80, cat. no. 8, pl. 34; Vries, A B, Johannes Vermeer, and René Huyghe. Jan Vermeer De Delft: Suivi De La Poétique De Vermeer. Paris: P. Tisné, 1948. p. VI, cat. no. 7, pl. 7; Swillens, P T. A. Johannes Vermeer, Painter of Delft, 1632-1675. Utrecht: Spectrum, 1950. p. 93-96; Thiel, P J. J. All the Paintings of the Rijksmuseum in Amsterdam: A Completely Illustrated Catalogue. Amsterdam: Rijksmuseum, 1976. p. 571-572, cat. no. A 2860; Blankert, Albert, Rob Ruurs, and Willem L. Watering. Johannes Vermeer Van Delft 1632-1675. Utrecht [etc.: Spectrum, 1977. p. 53-59, cat. no. 9, pl. 9; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978. p. 36-40, cat. no. 9; Wheelock, Arthur K, and Johannes Vermeer. Jan Vermeer. New York: Abrams, 1981. p. 80; Slatkes, Leonard J. Vermeer and His Contemporaries. New York: Abbeville Press, 1981. p. 37-38; Blankert, Albert, John M. Montias, Gilles Aillaud, Rob Ruurs, Bab Westerveld, and Johannes Vermeer. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987. p. 102-108, cat. no. 9, pl. 9; Wheelock, Arthur K. Vermeer & the Art of Painting. New Haven: Yale University Press, 1995. p. 49-53, ill. opposite p. 48; Broos, Ben, Albert Blankert, Jørgen Wadum, and Arthur K. Wheelock. Johannes Vermeer [washington, 1995]. Zwolle: Waanders, 1995. cat. no. 4; Wheelock, Arthur K, and Johannes Vermeer. Vermeer: The Complete Works. New York: H.N. Abrams, 1997. p. 20, pl. 7; Kaldenbach, Kees. \"Het Straatje Van Johannes Vermeer: Nieuwe Langendijk 22-26? ; Een Kunsthistorische Visie Op Een Archeologisch En Bouwhistorisch Onderzoek.\" Bulletin Knob / Koninklijke Nederlandse Oudheidkundige Bond. (2000): 238-249; Liedtke, Walter A. A View of Delft: Vermeer and His Contemporaries. Zwolle: Waanders Publishers, 2000. p. 184, 220-221; Liedtke, Walter A, Michiel Plomp, and Axel Rüger. Vermeer and the Delft School. New York: Metropolitan Museum of Art, 2001. cat. no. 69; Wright, Christopher, and Johannes Vermeer. Vermeer. London: Chaucer, 2005. p. 28, pl. 11; Liedtke, Walter A, and Johannes Vermeer. Vermeer: The Complete Paintings. Ghent, Belgium: Ludion Press, 2008. p. 89-91, 195, cat. no. 11, ill. opposite p. 89; Eastlake, Charles L, and Susanna Avery-Quash. The Travel Notebooks of Sir Charles Eastlake: 1. London: Walpole Soc, 2011. p. 553; Grijzenhout, Frans. Het Straatje Van Vermeer: Gezicht Op De Penspoort in Delft. Amsterdam: Rijks Museum, 2015.\"",
   "Exhibitions": "\"Amsterdam, Katalogus der tentoonstelling van schilderijen van oude meesters. Arti et amicitiae. 1872, p. 22 (143); Amsterdam, Stedelijk Museum. Catalogus der verzameling schilderijen en familieportretten van de heeren jhr. P. H. Six van Vromade, Jhr. J. Six en jhr. W. Six. 1900, p. 17 (71); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 149-150 (316, and pl. 80); Amsterdam, Rijksmuseum.  Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 28 (165, and ill. 165); Rotterdam,  Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 36 (83, and ill. 64); Paris, Orangerie des Tuileries. Le Paysage hollandais au XVII siècle. 1950 (98); Brussel,  Paleis voor Schone Kunsten. De Hollandsche schilderkunst van Jeroen Bosch tot Rembrandt. April 28, 1946; London, Royal Academy of Arts. Dutch Pictures 1450-1750. 1952, vol. 1 (529, 2: ill. 13); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibitio of Dutch Pitcures of Seventeenth Century. 1954 (ill. 7); Rome,  Palazzo delle Esposizioni. Le XVII siècle Européen. Réalisme classique baroque. 1956, p. 246 (31, and pl. 28); Tokyo. Vermeer and the Delft Style. Metropolitan Art Museum. August 2 – December 14, 2008, p. 172-174 (26 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. 27 September, 2012 - 20 January, 2013, p. 206 (46, and ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "A View of Delft",
   "Additional Title": "A View of Delft from the Rotterdam Canal",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft  (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Madgalena van Ruijven (1681-d.1882); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissuis Collection, May 16, 1696, lot 31, as 'De Stad Delft in perspectief, te sien van de Zuyd-zy' [The City of Delft in perspecitve, see from the South] (200 florins,); Willem Philip Kops, Haarlem and Bloemendaal (before 1805); Cornelia Kops-de Wolf, Bloemendaal (1805-1820); Anna Johann Teding van Berkhout-Kops, Haarlem May 22, 1822 sale, Amsterdam, S.J. Sinstra et al. Collections, May 22, 1822, lot 112 (2,900 florins, to J. de Vries); purchased by the Netherlands for the Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague (inv. 92).\"",
   "Current Location": "Koninklijk Kabinet van Schilderijen  The Hague  Netherlands  public.",
   "Date": "c. 1660-61",
   "Image Link": "https://www.mauritshuis.nl/en/explore/the-collection/artworks/view-of-delft-92/",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/e/ed/View_of_Delft%2C_by_Johannes_Vermeer.jpg",
   "material": "Oil on canvas",
   "Size": "98.5 x 117.5 cm.. (38 3/4 x 46 1/4 in.)",
   "Signature": "Signed lower left (on boat): IVM",
   "Literature": "\"Thoré, T. Van Der Meer De Delft. Paris: Gazette des Beaux-Arts, 1866. p. 568, cat. no. 48; Havard, Henry. Van Der Meer De Delft. Paris: Librairie de l'art, 1888. p. 39, cat. no. 49; Hofstede, de G. C. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century: Based on the Work of John Smith. London: Macmillan and Co, 1907. p. 603, cat. no. 48; Hale, Philip L. Jan Vermeer of Delft. Boston: Small, Maynard and Co, 1913. p. 239, no. 31, pp. 291-96, ill. opposite p. 58; Hale, Philip L, Frederick W. Coburn, and Ralph T. Hale. Vermeer. Boston: Hale, Cushman & Flint, 1937. pp. 168-70, pl. 3; Vries, A B. Jan Vermeer Van Delft. Amsterdam: J.M. Meulenhoff uitgever, 1939. pp. 80-81, cat. no. 9, pl. 35; Vries, A B, and René Huyghe. Jan Vermeer De Delft. Paris: Tisne, 1948. pp. VI-VII, cat. no. 8, pl. 8; Kühn, Hermann. \"A Study of the Pigments and the Grounds Used by Jan Vermeer.\" Report and Studies in the History of Art / National Gallery of Art. (1968): 154-202; Hoetink, H.R, and G Kilburn. Mauritshuis: The Royal Cabinet of Paintings : Illustrated General Catalogue. The Hague: Government Publishing Office, 1977. p. 247; Blankert, Albert, Rob Ruurs, and Willem L. Watering. Johannes Vermeer Van Delft 1632-1675. Utrecht [etc.: Spectrum, 1977. p. 53-59, cat. no. 10, pl. 10; Blankert, Albert. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978. pp. 40, 43, 66-67, 69, 158-59, cat. no. 10; Wheelock, Arthur K, and Johannes Vermeer. Jan Vermeer. New York: Abrams, 1981. p. 94-96; Slatkes, Leonard J. Vermeer and His Contemporaries. New York: Abbeville Press, 1981. p. 40-43; Wheelock, Arthur K, and C J. Kaldenbach. \"Vermeer's View of Delft and His Vision of Reality.\" Artibus Et Historiae / Istituto Internationale Per Le Ricerche Di Storia Dell'arte (irsa). (1982): 9-35; Blankert, Albert, John M. Montias, Gilles Aillaud, Rob Ruurs, Bab Westerveld, and Johannes Vermeer. Vermeer. Amsterdam: Meulenhoff/Landshoff, 1987; Nash, J M. Vermeer. London: Scala Books, 1991. p. 6-14; Chong, Alan, and H Martherus. Johannes Vermeer: Gezicht Op Delft. Bloemendaal: Becht, 1992; Wheelock, Arthur K. Vermeer & the Art of Painting. New Haven: Yale University Press, 1995. p. 73-83, ill. opposite p. 72; Broos, Ben, Arthur K. Wheelock, Albert Blankert, and Jack Horn. Johannes Vermeer. Zwolle: Waanders, 1995. p. 123-124, pl. 5, p. 166; Wheelock, Arthur K, and Johannes Vermeer. Vermeer: The Complete Works. New York: H.N. Abrams, 1997. pp. 30-31, cat. no. 13; Gowing, Lawrence. Vermeer. London: Giles de la Mare, 1997. p. 128-130, pl. 30-32; Costaras, Nicola. \"A Study of the Materials and Techniques of Johannes Vermeer.\" Studies in the History of Art / Publ. by the National Gallery of Art, Washington. (1998): 144-167; Groen, Karin M. \"Scientific Examination of Vermeer's Girl with a Pearl Earring.\" Studies in the History of Art / Publ. by the National Gallery of Art, Washington. (1998): 168-183; Liedtke, Walter A. A View of Delft: Vermeer and His Contemporaries. Zwolle: Waanders Publishers, 2000. p. 221-226; Liedtke, Walter A, Michiel C. Plomp, Axel Rüger, and van D. J. Vermeer. Vermeer and the Delft School: [catalog of the Exhibition \"vermeer and the Delft School\" Held at the Metropolitan Museum of Art, New York, N.y., Mar. 8-May 27, 2001 and at the National Gallery, London, June 20-Sept. 16, 2001]. New Haven [u.a.: Yale Univ. Press, 2001. p. 24, 551; Blankert, Albert. Selected Writings on Dutch Painting: Rembrandt, Van Beke, Vermeer, and Others. Zwolle: Waanders, 2004. p. 267-269; Wright, Christopher, and Johannes Vermeer. Vermeer. London: Chaucer, 2005. p. 23-27, pl. 10; Liedtke, Walter A, and Johannes Vermeer. Vermeer: The Complete Paintings. Ghent, Belgium: Ludion Press, 2008. pp. 92-97, 195, cat. no. 12; Eastlake, Charles L, and Susanna Avery-Quash. The Travel Notebooks of Sir Charles Eastlake: 1. London: Walpole Soc, 2011. p. 553\"",
   "Exhibitions": "\"Paris, Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (104); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (304); Amsterdam, Rijksmuseum. Weerzien der meesters. 1945, (132); Delft, Stedelijk Museum Het Prinsenhof. Het Koninklijke kabinet 'Het Mauritshuis' in het museum 'Het Prinsenhof' te Delft. 1950, p. 11 (25); The Hague, Mauritshuis. In het licht van Vermeer. 1966 (3 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (3 and ill.); Paris, Grand Palais. De Rembrandt à Vermeer: Les peintres hollandais au Mauritshuis à la Haye. 1986, p. 350-557 (53 and ill. (with extensive literature)); Washington. November 12, 1995–February 11, 1996, p. 120-127 (7, repro.); The Hague. 25  June – 5 September, 1966, (III and ill.); The Hague, Gemeentemuseum The Hague. Meesters uit het Mauritshuis Zes eeuwen kunst onder een dak. (Highlights Mauritshuis in Gemeentemuseum The Hague). 28 April, 2012 – 30 June, 2014.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Young Woman with a Water Pitcher",
   "Additional Title": "\"Girl with a Water Jug; Woman with a Water Jug, A Young Woman Opening a Casement, Woman at the Casement?\"",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Robert Vernon, Hatley Park, Cambridgeshire, and London (1801?-d.1849); sale, London (Christie's), Vernon Collection, April 21  1877, lot 9, as 'Interior, with a lady at a table covred with a carpet, on which is an ewer and dish, opening a window,' by Metsu, (£404, 10s. to Colnaghi); [Colnaghi, London  1877-1878, sold (as by Metsu) to Wingfield]; Mervyn Wingfield, 7th Viscount Powerscourt, Ireland (1878-?1887, as by Vermeer); [Agnew, London]; [Bourgeois Frères, Paris]; [Charles Pillet, Paris, 1887; sold to Marquand reportedly for an amount equivalent to $800]; Henry G. Marquand, New York (1887-1889); The Metropolitan Museum of Art, New York, Marquant Collection, Gift of Henry G. Marquand, 1889 (acc. no. 89.15.21).\"",
   "Current Location": "Metropolitan Museum of Art  New York  New York  United States  89.15.21  public.",
   "Date": "c. 1662",
   "Image Link": "https://www.metmuseum.org/art/collection/search/437881",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/5/55/Jan_Vermeer_van_Delft_019.jpg",
   "material": "Oil on canvas",
   "Size": "45.7 x 40.6 cm.. (18 x 16 in.)",
   "Signature": "",
   "Literature": "\"New York  Metropolitan Museum of Art Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke  et al. March 8 - May 27  2001  p.379-381 (71).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.98-100 (195).\"",
   "Exhibitions": "\"London, British Institution. Catalogue of Pictures by Italian, Spanish, Flemish, Dutch and French Masters. British Institution. June 1838, (29 (as \"A Female at a window,\" by Metsu, lent by R. Vernon, Esq.)); London, Royal Academy of Arts. Winter Exhibition. 1878, p. 50 (267 (as \"Lady at a Casement,\" by Jan van der Meer, lent by Viscount Powerscourt)); New York, The Metropolitan Museum of Art. Exhibition of 1888–89. 1888-89, (29 (as \"Young Woman opening a Casement\")); New York, The Metropolitan Museum of Art. Temporary Exhibition. April 1906 (40 (as \"Young Woman at a Window\")); New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. September – November 1909, p. 138 (137 (as \"Girl with Water Jug\")); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, Oorsprong en Invloed Fabritius, De Hooch, De Witte. July 9 –  October 9, 1935, p. 37 (85 and ill. 66.); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. October 21 – November 3, 1935, p. 29 (167 and ill. 85.); The Hague, Mauritshuis. In Het Licht van Vermeer. June 25 – September 5, 1966 (4 and ill.); Paris, Orangerie des Tuileries. Dans la lumière de Vermeer. September 24 – November 28, 1966 (5 and ill.); Boston, Museum of Fine Arts. Masterpieces of Painting in The Metropolitan Museum of Art. September 16 –  November 1, 1970, p. 45 (unnumbered cat.); New York, The Metropolitan Museum of Art. Masterpieces of Fifty Centuries. November 15, 1970 – February 15, 1971 (283); Washington, National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996 (11); The Hague, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996 (11); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (71); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (71); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003 (34); Boston, Museum of Fine Arts. Dutch Interiors in the Age of Vermeer: a Rare Vermeer Comes to Boston. November 19, 2003 –  February 22, 2004. New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008 (no catalogue); New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'. 9 September – 29 November, 2009 (7); Kyoto, Kyoto Municipal Museum of Art. Vermeer and Painters of the Dutch Golden Age. October 24 - January 5, 2015; Tokyo. Mori Arts Center Gallery. \"Vermeer and Rembrandt: The Masters of the 17th Century Dutch Golden Age,\" January 14–March 31, 2016, no. 48; Fukushima Prefectural Museum of Art. \"Vermeer and Rembrandt: The Masters of the 17th Century Dutch Golden Age,\" April 6–May 8, 2016, no. 48.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Woman with a Lute",
   "Additional Title": "Lady with a Lute",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Sale, Amsterdam (Roos, De Vries and Brondgeest), Philippus van der Schley and Daniel du Pré Collections, December 22, 1817, lot 62 (65 florins, to Coclers); [Paris, before 1900, sold for 2000 francs, to Huntington], Collis P. Huntington, New York (until d. 1900); life interest to his widow, Arabella D. Huntington, later (from 1913) Mrs. Henry E. Huntington (1900-d.1924); life interest to their son, Archer Milton Huntington (1924-terminated in 1925); The Metropolitan Museum of Art, New York, Bequest of Collis P. Huntington, 1900 (acc. no. 25.110.24)\"",
   "Current Location": "Metropolitan Museum of Art  New York  New York  United States  25.110.24  public.",
   "Date": "c. 1662-63",
   "Image Link": "https://www.metmuseum.org/art/collection/search/437880",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/f/fe/Vermeer_-_Woman_with_a_Lute_near_a_window.jpg",
   "material": "Oil on canvas",
   "Size": "51.4 x 45.7 cm.. (20 1/4 x 18 in.)",
   "Signature": "",
   "Literature": "\"New York  Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke  et al. March 8 - May 27  2001  p.381-383 (73); Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.101-103  194 (14). http://metmuseum.org/exhibitions/view?exhibitionId=%7b4318132f-0779-46f5-a12c-54823e3da1b2%7d&oid=437881&pos=1&ft=*.\"",
   "Exhibitions": "\"New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. September – November 1909 (135 (lent by Mrs. Collis P. Huntington, New York)); New York, The Metropolitan Museum of Art. Fiftieth Anniversary Exhibition. May 8 – August 1920, p. 8 (unnumbered cat. (lent by Mrs. Henry E. Huntington)); Philadelphia, Philadelphia Museum of Art. \"Diamond Jubilee Exhibition: Masterpieces of Painting.” November 4, 1950 –  February 11, 1951 (42); New York, The Metropolitan Museum of Art. The Painter's Light. October 5 – November 10, 1971 (13); Leningrad [St. Petersburg], State Hermitage Museum. 100 Paintings from the Metropolitan Museum. May 22 – July 27, 1975 (24); Moscow, State Pushkin Museum. 100 Paintings from the Metropolitan Museum.  August 28 – November 2, 1975 (24); Philadelphia, Philadelphia Museum of Art. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. March 18 – May 13, 1984 (117); Berlin, Gemäldegalerie, Staatliche Muséen Preussischer Kulturbesitz. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. June 8 – August 12, 1984 (117); London, Royal Academy of Arts. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. September 7 – November 18, 1984 (117); Stockholm, Nationalmuseum. Rembrandt och Hans Tid. October 2, 1992 – January 6, 1993 (128); Athens, National Gallery Alexandros Soutzos Museum. From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York. December 13, 1992 – April 11, 1993 (14); Osaka, Municipal Museum of Art. The public and the private in the age of Vermeer.  April 4 – July 2, 2000, p. 178-181 (32 and ill.); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (72); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (72); Rotterdam, Museum Boijmans Van Beuningen. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. October 23, 2004 – January 9, 2005 (68); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century.  February 10 – May 1, 2005 (68); New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008 (no catalogue); Tokyo. Vermeer and the Delft Style. Metropolitan Art Museum. August 2 – December 14, 2008 (29); New York, The Metropolitan Museum of Art. Vermeer's Masterpiece \"The Milkmaid\". September 9 – November 29, 2009 (8); Pasadena, Norton Simon Museum. The Norton Simon Museum Presents Vermeer’s \"Woman with a Lute,\" On Loan from the Metropolitan Museum of Art. July 8, 2011 – September 26, 2011; Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 214 (48 and ill.); Naples, Italy. Pinacoteca di Capodimonte. November 21, 2016 - February 9, 2017; Paris. Musée du Louvre. Vermeer et les maîtres de la peinture de genre. February 22–May 22, 2017, no. 20.; Dublin. National Gallery of Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  June 17–September 17, 2017, no. 20; Washington. National Gallery of Art. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017–January 21, 2018, no. 20.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "A Lady at the Virginal with a Gentleman (The Music Lesson)",
   "Additional Title": "Lady at the Virginals and a Gentleman; The Music Lesson (A Woman at a Virginal with a Genleman)",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Frans van Mieris ? (1635-1681)",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d. 1674); probably his widow, Maria de Knuijt, Delft (1674-1681); probably their daughter, Magdelena van Ruijven, Delft (1681-d. 1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 6, as 'Een speelende Juffrouw op de Clavecimbael in een Kamer  met een toeluisterend Monsier' [A Young Woman playing on a Clavecin in a Room, with a listening Gentleman], (80 florins,); ?sale, Amsterdam, July 11, 1714, lot 12; Giovanni Antonio Pellegrini, Amsterdam/The Hague (in 1718), and Venice (in 1741); his widow, Angela Carriera, Venice (1741-1742; sold to Smith); Joseph Smith, Venice and Mogliano (1742-1762; sold for £20,000, to George III, as by Frans van Mieris); King George III, Windsor Castle (1762 acquired with Smith Collection); since 1762 Royal Collection, Windsor Castle and Buckingham Palace (inv. 109).\"",
   "Current Location": "Royal Collection  Buckingham Palace  London  England  109  public.",
   "Date": "c. 1662-65",
   "Image Link": "https://www.rct.uk/collection/405346/lady-at-the-virginals-with-a-gentleman?_ga=2.201902039.776645573.1560351591-698046801.1560351592",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/b/bc/Johannes_Vermeer_-_Lady_at_the_Virginal_with_a_Gentleman%2C_%27The_Music_Lesson%27_-_Google_Art_Project.jpg",
   "material": "Oil on canvas",
   "Size": "73.3 x 64.5 cm.. (28 7/8 x 25 3/8 in.)",
   "Signature": "Signed far right center (on picture frame): IVMeer",
   "Literature": "\"Wheelock Jr.  Arthur K. Jan Vermeer. London  1981  p.100;(c) Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comp. Frederikc Duparc and Arthur Wheelock  Jr. November 12  1995 - February 11  1996  p.128-133 (8);  Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.104-107  195 (15).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 278-279; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. X, pl. A;\"",
   "Exhibitions": "\"London, Royal Academy of Arts. Exhibition of Works by Old Masters and by Deceased Masters of British School. 1876 (The Music Lesson (211)); London, Art Gallery of the Corporation of London. Temple, A. G. Catalogue of the Loan Collection of Pictures. 1895, p. 92-93 (127); London, Royal Academy of Arts.  Exhibition of Dutch Art, 1450-1900. 1929, p. 144 (305 and pl. 78); London, Burlington House. Dutch Art. An Illustrated Souvenir of the Exhibition of Dutch Art at Burlington House, London. 1929, p. 89 (107 and ill.); London, Royal Academy of Arts. Catalogue of Exhibition of the King's Pictures. 1946, p. 108 (305);  The Hague, Mauritshuis. Masterpieces of the Dutch School from the Collection of H.M. the King of England on the Occasion of 50-year Reign of Queen Wilhelmina. 1948, p. 30 (10 and ill.); London, Royal Academy of Arts. Dutch Pictures 1450-1750. 1952, p. 1 (515) and 2 (ill. 45); London, The Queen's Gallery, Buckingham Palace.  Dutch Pictures from the Royal Collection. 1971, p. 19 and 74 (10); Philadelphia, Philadelphia Museum of Art. Sutton, Peter. Masters of Seventeenth-Century Dutch Genre Painting. 1984, p. 344-345 (119 and ill. 109.); London, The Royal Collection, Buckingham Palace. Enchanting the Eye: Dutch Painters of the Golden Age. February 11 – October 30, 2005; London, The Dulwich Picture Gallery. Masterpiece a Month: Presiding Genius Johannes Vermeer - A Lady at the Virginals with a Gentleman (The Music Lesson). March 2011; Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 204 (26 and ill.); London. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013, p. 62 (21 and ill.);  London, The Queen's Gallery, Buckingham Palace. Masters of the Everyday: Dutch Artists in the Age of Vermeer. An exhibition from the British Royal Collection. November 13, 2015 - February 14, 2016; Edinburgh, The Queen's Gallery, Palace of Holyroodhouse. Masters of the Everyday: Dutch Artists in the Age of Vermeer. An exhibition from the British Royal Collection; March 4 - July 24, 2016. The Hague, Mauritshuis. Masters of the Everyday: Dutch Artists in the Age of Vermeer. An exhibition from the British Royal Collection. September 29, 2016 - January 8, 2017.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Concert",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682), Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, possibly lot 9, as \"Een vrolijk gezelschap in een kamer  kragtig en goet\" (A merry company in a room  vigorous and good) (73 florins,); sale, Amsterdam, Johannes Lodewijk Strantwijk Collection, May 10, 1780, lot 150 (315 florins,  to A. Delfos, for the 'Heer van Vlaardingen', the following); Diederik van Leyden; sale, Paris [Paillet], Monsieur van Leyden Collection, November 5, 1804, lot 62 (350 francs, to Paillet, 29,000 francs - Hale); sale, London (Foster), February 26, 1835, lot 127; sale, London (Christie's), Admiral Lysaght et. al. Collections, April 2, 1860, lot 49 (£21 to Toothe); sale, Paris (Pillet), Demidoff Collection, April 1, 1869, lot 14 (5100 francs,  to ?Thoré-Bürger); William Thoré-Bürger (Etienne Joseph Théophile Thoré), Paris (?1869-d.1869); sale, Paris [Drouot], Thoré-Bürger Collection, December 5, 1892, lot 31 (29,000 francs, to Robert for Gardner); Mrs. John L. Gardner, Boston (1869-d.1924); Isabella Stewart Gardner Museum, Boston (inv. P21W27); stolen March 18, 1990.\"",
   "Current Location": "Isabella Stewart Gardner Museum  Boston  Massachusetts  United States  P21W27  public.",
   "Date": "c. 1665-66",
   "Image Link": "https://www.gardnermuseum.org/experience/collection/10967",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/7/7f/Vermeer_The_Concert.jpg",
   "material": "Oil on canvas",
   "Size": "72.5 x 64.7 cm.. (28 1/2 x x 25 1/2 in.)",
   "Signature": "Signed right center (on picture frame): IVMeer",
   "Literature": "\"Wheelock  Jr.  Arthur K. Jan Vermeer. London  1981  p.120.; Blankert  Albert  et al. Vermeer. New York  1988  p.183-184.; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.108-111  195 (16).\"",
   "Exhibitions": "\"Boston,  Copely Hall, Copley Society. One Hundred Masterpieces. March 5 - March 28, 1897 (98).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Woman in Blue Reading a Letter",
   "Additional Title": "A Girl Reading a Letter; Woman in Blue ",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"?Sale, Amsterdam, Pieter van der Lip Collection, June 14, 1712, lot 22, as 'Een leezent Vrouwtje, in een kamer, door vander Meer van Delft' (A Woman reading, in a room, by wander Meer of Delft) (110 florins,); Mozes de Chaves, Amsterdam (in 1759); sale, Amsterdam, De Chaves Collection, November 30, 1772, lot 23, as by 'Van der Neer, de Delftsche' (40 florins, to Fouquet); sale, Amsterdam, P. Lyonet Collection, April 11, 1791, lot 181 (47/43 florins, to Fouquet); sale, Amsterdam, Ph. van der Schley Collection, August 14, 1793, lot 73, (70 florins,); Herman ten Kate, Amsterdam (?1793-1800); sale, Amsterdam, H. Ten Kate Collection, June 10, 1801, lot 118 (110 florins,  to Taijs (Tyssen)); sale, Paris (Paillet), Lespinasse de Langeac Collection, January 16, 1809, lot 85 (200 florins,); sale, Paris (Henry), Lapeyriè re Collection, April 19, 1825, lot 127 (1060 francs, to Berthaud); [John Smith, London (after 1833-1839) sold for £70, to Van der Hoop]; Adriaan van der Hoop, Amsterdam (1839-54) sold for 882 florins for it as well as two other pictures?; Academy of Fine Arts, Amsterdam (1854-85); city of Amsterdam, since 1885 on loan to the Rijksmuseum, Amsterdam (inv. C251).\"",
   "Current Location": "Rijksmuseum  Amsterdam  Netherlands  C 251  public.",
   "Date": "c. 1662-65",
   "Image Link": "https://www.rijksmuseum.nl/en/vermeers-the-little-street-discovered/objects#/SK-C-251,2",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/d/db/Vermeer%2C_Johannes_-_Woman_reading_a_letter_-_ca._1662-1663.jpg",
   "material": "Oil on canvas",
   "Size": "46.5 x 39 cm.. (18 1/4 x 15 3/8 in.)",
   "Signature": "",
   "Literature": "\"Blankert  Albert et. al. Vermeer. New York  1988  p.180-181.; Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock  Jr. November 12  1995 - February 11  1996  p.134-139 (9).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.112-144  195-196 (17).  Weber, Gregor J.M.,  trans. Michael Hoyle, Amsterdam Rijksmuseum  2013.  Woman in Blue Reading a Letter.\"",
   "Exhibitions": "\"Tokyo. Meisterwerke der Europäischen Kunst – Dresden. September 20 – November 24, 1974; Kyoto. Meisterwerke der Europäischen Kunst. Nationalmuseum. December 2, 1974 – January 26, 1975; Moscow, Puschkin Museum. Gerettete Meisterwerke. October 10 – November 18, 1984; Leningrad [St. Petrsberg], Staatliche Eremitage. Gerettete Meisterwerke. December 6, 1984 – January 20, 1985; Madrid, Il Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 165-167 (32 and ill.); Kobe, Hyogo Prefectural Museum of Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. January – May 22, 2005; Tokyo, National Museum of Western Art. Dresden-Spiegel der Welt. Die Staatlichen Kunstsammlungen Dresden in Japan. June 28 – September 19, 2005; Dresden, Staatliche Kunstsammlungen, Gemäldegalerie Alte Meister. Der frühe Vermeer. September 3 – November 28, 2010; Minneapolis, MN. Centennial Exhibition. January 16 - May 3, 2015; San Diego, CA. The Private World of Vermeer. May 14 - September 11, 2015; Washington D. C. Vermeer's Woman in Blue Reading a Letter from the Rijksmuseum. September 19 – December 1, 2015; Art Gallery of New South Wales, Sydney, Australia.  Rembrandt and the Dutch olden Age: Masterpieces from the Rijksmuseum. Rembrandt and the Dutch olden Age: Masterpieces from the Rijksmuseum. November 11, 2017- February 18, 2018.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Woman with a Pearl Necklace",
   "Additional Title": "A Young Lady with a Pearl Necklace",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdelena van Ruijven (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 36, as 'Een Paleerende dito [Juffrouw], seer fraey' (A Bepearling Young Woman, very fine) (30 florins,); sale, Amsterdam (Ph. van der Schley), Johannes Caudri Collection, September 6, 1809, lot 42 (55 florins,  to Ths. Spaan); sale, Amsterdam, D. Teengs Collection, April 24, 1811, lot 73 (36 florins, to Gruyter); sale, Amsterdam (Roos), March 26, 1856, lot 93 (111 florins, to Philip); Henri Grevedon, Paris (before 1860); Thoré-Bürger, Paris (c. 1860-68); sale, Brussels, Thoré-Bürger et. al. Collections, April 22, 1868, lot 49 (3,500 Bfs., to Sedelmeyer for Suermondt); Barthold Suermondt, Aachen (1868-74); acquired in 1874 as part of Suermondt collection by the Gemäldegalerie, Staaliche Muséen zu Berlin (inv. 912B).\"",
   "Current Location": "Gemäldegalerie  Berlin  Tiergarten  Germany  912 b  public.",
   "Date": "c. 1664",
   "Image Link": "http://www.smb-digital.de/eMuseumPlus?service=direct/1/ResultLightboxView/result.t1.collection_lightbox.$TspTitleImageLink.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=Slightbox_3x4&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=10",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/7/7e/Johannes_Vermeer_-_Woman_with_a_Pearl_Necklace_-_WGA24659.jpg",
   "material": "Oil on canvas",
   "Size": "55 x 45 cm.. (21 5/8 x 17 3/4 in.)",
   "Signature": "Signed (on the side of the table): IVMeer",
   "Literature": "Washington  National Gallery of Art. Johannis Vermeer [trav. exh.] Comps. Frederik Duparc and Arthur Wheelock  Jr. November 12  1995- February 11  1996  p.152-155 (12).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.115-117  196 (18).",
   "Exhibitions": "Paris, Palais des Champs-Elysées. Exposition rétrospective tableaux anciens empruntés aux galeries particulières. 1866 (not in cat. 5); Paris, Sedelmeyer Gallery. Hundred Masterpieces. A Selection from the Pictures by Old Masters. 1914, p. 52 (24, and ill.); Amsterdam, Rijksmuseum. 120 Beroemde schilderrijen uit het Kaiser-Friederich-Museum te Berlijn. 1950, p. 56 (112 and ill. 107); Washington D.C., National Gallery of Art. Johannes Vermeer. Nov. 12, 1995 - Feb. 11, 1996, p. 152-155 (12, repro.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996, p. 152-155 (12, repro.); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 174-175 (36 and ill.); Rome, Museo del Corso. Da Rembrandt a Vermeer. Valori civili nella pittura fiamminga e olandese del '600 Fondazione Roma. November 11, 2008 – February 15, 2009, p. 104-105 (33 and ill.); Tokyo, The National Museum of Western Art. From Renaissance to Rococo. Four Centuries of European Drawing, Painting and Sculpture. June 13 – September 17, 2012; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 174-175 (62, ill.).  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 174-175 (62, ill.);   National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018, p. 174-175 (62, ill.).",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Woman with a Balance",
   "Additional Title": "A Woman Weighing Gold, A Woman Weighing Pearls ",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probaby Pieter Claesz van Ruijven, Delft  (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1881-d.1862); ?her widower, Jacob Abrahamsz Dissius, Delft (1882-1895); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 1, as 'een Juffrouw, die goud weegt, in een kasje van J. vander Meer van Delft, extraordinaer konstig en kragtig geschildert' (A Young Woman who weighs gold, in a case by J. vander Meer van Delft, extraordinarily artful and vigorously painted) (155 florins, including a case to hold the painting); Isaac Rooleeuw, Amsterdam (1696-1701); sale, Amsterdam, Isaac Rooleeuw Collection, April 20, 1701, lot 7 (113 florins,); Paulo van Uchelen, Amsterdam (1701-d.1702); Paulo van Uchelen the Younger, Amsterdam (1703-1754); Anna Gertruijda van Uchelen, Amsterdam (1754-d.1766); sale, Amsterdam [B. Tideman], Anna Gertruijda van Uchelen Collection, March 18, 1767, lot 6 (170 florins, to Kok); sale, Amsterdam (Ph. van der Schley), Nicolaas Nieuhoff Collection, April 14, 1777, lot 116 (235 florins, to Van den Boogaerd); sale, Amsterdam, Trochel et. al. Collections, May 11, 1801, lot 48 (60 florins, to Van der Schley); King Maximilian I Jozef  Nymphenburg (before d.1825); sale, Munich, King Maximilain I Jozef Collection, December 5, 1826, lot 101, aas by Metsu (800 florins to Caraman); Victor-Louis-Charles de Riquet, duc de Caraman, Paris (1826-30); sale, Paris [Lacoste], Marquis de Caraman Collection, May 10, 1830, lot 68 (2,410 francs); Casimir Périer, Paris (1830-1832); his heirs, sister, Countess de Segur, Paris (1832-80); sale, Paris [Christie's], Périer Collection, May 5, 1848, lot 7 (£141. 15s. (bought in)); Auguste Casimir Victor Laurent Périer, Paris (1848-1876); Jean Paul Pierre Casimir Périer, Paris (1876-1907); comtesse de Ségur-Périer, Paris (1907-1911); [P. and  D. Colnaghi, London and M. Knoedler, New York, (1911)]; Peter A.B. Widener, Lynnewood Hall, Elkins Park, Philadelphia (1911-1915); Joseph E. Widener, Lynnewood Hall, Elkins Park, Philadelphia (1915-1942); since 1942 National Gallery of Art, Washington DC, Widener bequest (acc. no. 1942.9.97).\"",
   "Current Location": "National Gallery of Art  Washington  District of Columbia  United States  1942.9.97  public.",
   "Date": "c. 1663-64",
   "Image Link": "https://www.nga.gov/collection/art-object-page.1236.html",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/6/68/Johannes_Vermeer_-_Woman_Holding_a_Balance_-_Google_Art_Project.jpg",
   "material": "Oil on canvas",
   "Size": "42.5 x 38 cm.. (16 3/4 x 15 in.)",
   "Signature": "",
   "Literature": "\"New York  Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke  et al. March 8 - May 27  2001  p.383-386 (73).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 266.; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.118-121  196 (19).\"",
   "Exhibitions": "\"New York, M. Knoedler & Co. Exhibition of Old Masters for the Benefit of The Artists' Funds and Artists' Aid Societies. 1912 (49); Detroit, Detroit Institute of Arts. A Loan Exhibition of Dutch Paintings. 1925 (33, repro.); Chicago, Art Institute of Chicago. A Century of Progress Exhibition of Paintings and Sculpture. 1933 (80); Philadelphia, Philadelphia Museum of Art. Masters of Seventeenth-Century Dutch Genre Painting. 1984 (118); Berlin. Gemäldegalerie, Staatliche Muséen Preussischer Kulturbesitz. Royal Academy of Arts, London, 1984. 1984; Washington, D.C., National Gallery of Art. Dutch Cabinet Galleries. 1995-1996 (no cat.); Washington, D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996, p. 140-145 (10, repro.); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996, p. 140-145 (no. 10, repro.); Washington D.C., National Gallery of Art. A Collector's Cabinet. 1998 (61, fig. 14); Washington, D.C., National Gallery of Art. Johannes Vermeer: The Art of Painting. 1999-2000 (9); Osaka, Municipal Museum of Art. The Public and the Private in the Age of Vermeer. April 4 – July 2, 2000, p. 182-185 (33 and ill.); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8 – May 27, 2001 (73, repro., as \"Woman with a Balance\"); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (73, repro., as \"Woman with a Balance\"); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 172-173 (35 and ill.); Amsterdam, Rijksmuseum. Woman Holding a Balance. March 11 – June 1, 2009; Munich, Alte Pinakothek. Vermeer in Munich: King Max I Joseph of Bavaria as a Collector of Old Masters. March 17 – June 19, 2011; Detroit, Detroit Institute of Art. August 9 - Labour Day (about), 2012; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 192 (2, ill.).  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 192 (2, ill.);   National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018, p. 192 (2, ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "A Lady Writing",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 35, as 'Een Schryvende Juffrouw hell goet' (A Young Woman Writing, very good) (63 florins,); J. van Buren, The Hague; sale, The Hague [Scheurleer], J. van Buren Collection, November 7, 1808, lot 22; Cornelis Jan Luchtmans, Rotterdam (1808-16); sale, Rotterdam [Muys], Cornelis Jan Luchtmans Collection, April 20, 1816, lot 90 (70 florins, to Lelie); possibly Kamernan Sale, Rotterdam, 1825 (305 florins); sale, Amsterdam (J. de Vries), Hendrik Reydon et. al. Collections, April 5, 1827, lot 26 (withdrawn);  François-Xavier, comte de Robaino, Brussels (1827-37) ; sale, Brussels [Barbé], Comte F. de Robiano Collection, May 1, 1837, lot 436 (400 Bfr. to J. Héris for the following); Ludovic, comte de Robiano, Brussels (1837-d. 1887); Heirs of De Robiano, Brussels (1888-1906); [J. and A. LeRoy, Brussels (1907)]; J. Pierpont Morgan, New York (1907-d.1913) (bought for £100,000, from G.S. Hellman); his son, J. P. Morgan Jr., New York (1913-1940); [M. Knoedler, New York]; Sir Harry Oakes, Nassau, Bahamas (1940-1943); Lady Eunice Oakes, Nassau  Bahamas (1943-1946); [Knoedler, New York (1946)]; Horace Havemeyer, New York (1946-1956); his sons, Harry Waldron Havemeyer and Horace Havemeyer Jr., New York (1956-62); National Gallery of Art, Washington DC, Gift of Harry Waldron Havemeyer and Horace Havemeyer Jr. in memory of their father, Horace Havemeyer (acc. no. 1962.10.1); Returned for her lifetime to Mrs. Horace Havemeyer, New York; transferred to the National Gallery of Art, Washington in 1966.\"",
   "Current Location": "National Gallery of Art  Washington  District of Columbia  United States  1962.10.1  public.",
   "Date": "c. 1665",
   "Image Link": "https://www.nga.gov/collection/art-object-page.46437.html",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/2/21/Johannes_Vermeer_-_A_lady_writing_%28c_1665-1666%29.jpg",
   "material": "Oil on canvas",
   "Size": "45 x 39.9 cm.. (17 3/4 x 15 3/4 in.)",
   "Signature": "Signed (on the picture frame in the background): IVMEER",
   "Literature": "\"Blankert  Albert   et al.  Vermeer  New York  1988  p.185-186.; Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock  Jr. November 12  1995- February 11  1996  p.156-159 (13).;; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.122-125  196 (20); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. Xiii, pl. 19\"",
   "Exhibitions": "\"Brussels, Musées Royaux. Exposition de tableaux et dessins d'anciens maitres organisée par la société néerlandaise de bienfaisance à Bruxelles. 1873, p. 76 (264); New York, The Metropolitan Museum of Art. The Hudson-Fulton Celebration. 1909, p. 137 (136); Rotterdam, Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 37 (86a); New York, New York World's Fair. Masterpieces of Art. European Paintings and Sculpture from 1300-1800. April 1939 - October 1940, p. 195 (399 and pl. 72); New York, M. Knoedler & Co. Loan Exhibition in Honor of Royal Cortizzos and His 50 Years of Criticism in the New York Herald Tribune. 1941, p. 18-19 (17); New York, Duveen Galleries. Paintings by the Great Dutch Masters of the Seventeenth Century. 1942, p. 89 and 159 (68 and ill.); New York, M. Knoedler & Co. Loan Exhibition: 24 Masterpieces. 1946 (15 and ill.); Paris. 1976 (no catalogue); Leningrad, State Hermitage Museum. Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Moscow, State Pushkin Museum. Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Kiev, State Museum. Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Minsk, State Museum.  Zapadnoevropeiskaia i Amerikanskaia zhivopis is muzeev ssha [West European and American Painting from the Museums of USA]. 1976 (unpaginated and unnumbered catalogue); Tokyo, National Museum of Western Art. Space in European Art: Council of Europe Exhibition in Japan. 1987 (86); Leningrad, State Hermitage Museum. Masterpieces of Western European Painting of the XVIth-XXth Centuries from the Museums of the European Countries and USA. 1989 (14, repro.); The Hague, Mauritshuis. Great Dutch Paintings from America. 1990; San Francisco, The Fine Arts Museums of San Francisco, M. H. de Young Memorial Museum.Great Dutch Paintings from America. 1990-1991. (67, color repro., as \"A Girl Writing a Letter\"); Frankfurt, Schirn Kunsthalle. Leselust: Niederländische Malerei von Rembrandt bis Vermeer. 1993-94 (85, repro.); Washington D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996 (13, repro.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1 – June 2, 1996 (13, repro.); Washington, D.C., National Gallery of Art. Johannes Vermeer: The Art of Painting. 1999; Kyoto, Kyoto Municipal Museum of Art. Masterpieces from the National Gallery of Art, Washington. 1999 (83, repro.); Tokyo. Masterpieces from the National Gallery of Art, Washington. Metropolitan Art Museum Metropolitan Art Museum. 1999 (83, repro.); Newark. Art and Home: Dutch Interiors in the Age of Rembrandt. Denver Art Museum. 2001 (108, fig. 108 (shown only in Denver)); Denver, Denver Art Museum. Art and Home: Dutch Interiors in the Age of Rembrandt. 2001-2002 (108, fig. 108); Dublin, National Gallery of Ireland. Love letters: Dutch genre painting in the age of Vermeer. October 1 – December 31, 2003 (38, fig. 55, repro. 181); Rotterdam, Museum Boijmans Van Beuningen. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. October 23, 2004 – January 9, 2005 (69, repro.); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 – May 1, 2005 (69, repro.); Pasadena. Vermeer's A Lady Writing from the National Gallery of Art, Washington. November 7, 2008 – February 16, 2009; Kyoto, Municipal Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. June 25 – October 16, 2011 (42 and ill.); Sendai, Miyagi Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. October 27, 2011 – December 12, 2011 (42 and ill.); Tokyo, The Bunkamura Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. December 23 – March 14, 2012 (42 and ill.); Boston, Museum of Fine Arts. Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. October 11, 2015 – January 18, 2016; Kansas City, Nelson-Atkins Museum of Art. Reflecting Class in the Age of Rembrandt and Vermeer. February 4 - May 29, 2016; Norfolk, Chrysler Museum of Art. A Lady Writing. November 1- December 18, 2016. Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 126 (3, ill.).  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 126 (3, ill.);   National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018, p. 126 (3, ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Mistress and Maid",
   "Additional Title": "A Lady and a Maidservant; A Lady Writing a Letter with Her Maid; Lady with Her Maidservant",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Ter Borch - 1776 and 1837 attributed to",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); probably his widow, Maria de Knuijt, Delft (1674-d.1681); probaby their daughter, Magdalena van Ruijven, Delft (1681-d.1682), Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 7, as \"Een Juffrouw die door een Meyd een brief gebragt word\" (A Young Woman to whom a letter is brought by a Maid) (possibly Amsterdam picture instead) (70 florins,); sale, Rotterdam, Josua van Belle Collection, September 6, 1730, lot 92 (possibly National Gallery Ireland picture) (155 florins with another painting,); sale, Amsterdam (Haring), October 15, 1738, lot 12 (160 florins, to Oortman); sale, The Hague, Burgomaster Hendrik van Slingelandt Collection, 1770 (not mentioned); sale, Paris, Blondel de Gagny Collection, December 10-24, 1776, lot 72, as by Terburg (3,902 francs, with \"Une Femme assise, lisant une Letter\" to Lengliev, for Poullain); sale, Paris, Poullain Collection, March 15, 1780, lot 40, as by Terburg (4,550 francs,); sale, Paris (Paillet), Van Helsleuter et al. Collections, January 25, 1802, lot 106, (2000 francs, withdrawn) (to Pitour); [Charles Lebrun, Paris]; sale, Paris (Paillet), Lespinasse de Langeac Collection, January 16, 1809, lot 34 (600 francs, to Lebrun); sale, Paris, Lebrun Collection, March 20, 1810, lot 143 (601 francs, to Chevalier); sale, Paris (Paillet), March 24, 1818, lot 48 (460 francs); Dufour, Marseilles (from 1819 or earlier); sale, Paris (Bataillard), Duchesse de Berri Collection, April 4-6, 1837, lot 76 (4,015 francs, or 405 francs to Paillet); sale, Paris (Boussod), E. Secrétan Collection, July 1, 1889, lot 139 (75,000 francs, to Sedelmeyer) or 1890, 600 francs; A. Paulovstof, St. Petersburg; [Lawrie & Co., London]; [Sulley and Co., London, in 1905]; James Simon, Berlin (?1906-at least 1914); [Knoedler, New York]; [Duveen Brothers, 1919];  Henry Clay Frick, New York (in 1919, d. 1919) ($265,000); Frick Collection, New York (acc. no. 1919.1.126).\"",
   "Current Location": "Frick Collection  New York  New York  United States  Henry Clay Frick Bequest  1919.1.126  public.",
   "Date": "probably between 1665-1670",
   "Image Link": "https://collections.frick.org/objects/274/mistress-and-maid",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/6/61/Vermeer_Lady_Maidservant_Holding_Letter.jpg",
   "material": "Oil on canvas",
   "Size": "90.2 x 78.7 cm.. (35 1/2 x 31 in.)",
   "Signature": "",
   "Literature": "\"New York, Frick Collection. Art in The Frick Collection: Paintings, Sculpture, Decorative Arts [cat.]. Comp. C. Ryskamp, et al. 1996, p.72.; Blankert, Albert, et al. Vermeer. New York, 1988, p.186 (21); Sale, Bataillard, Paris. Duchesse de Berri Collection. April 4, 1837, lot 76 (priced copy).; Sale, Paillet, Paris. Van Helsleuter et al. January 25, 1802, lot 106 (annotated copy); Liedtke, Walter. Vermeer: The Complete Paintings. Ghent, 2008, p.126-129, 196 (231); New York, Frick Collection. An Illustrated Catalogue. Vol.1, Paintings. [cat.]. 1968, p.296-299, p.297 (reproduced).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 318.  Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XI, pl 16.\"",
   "Exhibitions": "\"New York, Frick Collection. Frick's Vermeers reunited. June-2 November 2008.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Girl with a Pearl Earring",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682) (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, May 16  1696, lot 38 or 39 or 40 (tronies) (36 florins, or 17 florins,); sale, The Hague, Braams Collection, 1881 (day and month unknown) (to A.A. des Tombe) 2.2 fl?; Arnoldus Andries des Tombe, The Hague (1881-d.1902); in 1903 bequest of Arnoldus des Tombe to the Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague (inv. 670).\"",
   "Current Location": "Koninklijk Kabinet van Schilderijen  The Hague  Netherlands  670  public.",
   "Date": "c. 1665-1666",
   "Image Link": "https://www.mauritshuis.nl/en/explore/the-collection/artworks/girl-with-a-pearl-earring-670/",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/c/ce/Girl_with_a_Pearl_Earring.jpg",
   "material": "Oil on canvas",
   "Size": "46.5 x 40 cm.. (18 1/4 x 15 1/4 in.)",
   "Signature": "Signed upper left: IVMeer",
   "Literature": "\"Blankert  Albert et. al. Vermeer. New York  1988  p.184; Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comp. Frederik Duparc and Arthur Wheelock  Jr. November 12  1995 - February 11  1996  p.166-169 (15).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p. 130-132  196 (22).; San Francisco  de Young Museum. Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis [trav. exh.]. Comps. Quentin Buvelot  et al.  January 26 - June 2  2013  p.74-75 (8).  Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. X, pl. B;\"",
   "Exhibitions": "\"The Hague, Pulchri Studio. Catalogus der tentoonstelling van schilderijen van oude meesters. 1890, p.  57 (117); Paris, Jeu de Paume. Exposition hollandaise. Tableaux, aquarelles et dessins anciens et modernes. 1921, p. 10 (106); Rome, Galleria Borghese. Mostra di capolavori della pittura olandese. 1928, p. 100 (125 and ill.); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 145 (306); The Hague, Mauritshuis. Nederlandsche kunst van de XVde en XVIde eeuw. 1945 (134); Antwerp, Koninklijk Museum voor Schone Kunsten. De Hollandsche Schilderkunst van Jeroen Bosch tot Rembrandt. Keuze van Meesterwerken uit Nederlandsche Musea. 1946 (91 and ill.); Delft, Stedelijk Museum Het Prinsenhof. Het Koninklijke kabinet 'Het Mauritshuis' in het museum 'Het Prinsenhof' te Delft. 1950, p. 11 (27); The Hague, Mauritshuis. In het licht van Vermeer. June 24 – September 5, 1966 (V and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24 – November 28, 1966 (VI and ill.); Washington D.C., National Gallery of Art. Mauritshuis, Dutch Paintings of the Golden Age. 1982, p. 120-121 (38 and ill.); Paris, Grand Palais. De Rembrandt à Vermeer: Les peintres hollandais au Mauritshuis à la Haye. 1986, p. 358-362 (54 and ill.); Washington D.C., National Gallery of Art.  Johannes Vermeer. November 12, 1995 - February 11, 1996, p. 166-169 (15, repro.); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1 - June 2, 1996, p. 166-169 (15, repro.); Osaka, Osaka Municipal Museum of Art. The public and the private in the age of Vermeer. April 4 – July 2, 2000, p. 186-189 (34 and ill.); Kobe, City Museum Kobe. Masterpieces from the Royal Picture Gallery. October 1, 2012 – December 23, 2013; Tokyo, Tokyo Art Museum. Masterpieces from the Royal Picture Gallery. June 30 – September 17, 2012; San Francisco, de Young - San Francisco Museum of Art.  Masterpieces from the Royal Picture Gallery. January 26 – June 2, 2013; New York. Masterpieces from the Royal Picture Gallery. October 22, 2013 – January 12, 2014; Atlanta, High Museum of Art.  Masterpieces from the Royal Picture Gallery. June 22 – September 29, 2013; Bologna, Italy, Palazzo Fava. La ragazza con l'orecchino di perla: Il mito della Golden Age. Da Vermeer a Rembrandt capolavori dal Mauritshuis. February 8 – May 25, 2014.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Study of a Young Woman",
   "Additional Title": "Portrait of a Young Girl",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 38, 39, or 40 (tronies) (36 florins, or 17 florins,); Jan Luchtmans, Rotterdam (in 1816); sale, Rotterdam (Muys), Jan Luchtmans Collection, April 20, 1816, lot 92 (3 florins,); Auguste Marie Raymond, prince d'Arenberg, Belgium (by 1829-d.1833); Arenberg family, Brussels and Schloss Meppen, Germany (1833-1945); Engelbert-Marie, 9th duc d'Arenberg, Brussels, Schloss Meppen and Schloss Nordkirchen, Germany (1945-d.1949); his son, Engelbert-Charles, 10th duc d'Arenberg (1949-1955); [Germaine Seligman, sold for $325,000, to Wrightsman]; Mr. and Mrs. Charles Wrightsman, New York (1955-79); The Metropolitan Museum of Art, New York, Gift of Mr. and Mrs. Charles Wrightsman, in memory of Theodore Rousseau Jr., 1979 (acc. no. 1979.396.1).\"",
   "Current Location": "Metropolitan Museum of Art  New York  New York  United States  1979.396.1  public.",
   "Date": "c. 1666-67",
   "Image Link": "https://www.metmuseum.org/art/collection/search/437880",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/d/d9/Vermeer-Portrait_of_a_Young_Woman.jpg",
   "material": "Oil on canvas",
   "Size": "44.5 x 40 cm.. (17 1/2 x 15 3/4 in.)",
   "Signature": "Signed upper left: IVMeer",
   "Literature": "\"New York  Metropolitan Museum. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke  et al. March 8  2001 - May 27  2001  p.389-393 (75).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.134-135  196 (23).\"",
   "Exhibitions": "\"Düsseldorf, Kunsthistorische Ausstellung. Location unknown. August 1904 (398 (lent by Herzog von Arenberg, Brussels)); The Hague, Mauritshuis. In het licht van Vermeer. June 25–September 5, 1966 (VI (lent by Mr. and Mrs. Charles B. Wrightsman, New York and Palm Beach)); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24–November 28, 1966 (VII (lent by Mr. and Mrs. Charles B. Wrightsman, New York and Palm Beach)); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8–May 27, 2001 (75); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19–May 18, 2003, p. 178-181 (38 and ill.); New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007–January 6, 2008 (no catalogue); New York, The Metropolitan Museum of Art. The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions. October 24, 2008–February 1, 2009 (online catalogue); New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid. September 9–November 29, 2009 (9).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Girl with a Red Hat",
   "Additional Title": "Portrait of a Young Woman",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675) (attributed to)\"",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682); ?her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 38, 39, or 40 (tronies) (36 florins, or 17 florins,); sale, Paris (Hôtel de Bullion), Lafontaine Collection, December 10, 1822, lot 28 (200 francs); Louis Marie, Baron Atthalin, Colmar (1823-56); Gaston, Baron Laurent-Atthalin, Limay, Seine-et-Oise (1856-1911); his widow, Baroness Laurent-Atthali, Paris (1911-1925); [Knoedler Galleries, New York and London, 1925]; Andrew W. Mellon, Pittsburgh and Washington DC (1925-1932) (for $290,000); A.W. Mellon Educational and Charitable Trust, Pittsburgh (1932-37); in 1937 National Gallery of Art, Washington DC, Andrew Mellon Collection (acc. no. 1937.1.53).\"",
   "Current Location": "National Gallery of Art  Washington  District of Columbia  United States  Andrew W. Mellon Collection  1937.1.53  public.",
   "Date": "c. 1665-1667",
   "Image Link": "https://www.nga.gov/collection/art-object-page.60.html",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/a/a3/Vermeer_-_Girl_with_a_Red_Hat.JPG",
   "material": "Oil on panel",
   "Size": "23.2 x 18.1 cm.. (9 1/8 x 7 1/8 in.)",
   "Signature": "Signed top center (in tapestry): IVM",
   "Literature": "\"New York  Metropolitan Museum of Art. Vermeer and the Delft School [exh.]. March 8 - May 27  2001  p.386-389 (74).; Blankert  Albert  et. al. Vermeer. New York  1988  p.196 (b3).; Washington  National Gallery of Art. A Collector's Cabinet [exh.]. Comp. Arthur K. Wheelock  Jr. May 17 - August 9  1998  p.68 (60).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.136-139  196.\"",
   "Exhibitions": "\"New York, M. Knoedler & Co. Loan Exhibition of Dutch Masters of the Seventeenth Century. 1925 (1); New York, M. Knoedler & Co. A Loan Exhibition of Twelve Masterpieces of Painting. 1928 (12);  Washington, D.C., National Gallery of Art. Dutch Cabinet Galleries. 1995-1996 (no catalogue); Washington, D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995–February 11, 1996 (14, repro.); The Hague, Royal Cabinet of Paintings, Mauritshuis. Johannes Vermeer. March 1–June 2, 1996 (14, repro.); Washington D.C., National Gallery of Art. A Collector's Cabinet. 1998 (60); Washington D.C., National Gallery of Art. Johannes Vermeer: The Art of Painting. 1999 (fig. 11.); New York, The Metropolitan Museum of Art. Vermeer and the Delft School. March 8–May 27, 2001 (74, repro.); London, The National Gallery. Vermeer and the Delft School. June 20 –  September 16, 2001 (74, repro.);  Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 176-177 (37 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 214 (48 and ill.); Raleigh, N.C. Small Treasures: Rembrandt, Vermeer, Hals and their Contemporaries. October 12, 2014 - January 4, 2015.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Art of Painting",
   "Additional Title": "Allegory of Painting; The Artist at Work, The Studio?",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"The artist's widow, Catharina Bolnes (1675-76); transfered to her mother, Maria Thins (February 24, 1676); evidently sold at auction on March, 15, 1676 in Delft; possibly Baron Gerard van Swieten (d.1772), prefect of the Imperial Court Library, Vienna; his son, Gottfried van Swieten (d.1803); his estate, as by Pieter de Hooch (1803-1813; sold to Czernin); Count Johann Rudolf Czernin (1813-45, as by de Hooch ?); by descent to Count Eugen Czernin (d.1955) and Jaromir Czernin (d.1966); Adolf Hitler (1940-1945); Munich Central Collecting Point (1945); transferred November 17, 1945 to the Kunsthistorisches Museum, Vienna, and in 1958 to the museum's permanent collection (inv. 9128).\"",
   "Current Location": "Kunsthistorisches Museum  Vienna  Austria  9128  public.",
   "Date": "c. 1666-68",
   "Image Link": "https://www.khm.at/en/objectdb/detail/2574/?offset=0&lv=list",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/5/5e/Jan_Vermeer_-_The_Art_of_Painting_-_Google_Art_Project.jpg",
   "material": "Oil on canvas",
   "Size": "120 X 100 cm.. (47 1/4 x 39 3/8 in.)",
   "Signature": "\"Signed (on map, behind Clio's collar): IVerMeer\"",
   "Literature": "\"New York  Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps . Walter Liedtke  et al. March 8 - May 27  2001  p.394-398 (76); Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.144-147  197 (26).\"",
   "Exhibitions": "\"Zurich, Kunsthaus. Meisterwerke aus Oesterreich. October 1946 - March, 1947 (426); Brussels. April - June, 1947 (148); Amsterdam. July - October, 1947 (193); Paris. November 1947 - March 1948; Stockholm. May - October 1948; Kopenhagen. December 1948 - March 1949; London, Tate Gallery. Art treasures from the Vienna collections. May 12 – September 3, 1949 (191); Washington, D.C., National Gallery of Art. Art treasures from the Vienna collections. November 20, 1949 - January 22, 1950 (124); New York, The Metropolitan Museum of Art. Art treasures from the Vienna collections. February - May 1950 (124); San Francisco, M.H. De Young Memorial Museum. Art treasures from the Vienna collections. July - October 1950 (124); Chicago, The Art Institute of Chicago. Art treasures from the Vienna collections. November 1950 - January 1951 (124); St Louis. Imperial Vienna Art Treasures. March 4 – April 22, 1951; Toledo, Toledo Museum of Art. Art treasures from the Vienna collections. May - June, 1951; Toronto. Art treasures from the Vienna collections. August - September 1951; Boston. Art treasures from the Vienna collections. October 1951 - January 1952; Philadelphia. Art treasures from the Vienna collections. February - April 1952; Oslo. May - July 1952 (176); Innsbruck. August - November 1952; Vienna, Kunsthistorisches Museum. Österreichs Amerika-Ausstellung \"Kunstschätze aus Wien.\". 1953 (264); Zurich, Jahrhunderts, Kunsthau. Hollander des 17. 1953 (173); Rome, Palazzo delle Esposizioni. Mostra di pittura olandese del seicento. 1954 (177); Milan, Palazzo Reale. Mostra di pittura olandese del seicento. 1954 (177); Delft, Stedelijk Museum Het Prinsenhof. De schilder in zijn wereld: Van Jan van Eyck tot Van Gogh en Ensor. 1964-65; Antwerp, Koninklijk Museum voor Schone Kunsten. De schilder in zijn wereld: Van Jan van Eyck tot Van Gogh en Ensor. 1965 (113 (shown in Delft only)); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (IX); Washington D.C., National Gallery of Art. Johannes Vermeer's The art of Painting. November 24, 1999 – February 8, 2000; The Hague,  Mauritshuis. De Weense Vermeer, een bijzonder bruikleen (The Vienna Vermeer, an exceptional loan). March 25 – June 26, 2005; Vienna, Kunsthistorisches Museum Maria Theresien-Platz. Vermeer: The Art of Painting. January 25 – April 25, 2010.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Astronomer",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly Adriaen Paets I, Rotterdam (?1669-d.1686); possibly his son, Adriaen Paets II, Rotterdam (1686-d.1712); sale, Rotterdam, April 27, 1713, lot 10, as 'Een stuk verbeeldende een Mathematis Konstenaar, door vander Meer' (A piece representing a Mathematical Artist, by vander Meer) or lot 11, 'Een dito door denzelven' (A ditto by the same) (sold together, 300 florins,); Hendrik Sorgh, Amsterdam (?1713-d.1720); sale, Amsterdam, Hendrik Sorgh Collection, March 28, 1720, lot 3 or 4 (sold together with the pendant, 160 florins,); Govert Looten, Amsterdam, (before d.1727); sale, Amsterdam, Govert Looten Collection, March 13, 1729, lot 6, as 'twee Astrologisten van de Delfze van der Meer, heerlyk en konstig geschildert' (two Astrologers by the Delft van der Meer, wonderfully and artfully painted) (sold together with pendant, 104 florins,); Jacob Crammer Simonsz, Amsterdam (by d.1778); sale, Amsterdam (Ph. van der Schley), Jacob Crammer Simonsz Collection, November 25, 1778, lot 18 (sold together with pendant, 172 florins, to De Vries); Jean-Étienne Fizeaux, Amsterdam (1778-d.1780); his widow, Amsterdam  (1780-?1785); [Pieter Fouquet, Amsterdam and Alexandre Joseph Paillet, Paris, 1784-1785]; Jan Danser Nijman, Amsterdam (?before 1794-d.1796); sale, Amsterdam, J. Danser Nijman Collection, August 16, 1797, lot 167 (sold separately, 270 florins,  to Gildemeester); Jan Gildemeester, Amsterdam (1797-d.1799); sale, Amsterdam (Ph. van der Schley), Jan Gildemeester Collection, June 11, 1800, lot 139 (340 florins, to Labouchère); sale, ?London, Michael Bryan Collection, May 9, 1804, lot 145a, as The Astronomer (£36 15s.); John Gibbons, near Birmingham (by 1820-28 or later); sale, place unknown, October 7, 1820, lot 31 (£35 14s., bought in); his brother?, William Gibbons; sale, London, June 18, 1857, lot 52, as A Philosopher (£53 11s. to [Henry?] Tate); sale, London (Christie's), 1863, lot 3; Léopold Double, Paris ; sale, Paris [Pillet et al.], Léopold Double Collection, May 30, 1881, lot 17 (44,500 francs to Gauchez); [Léon Gauchez, Paris; sold to Rothschild between 1881 and 1888]; Baron Alphonse de Rothschild, Paris (until d.1905); his son, Baron Edouard de Rothschild, Paris (1905-d.1949); (between November 1940 and 1945 confiscated for Hitler's intended museum in Linz); restored to owner in 1945, his son, Guy de Rothschild (1949-82); acquired in 1983 by the Musée du Louvre, Paris in 1983 (inv. RD 1983-28).\"",
   "Current Location": "Musée du Louvre  Paris  France  R.F. 1983-28  public.",
   "Date": "1668",
   "Image Link": "https://upload.wikimedia.org/wikipedia/commons/0/0e/Johannes_Vermeer_-_The_Astronomer_-_WGA24685.jpg",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "50 x 45 cm.. (19 5/8 x 17 3/4 in.)",
   "Signature": "Signed (on cabinet): IVMeer/ MDCLXVIII",
   "Literature": "\"Blankert  Albert. Vermeer. New York  1988  p.187.; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.148-152  197 (28).  Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 334-337.\"",
   "Exhibitions": "\"Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24 – November 28, 1966 (X and ill.); Frankfurt, Städelschen Kunstinstitut. Johannes Vermeer: der Geograph und der Astronom nach 200 Jahren wieder vereint. 1997 (2); Atlanta, The High Museum of Art. The Louvre and the Masterpiece. October 12, 2008 - September 6, 2009; Minneapolis, MN., Institute of Arts. The Louvre and the Masterpiece. October 18, 2009 - January 19, 2010; Budapest, Szépművészeti Múzeum, Budhapest. Rembrandt and the Dutch Golden Age. October 31, 2014 – February 15, 2015. Boston, Museum of Fine Arts. Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. October 11, 2015 – January 18, 2016; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 210 (3, ill.).  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 210 (3, ill.);   National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018, p. 210 (3, ill.).\"",
   "Other": "Hale claims not by Vermeer",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Geographer",
   "Additional Title": "The Astronomer",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly Adriaen Paets I, Rotterdam (?1669-d.1686); possibly his son, Adriaen Paets II, Rotterdam (1686-d.1712); sale, Rotterdam, April 27, 1713, lot 10, as 'Een stuk verbeeldende een Mathematis Konstenaar, door vander Meer' (A piece representing a Mathematical Artist, by vander Meer), or lot 11, as 'Een dito door denzelven' (A ditto by the same) (sold together for 300 florins,); Hendrik Sorgh, Amsterdam (?1713-d.1720); sale, Amsterdam, Hendrik Sorgh Collection, March 28, 1720, lot 3 or 4 (sold together with pendant for 160 florins,); Govert Looten, Amsterdam (before d.1727); sale, Amsterdam, Govert Looten Collection, March 31, 1729, lot 6, as 'twee Astrologisten van de Delfze van der Meer, heerlyk en konstig geschildert' (Two Astrologers by the Delft van der Meer, wonderfully and artfully painted) (sold together for 104 florins,); Jacob Crammer Simonsz, Amsterdam (by d.1778); sale, Amsterdam (Ph. van der Schley), Jacob Crammer Simonsz Collection, November 25, 1778, lot 19 (sold together with the pendant for 172 florins, to De Vries); Jean Etiènne Fizeaux, Amsterdam (1778-d.1780); his widow, Amsterdam (1780-?1785); [Pieter Fouquet, Amsterdam and Alexandre Joseph Paillet, Paris  1784-1785]; Jan Danser Nijman, Amsterdam (1797); sale , Amsterdam (Ph. van der Schley), J. Danser Nijman Collection, August 16, 1797, lot 168 (sold separately for 133 florins, to Josi); [Christian Josi, Amsterdam and London]; Arnoud de Lange, Amsterdam (?1797-d.1803); sale, Amsterdam (Ph. van der Schley), Arnoud de Lange Collection, December 12, 1803, lot 55 (360 florins, to Coclers); Johann Goll van Franckenstein Jr., Velzen and Amsterdam (before 1821); Pieter Hendrick Goll van Franckenstein, Amsterdam (before 1832); sale, Amsterdam [J. de Vries], Jonkheer J. Goll van Franckenstein Collection, July 1, 1833, lot 47 (195 florins, to Nieuwenhuys); [Christian johannes Nieuwenhuys, Brussels and London; sold to Dumont]; Alexandre Dumont, Cambrai (before 1860-1866; sold through Thoré-Bürger to Périere); Isaac Périere, Paris (1866-1872); sale, Paris [Pillet], Péreire Brothers Collection, March 6, 1872, lot 132 (17,200 francs 7200? Vries?); ?Max Kann, Paris (1872); [Sedelmeyer, Paris, about 1875; sold to Demidoff]; Prince Demidoff di San Donato, villa di Partolino, near Florence (before 1877-80); sale, San Donato, Demidoff Collection, March 15, 1880, lot 1124 ( £22 000, probably to Bösch); Adolf Joself Bösch, Döbling, Vienna (?1880-d.1884); sale, Vienna, Joseph Bösch Collection, April 28, 1885, lot 32 (AS 8,000, to Kohlbacher of the Frankfurter Kunstverein on behalf of the Städelsches Kunstinstitut); given on May 26, 1885, for DM 16,380, to the Städelsches Kunstinstitut, Frankfurt am Main (inv. 1149).\"",
   "Current Location": "Städelsches Kunstinstitut und Städtische Galerie  Frankfurt am Main  Germany  1149  public.",
   "Date": "1669",
   "Image Link": "https://sammlung.staedelmuseum.de/en/work/the-geographer",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/9/9b/Jan_Vermeer_-_The_Geographer.JPG",
   "material": "Oil on canvas",
   "Size": "53 x 46.6 cm.. (20 7/8 x 18 1/4 in.)",
   "Signature": "Signed (on cabinet): IVMeer; upper right: I.Ver Meer/ MDCLXVIIII",
   "Literature": "Blankert  Albert  et al. Vermeer. New York  1988  p.189.; Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock  Jr. November 12  1995 - February 11  1996  p.170-175 (16).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.148-152  197 (27). Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 327-329; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XVIII, pl. 28;",
   "Exhibitions": "\"Paris, Palais des Champs-Elysées. Exposition rétrospective tableaux anciens empruntés aux galeries particulières. 1866, p. 35 (106); Paris, Palais de la Présidence du Corps léegislatif. Exposés au profit de la colonisation de l'Algérie par les Alsaciens-Lorrains. 1874, p. 60 (332); Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 104 (87 and ill.); Paris, Sedelmeyer Gallery. Hundred Masterpieces. A Selection from the Pictures by Old Masters. 1914, p. 54 (25 and ill.); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 38 (87 and ill. 68); Washington D.C., National Gallery of Art. Johannes Vermeer. November 12, 1995–February 11, 1996, p. 170-175 (16, repro.); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1–June 2, 1996, p. 170-175 (16, repro.);  Frankfurt, Städelschen Kunstinstitut. Johannes Vermeer: der Geograph und der Astronom nach 200 Jahren wieder vereint. 1997 (1); Osaka, Osaka Municipal Museum of Art. The public and the private in the age of Vermeer. April 4 – July 2, 2000, p. 190-193 (35 and ill.); Kassel, Gemäldegalerie Alte Meister, Museumslandschaft Hessen. Johannes Vermeer: Der Geograph. Die Wissenschaft der Malerei (The geographer. The science of painting). February 14 – May 11, 2003; Rotterdam, Museum Boijmans Van Beuningen. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. October 23, 2004 – January 9, 2005; Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 - May 1, 2005; Aichi, Japan, Toyota Municipal Museum of Aichi. The Golden Age of Dutch and Flemish Painting from the Städel Museum. June 11 - August 28, 2011; Bilbao, Guggenheim. The Golden Age of Dutch and Flemish Painting from the Städel Museum. October 7, 2010 - January 23, 2011; Budapest, Szépművészeti Múzeum, Budhapest. Rembrandt and the Dutch Golden Age. October 31, 2014 – February 15, 2015; Frankfurt, Städel Museum, Frankfurt am Main. Masterworks in Dialogue. Eminent Guests for the Anniversary. October 7, 2015 – January 24, 2016; Frankfurt am Main, Germany. Masterpieces from the World’s Museums in the Hermitage. Hermitage, St. Petersburg. August 27- November 20, 2016; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 211 (no. 4, ill.);  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 211 (no. 4, ill.); National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018,  p. 211 (no. 4, ill.).\"",
   "Other": "\"possibly in 1696 sale with The Astronomer in the Rothschild Collection - one of the two \"pendants\"\"",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Lacemaker",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Probably Pieter Claesz van Ruijven, Delft (until d.1674); his widow, Maria de Knuijt, Delft (1674-d.1681); probably their daugher, Madgelena van Ruijven, Delft (1681-d.1682); her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 12, as 'Een Juffertje dat speldewerkt' (A Young Woman doing pinwork)(28 florins,); Jacob Crammer Simonsz, Amsterdam (before d. 1778); sale, Amsterdam (Ph. van der Schley), Jacob Crammer Simonsz. Collection, November 25, 1778, lot 17 (150 florins, to Nijman); Jan Danser Nijman, Amsterdam, (1778-before 1792); sale, Amsterdam (Ph. van der Schley), Jan Wubbels Collection, July 16, 1792, lot 213 (210 florins, to J. Spaan);( J. Schepens, January 21, 1811?); sale, Amsterdam (Ph. van der Schley), Hendrik Muilman Collection, April 12, 1813, lot 97 (84 florins, to Coclers); sale, Paris, A. Lapeyrière Collection, April 14, 1817, lot 50 (501 francs, to Coclers); sale, The Hague (J. de Vries), Anne Willem Carel, Baron van Nagell van Ampsen Collection, September 5, 1851, lot 40 (265 florins, to Lamme); Dirk Vis Blokhuyzen, Rotterdam (?1851-d.1869); sale, Paris [Pillet], Vis Blokhuyzen Collection, April 1, 1870, lot 40 (6000 francs or 1270 francs?, to Gauchez); [Léon Gauchez, Paris in 1870]; [Féral, Paris, 7,900 francs, to the Louvre in 1870]; Musée du Louvre, Paris (inv. M.I.1448).\"",
   "Current Location": "Musée du Louvre  Paris  France  M.I.1448  public.",
   "Date": "c. 1669-1670",
   "Image Link": "https://www.louvre.fr/en/oeuvre-notices/lacemaker",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/3/31/Johannes_Vermeer_-_The_Lacemaker_-_WGA24689.jpg",
   "material": "Oil on canvas",
   "Size": "24.5 x 21 cm.. (9 5/8 x 8 1/4 in.)",
   "Signature": "Signed upper right: IVMeer",
   "Literature": "\"Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock  Jr. November 12  1995 - February 11  1996  p.176-179 (17).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.153-155  197 (29).  Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XIV, pl. D;\"",
   "Exhibitions": "\"Rotterdam, Museum Boijmans-van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. July 9–October 9, 1935, p. 36-37 (ill. 65.); The Hague, Mauritshuis. In het licht van Vermeer. June 25–September 5, 1966 (7 and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. September 24–November 28, 1966 (8 and ill.); Paris, Musée du Petit Palais. Le siécle de Rembrandt. Tableaux hollandais des collections publiques françaises. November 17, 1970 – Febraury 15, 1971, p. 228-229 (222 and ill.); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 - May 1, 2005; Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 210 (29 and ill.); Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 194 (4, ill.).  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 194 (4, ill.);   National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018, p 194 (4, ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Love Letter",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly 1696 sale, A Lady to whom a Maid-Servant is Bringing a Letter, 70 florins; Pieter van Lennep, Amsterdam (?c.1810-1850); his daughter, Margaretha Catharina van Lennep, Amsterdam (1850-d.1891) (married Jan Messchert van Vollenhoven (d.1881) in 1850); J.F. van Lennep, Amsterdam (1892); sale, Amsterdam (Roos), Messchert van Vollenhoven/Van Engelenberg Collection, March 29, 1892, lot 14 (45,100 florins, to J. Ankersmit of the Vereniging Rembrandt); Vereniging Rembrandt, Amsterdam (1892-93); purchased by Rijksmuseum in 1893 with funds from Rembrandt Society (Vereniging Rembrandt) and Mr. J.F. van Lenneys (A 1595) (45,000 florins from State) (stolen September 24, 1971 and returned October 6, 1971).\"",
   "Current Location": "Rijksmuseum  Amsterdam  Netherlands  A 1595  public.",
   "Date": "c. 1669-70",
   "Image Link": "https://www.rijksmuseum.nl/en/vermeers-the-little-street-discovered/objects#/SK-A-1595,4",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/7/77/Johannes_Vermeer_-_The_Love_Letter_-_WGA24693.jpg",
   "material": "Oil on canvas",
   "Size": "44 x 38.5.cm.. (17 3/8 x 15 1/8 in.)",
   "Signature": "Signed (on the wall, above the basket): IVMeer",
   "Literature": "\"Wheelock  Jr.  Arthur K. Jan Vermeer. London  1981  p.140.; Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comps. Frederik Duparc and Arthur Wheelock  Jr. November 12  1995 - February 11  1996  p.180-185 (18).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.156-159  197 (30).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 266.\"",
   "Exhibitions": "\"Amsterdam, Arti et amicitiae. Katalogus der tentoonstelling van schilderijen van oude meesters. 1867, p. 18 (113); The Hague. 1890 p. 56 (116); Amsterdam, Arti et Amicitiae. \"Rembrandt.\" Vereeniging tot behoud in Nederland van Kunstschatten. 1892 ( unpaginated, no. A.); Amsterdam, Rijksmuseum.  Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. October 21 – November 3, 1935, p. 30 (169); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibition of Dutch Pictures of Seventeenth Century. 1954 (86 and ill.); Rome, Palazzo delle Esposizioni. Le XVII siècle Européen. Réalisme classique baroque. December 1956 - January 1957, p. 245-246 (310 and pl. 27); London, Victoria and Albertum Museum. The Orange and the Rose. Holland and Britain in the Age of Observation 1600-1750. 1964, p. 44 (74 and ill. 5.); Stockholm, Nationalmuseum. Holländska mästare. I svensk ägo. 1967, p. 26 (ill. 9); Brussels, Palaeis voor Schone Kunsten. Rembrandt en zijn tijd. 1971, p. 132-133 (112 and ill.); Amsterdam, Rijksmuseum. Tot lering en vermaak. Betekenissen van Hollande genrevoorstellingen uit de zeventiende eeuw. 1976, p. 268-271 (71, and ill.); Madrid, Museo Nacional del Prado. Vermeer y el interior holandés. February 19 – May 18, 2003, p. 182-183 (39 and ill.); Dublin, National Gallery of Ireland. Love letters: Dutch genre painting in the age of Vermeer. October 1 – December 31, 2003 (38, fig. 55, repro. 181); Frankfurt, Städelsches Kunstinstitut und Städtische Galerie. Senses and Sins: Dutch Painters of Daily Life in the Seventeenth Century. February 10 – May 1, 2005; Melbourne, National Gallery of Victoria. Dutch Masters from the Rijksmuseum. June 24 – October 20, 2005; Rome, Galleria d'arte antica di Palazzo Barberini. Una Lettera d'amore dall'Olanda: Vermeer a Palazzo Barberini. April 27 – June 18, 2006; Amsterdam. 125 grote liefdes. Met steun van de Vereniging Rembrandt Van Goghmuseum. October 2, 2008 – January 18, 2009; Vancouver, Art Gallery. Vermeer, Rembrandt and the Golden Age of Dutch Art: Masterpieces from the Rijksmuseum. May 9 - September 13, 2009; Paris, Pinacothèque de Paris. The Dutch Golden Age: From Rembrandt to Vermeer. October 7 2009 – February 7, 2010; Doha, Museum of Islamic Art. The Golden Age of Dutch Painting, Masterpieces from the Rijksmuseum. March 11 – June 6, 2011; St Petersburg, New Hermitage. Love Letter by Vermeer. From the collection of the Rijksmuseum, Amsterdam. In the Masterpieces from the World`s Museums in the Hermitage series. Italian Cabinet (233). October 14 – November 6, 2011; Istanbul, Sakip Sabanci Museum in Istanbul. Where Darkness Meets Light...Rembrandt and his Contemporaries. February 21 – June 10, 2012;  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017 p. 228 (no. 3, ill.); National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018, p. 228 (no. 3, ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Lady Writing a Letter with her Maid",
   "Additional Title": "The \"Billet Doux\" ",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"The artist's widow, Catharina Bolnes (1675-76); on January 27, 1676, given with another painting as security for a debt of 617 florins along with Lady Playing a Guitar to Van Buyten; Hendrik van Buyten, Delft (1676-d.1701); Josua van Belle, Rotterdam (before 1710); his widow, Catharina van der Meyden, Rotterdam (1710-29); sale, Rotterdam, Josua van Belle Collection, September 6, 1730, lot 92 (155 florins); Franco van Bleyswijck, Delft (d.1734); inherited by Catharina van der Burch (wife of Hendrick van Slingeland), The Hague (1734-61); inherited by one of their daughers, either Maria Catharina van Slingelandt, The Hague (1761-71) or Agatha van Slingelandt, The Hague (1761-75); ?Barthout van Slingelandt, Dordrecht (1771-98) or Willem Bentinck, The Hague (1775-98); Viktor von Miller zu Aichholz, Vienna (before 1881); sold to Sedelmeyer, Paris; [Sedelmeyer, Paris, 60,000 francs, sold to Secrétan in 1881]; E. Secrétan, Paris (1881-89); sale, Paris [Boussod], July 1, 1889, lot 140 (62,000 francs, to Boussod, Valadon and Co.); Marinoni collection, Paris; [Kleinberger, Paris]; Alfred Beit, London (c. 1895-1906); Sir Otto Beit, Bt, London (1906-30); Lady Beit, London ; her son, Sir Alfred Beit, 2nd Bt, London and (from 1952) Blessington, Ireland; Sir Alfred Beit Collection  Russborough, Ireland; stolen in 1986 and returned in 1993 at the Antwerp airport; bequeathed by Beit to National Gallery of Ireland, Dublin in 1987 (inv.4535).\"",
   "Current Location": "National Gallery of Ireland  Dublin  Ireland  public.",
   "Date": "c. 1670",
   "Image Link": "https://www.nationalgallery.ie/art-and-artists/highlights-collection/woman-writing-letter-her-maid-johannes-vermeer",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/4/44/Woman_writing_a_letter%2C_with_her_maid%2C_by_Johannes_Vermeer.jpg",
   "material": "Oil on canvas",
   "Size": "71.1 x 58.4 cm.. (28 x 23 in.)",
   "Signature": "Signed right center (on the front of the table): IVMeer",
   "Literature": "\"Washington  National Gallery of Art. Johannes Vermeer [trav. exh.]. Comp. Frederik Duparc and Arthur K. Wheelock  Jr. November 12  1995- February 11  1996  p. 186-189 (19); Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.   -    198 (31).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 276.\"",
   "Exhibitions": "\"Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 102 (86); Paris, Sedelmeyer Gallery. Hundred Masterpieces. A Selection from the Pictures by Old Masters. 1914, p. 48 (22 and ill.); London, Royal Academy of Arts. Exhibition of Dutch Art, 1450-1900. 1929, p. 148-149 (314); Amsterdam, Rijksmuseum. Vermeer tentoonstelling ter herdenking van de plechtige opening van het Rijksmuseum op 13 july 1885. 1935, p. 28 (164); Rotterdam, Museum Boijmans Van Beuningen. Vermeer, oorsprong en invloed. Fabritius, de Hooch, de Witte. 1935, p. 35-36 (82 and ill.); London, Royal Academy of Arts. Catalogue of the Exhibition of the King's Pictures. 1938, (1: 106, no. 253, 2: 62, ill. 253.); Cape Town, Nationale Kunstmuseum.  Skilderye van ou Meesters uit de Beit- Versameling. 1949, p. 2 and 13 (35); New York, The Metropolitan Museum of Art. Dutch Painting: The Golden Age. An Exhibition of Dutch Pictures of Seventeenth Century. 1954; The Hague, Mauritshuis. In het licht van Vermeer. June 25 – September 5, 1966 (X and ill.); Paris, Musée de l'Orangerie. Dans la lumière de Vermeer. 1966 (XI and ill.); Washington D. C., National Gallery of Art. Johannes Vermeer. November 12, 1995 – February 11, 1996, p. 186-189 (19, repro.); The Hague, National Gallery of Art. Johannes Vermeer. March 1 – June 2, 1996, p. 186-189 (19, repro.); Dublin, National Gallery of Ireland. Love letters: Dutch genre painting in the age of Vermeer. October 1 –  December 31, 2003 (39, fig. 59, repro 187.); Greenwich, CT, Bruce Museum of Arts and Science. Love Letters: Dutch Genre Paintings in the Age of Vermeer. January 30, 2004 – May 1, 2004 (39, fig. 59, repro 187 and ill.); Kyoto, Municipal Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. June 25 – October 16, 2011, p. 132 (43 and ill.); Sendai, Japan, Miyagi Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. October 27, 2011 – December 12, 2011, p. 132 (43 and ill.); Tokyo, The Bunkamura Museum of Art. Communication: Visualizing Human Connection in the Age of Vermeer in Japan. December 23 – March 14, 2012, p. 132 (43 and ill.);  Masterworks in Dialogue. Eminent Guests for the Anniversary. Städel Museum, Frankfurt, Germany.  October 7, 2015- January 24, 2016; Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 120 (5, ill.).  National Gallery of Ireland, Ireland. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. June 14- September 17, 2017, p. 120 (5, ill.;  National Gallery of Art, Washington D.C.  Vermeer and the Masters of Genre Painting: Inspiration and Rivalry.  October 22, 2017 – January 21, 2018, p. 120 (5, ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Allegory of Faith",
   "Additional Title": "Allegory of the New Testament; Allegory of the Catholic Faith",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "\"Neer, Eglon van der (1635 or 1636-1703) [bought as such by Dmitry Shchukin in 1899; recorgnized as by Vermeer after a restoration in the Mauritshuis\"",
   "Provenance": "\"Possibly commissioned by Michiel or Otto van der Dussen; Herman Stoffels van Swoll, Amsterdam (until d.1698); sale, Amsterdam, Herman Stoffels van Swoll Collection, April 22, 1699, lot 25, as 'Een zittende Vrouw met meer beteekenisse  verbeeldende het Nieuwe Testament' (A seated Woman rich in meaning, representing the New Testament) (400 florins); sale, Amsterdam, July 13, 1718, lot 8 (500 florins); sale, Amsterdam, April 19, 1735, lot 11 (53 florins); [David Ietswaart, until 1749]; sale, Amsterdam, David Ietswaart Collection, April 22, 1749, lot 152, as ''Een Dame in haar kamer, in haar devotie, met veel uitvoerig bywerk, door de delfse van der Meer, zo goed als Eglon vander Neer' (A Lady in her Room, in prayer, with many detailed accessories, by the Delft van der Meer, as good as Eglon vander Neer) (70 florins, to Ravensberg); possibly in a private collection, Austria (in 1824); Dmitri Shchukin, Moscow (1899, probably as by Eglon van der Neer); [Wächtler, Berlin, 1899 (as by Eglon vander Neer) (700 DM, to Bredius)]; Dr. Abraham Bredius, The Hague (1899-1928 (as by Vermeer) on loan to Mauritshuis, The Hague (1899-1923) and to Boymans Museum, Rotterdam (1923-28), sold to Kleinberger); [Kleinberger, Paris, 1928; sold $300,000 to Friedsam]; Michael Friedsam, New York (1928-d.1931); Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931 (acc. no. 32.100.18).\"",
   "Current Location": "Metropolitan Museum of Art  New York  New York  United States  32.100.18  public.",
   "Date": "c. 1670-72",
   "Image Link": "https://www.metmuseum.org/art/collection/search/437878",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/1/19/Johannes_Vermeer%2C_Allegory_of_the_Catholic_Faith%2C_The_Metropolitan_Museum_of_Art.jpg",
   "material": "Oil on canvas",
   "Size": "114.5 x 89 cm.. (45 x 35 in.)",
   "Signature": "",
   "Literature": "\"New York  Metropolitan Museum of Art. European Paintings in the Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue [cat.]. Comp. Katherine Baetjer  1995  p.336.; New York  Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke  et al. March 8 - May 27  2001  p.399-402 (77).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.162-165  198 (32).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 304; http://metmuseum.org/exhibitions/view?exhibitionId=%7b4318132f-0779-46f5-a12c-54823e3da1b2%7d&oid=437877&pos=1&ft=*.\"",
   "Exhibitions": "\"New York, The Metropolitan Museum of Art. The Michael Friedsam Collection. November 15, 1932 – April 9, 1933, no catalogue; Delft, Stedelijk Museum 'Het Prinsehof'. Prisma der bijbelse kunst. May 17 –August 12, 1952, p. 216-217 (324 and ill.); Dallas, Museum of Art. Trompe l'Oeil: Paintings that Fool the Eye by Masters from Vermeer to Dali. October 10 – 30, 1953; Washington, National Gallery of Art.  Johannes Vermeer. November 12, 1995 – February 11, 1996 (20); The Hague, Royal Cabinet of Paintings Mauritshuis. Johannes Vermeer. March 1 –  2, 1996 (20); New York, The Metropolitan Museum of Art.  Vermeer and the Delft School. March 8 – May 27, 2001 (77); London, National Gallery. Vermeer and the Delft School. June 20 – September 16, 2001 (77); New York, The Metropolitan Museum of Art. The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art. September 18, 2007 – January 6, 2008, no catalogue; New York, The Metropolitan Museum of Art. Vermeer's Masterpiece 'The Milkmaid'. September 9 – November 29, 2009 (10); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 218 (50 and ill.); Budapest, Hungry, Szépművészeti Múzeum. Rembrandt and the Dutch Golden Age. October 31, 2014- February 15, 2015; Paris. Musée du Louvre. \"Vermeer et les maîtres de la peinture de genre,\" February 22–May 22, 2017, no. 81.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Young Woman Standing at a Virginal",
   "Additional Title": "A Young Lady at the Virginals",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly the painting cited as 'A work with a young woman playing on the virginal with other motifs by Vermeer,' in the collection of Diego Duarte, Antwerp, 1682 (sold by 1691); or possibly 'A Young Woman Playing on the Clavecin' in sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 37 (42 florins); possibly 'A young woman playing the clavecin by Vermeer' in the estate of the widow of Nicolaes van Assendelft (1630-92), Delft, 1711; possibly 'A clavecin player in a room, by Vermeer of Delft, artfully painted,' in an Amsterdam sale July 11 1714 (recorded in Hoet 1752-70, col. 1, p. 176, lot 12 (55 florins); sale, Amsterdam (Ph. van der Schley), Jan Danser Nijman Collection, August 16, 1797, lot 169, as 'A young woman standing to play a clavecin; on the wall hang paintings; very fine in execution' (49 florins (19- Vries?), to Bergh); possibly in the collection of Edward Solly, Berlin and London, before 1844 (not in sale, London, Edward Solly Collection, May 8, 1847); sale, London, Edward William Lake Collection, July 11, 1845, lot 5 (15 guineas, to Farrer); J.T. Thorn; sale, London, J.T. Thorn Collection, May 2, 1855, lot 22 (14 1/2 Guineas, to Grey); Théophile Thoré-Bürger (Etienne Joseph Théophile Thoré), Paris (before 1866-d.1869); inherited from him by the Lacroix family (Mde. Lacroix), Paris (1869-92); sale, Paris, Théophile Thoré-Bürger Collection, December 5, 1892, lot 20 (29,000 francs, to [Bourgeois Frères, Paris, and/or Lawrie & Co., London in 1892]); purchased in 1892 by the National Gallery (2400?), London (inv. 1383).\"",
   "Current Location": "National Gallery  London  England  1383  public.",
   "Date": "c. 1670-72",
   "Image Link": "https://www.nationalgallery.org.uk/paintings/johannes-vermeer-a-young-woman-standing-at-a-virginal",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/3/3d/Jan_Vermeer_van_Delft_-_Lady_Standing_at_a_Virginal_-_National_Gallery%2C_London.jpg",
   "material": "Oil on canvas",
   "Size": "52 x 45 cm.. (20 3/8 x 17 3/4 in.)",
   "Signature": "Signed (on the side of the virginal): IVMeer",
   "Literature": "\"New York  Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke  et al. March 8 - May 27  2001  p.402-406 (78).; Sale  London. Edward Solly Collection. May 8  1847.; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.166-171  197 (33). Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XIX, pl. 30;\"",
   "Exhibitions": "\"London, Royal Academy of Arts. Exhibition of Works by Old Masters and by Deceased Masters of British School. 1894, p. 22 (93); Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 102 (85); London, Burlington Fine Arts Club. Exhibition of Pictures by Dutch Masters of Seventeenth Century. 1900, p. 24 (15); London, The National Gallery. Brown, Christopher. Art in Seventeenth-Century Holland. 1976, p. 93 (117 and ill.); Modena, Italy, Galleria Estense. Vermeer. La ragazza alla spinetta e i pittori di Delft. April 15 – July 15, 2006, p. 134-135 (18); Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 206 (27 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 -  January20, 2013, p. 224 (51 and ill.); London, National Gallery. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013, p. 65 (22 and ill.)",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "Young Woman Seated at a Virginal",
   "Additional Title": "\"A Young Lady Seated at the Spinet, A Girl at the Spinet\"",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly the painting cited as 'A work with a young woman playing on the virginal with other motifs by Vermeer,' in the collection of Diego Duarte, Antwerp, 1682 (sold by 1691); or possibly 'A Young Woman Playing on the Clavecin' in sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 37 (42 florins); possibly 'A young woman playing the clavecin by Vermeer' in the estate of the widow of Nicolaes van Assendelft (1630-92), Delft, 1711; possibly 'A clavecin player in a room, by Vermeer of Delft, artfully painted,' in an Amsterdam sale of 1714 (recorded in Hoet 1752-70, col. 1, p. 176, lot 12 (55 florins); reportedly in the collection of Lothar Franz von Schönborn (1655-1729), Elector of Mainz and Archbishop of Bamberg, Schloss Weissenstein, Pommersfelden; Count von Schönborn, Pommersfelden (said to have been in the lost catalogue of 1746); sale, Paris, Graf Schönborn-Pommersfelden Collection, following May 17, 1867, lot 78 (2,000 francs, to Thoré); Théophile Thoré-Bürger (Etienne Joseph Théophile Thoré), Paris (1867-d.1869); inherited from him by the Lacroix family, Paris (1869-1892); sale, Paris, Théophile Thoré-Bürger Collection, December 5, 1892, lot 32 (25,000 francs, to Sedelmeyer; [Sedelmeyer, Paris, in 1892-93]; [Lawrie & Co., London, in 1893]; [T. Humphry Ward, London, 1894]; George Salting, London (before 1898-d.1910); National Gallery, London, Salting Bequest, 1910 (inv. 2568).\"",
   "Current Location": "National Gallery  London  England  2568  public.",
   "Date": "c. 1670-72",
   "Image Link": "https://www.nationalgallery.org.uk/paintings/johannes-vermeer-a-young-woman-seated-at-a-virginal",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/5/55/Lady_Seated_at_a_Virginal%2C_Vermeer%2C_The_National_Gallery%2C_London.jpg",
   "material": "Oil on canvas",
   "Size": "51.5 x 45.5 cm.. (20 1/4 x 17 7/8 in.)",
   "Signature": "Signed (to the right of the woman's head): IVMeer",
   "Literature": "\"New York  Metropolitan Museum of Art. Vermeer and the Delft School [trav. exh.]. Comps. Walter Liedtke  et al. March 8 - May 27  2001  p.402-406 (79).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.167-171  198 (34).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 274.\"",
   "Exhibitions": "\"London, Royal Academy of Arts. Exhibition of Works by Old Masters and by Deceased Masters of British School. 1894, p. 22 (93); Paris, Sedelmeyer Gallery. Illustrated catalogue of 300 Paintings by Old Masters of Dutch, Flemish, French, and English School Being Some of the Principal Pictures Which Have at Various Times Formed Part of Sedelmeyer Gallery. 1898, p. 102 (85); London, Burlington Fine Arts Club.  Exhibition of Pictures by Dutch Masters of Seventeenth Century. 1900, p. 24 (15); London, The National Gallery. Brown, Christopher. Art in Seventeenth-Century Holland. 1976, p. 93 (117 and ill.); Modena, Italy, Galleria Estense. Vermeer. La ragazza alla spinetta e i pittori di Delft. April 15 – July 15, 2006, p.  134-135 (18); Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 – January 15, 2012, p. 206 (27 and ill.); London, The National Gallery. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013, p. 70 (25 and ill.); Louvre Museum, Paris. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. February 22–May 22, 2017, p. 137 (no.2, ill.).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "The Guitar Player",
   "Additional Title": "A Lady Playing the Guitar",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly the artist's widow, Catharina Bolnes (1675-76); possibly given by her as a security on January 27, 1676 to Hendrick van Buyten; possibly Pieter van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1674-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1682); possibly her widower, Jacob Abrahamsz Dissius, Delft (1682-d. 1695); sale, Amsterdam, Jacob Dissius Collection, May 16, 1696, lot 4, as 'Een speelende Juffrouw op een Guiteer, heel goet' (A Young Woman playing on the Guitar, very good) (70 florins); ?Jan Danser Nijman, Amsterdam, (before 1794); Henry Temple, 2nd Viscount Palmerston, London (1794-d.1802); his son, Henry John Temple, 3rd Viscount Palmerston, London and Broadlands, Hampshire (1802-d.1865); his stepson, William Francis Cowper-Temple, 1st Baron Mount Temple, Broadlands, Hampshire (1865-d.1888); his nephew, (Anthony) Evelyn Melbourn Ashley (in 1888; sold to Agnew); [Thos. Agnew Gallery, London, 1888-1889; sold to Guinness); Edward Cecil Guinness, (from 1919) Earl of Iveagh, London (1889-d.1927); bequeathed by him in 1917 or 1927 as The Iveagh Bequest, Kenwood House, London (inv. 88028841); stolen February 24-25, 1974; returned May 8, 1974.\"",
   "Current Location": "Iveagh Bequest  London  England  88028841  public.",
   "Date": "1671-1672",
   "Image Link": "https://www.english-heritage.org.uk/visit/places/kenwood/history-stories-kenwood/history/collections/",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/7/70/Jan_Vermeer_van_Delft_013.jpg",
   "material": "Oil on canvas",
   "Size": "53 x 46.3 cm.. (20 7/8 x 18 1/4 in.)",
   "Signature": "",
   "Literature": "\"Blankert  Albert et al. Vermeer. New York  1988  p.192 (28).; Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.172-174  198 (35).; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 275.\"",
   "Exhibitions": "\"London, Royal Academy. An Exhibition of the Old Masters, Associated with Works of Deceased Masters of the British School. 1871 (266, as \"The Lute Player\" lent by LR. T. Hon. W. Cowper-Temple); London,  Royal Academy. Exhibition of Works by the Old Masters and by Deceased Masters of the British School including a Collection of Watercolour Drawings, Studies, and Sketches from Nature. 1892 (46, as \"The Lute Player\", lent by Lord Iveagh); The Hague, Mauritshuis. In het licht van Vermeer. June 25 - September 5, 1966 (VIII); London, The National Gallery. July, 2012 – 2013. London, The National Gallery. Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 -  September 8, 2013, p. 68 (24 and ill.)\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675)",
   "Title": "A Young Woman Seated at the Virginals",
   "Additional Title": "A Girl at the Spinet",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Possibly Pieter van Ruijven, Delft (until d.1674); possibly his widow, Maria de Knuijt, Delft (1764-d.1681); possibly their daughter, Magdalena van Ruijven, Delft (1681-d.1862); possibly her widower, Jacob Abrahamsz Dissius, Delft (1682-d.1695); sale, Amsterdam, May 16, 1696, lot 37, as 'Een Speelende Juffrouw op de Clavecimbael van dito [Vermeer]' (A Young Woman Playing on the Clavecin by ditto [Vermeer]) (42 florins); probably Wessel Ryers; sale, Amsterdam, W. Reyers Collection, September 21, 1714, lot 93 (30 florins, to Gruyter); Alfred Beit, London (1890s?; by 1904); his brother, Sir Otto Beit, London (in 1906); Lady Beit, London (until 1934); her son, Alfred Beit, Blessington, Ireland (until 1960); [Marlborough Fine Art, London, in 1960]; Baron Frédéric Rolin, Brussels (1960-d.2002); his heirs; sale, London (Sotheby's), Old Master Paintings, July 7, 2004, lot 8 (£16,245,600, Wynn); Steve Wynn, Las Vegas; Thomas Kaplan, [Leiden Gallery, New York (by December 2008)].\"",
   "Current Location": "Leiden Gallery  New York  New York  United States  private.",
   "Date": "c. 1670-1672",
   "Image Link": "https://www.theleidencollection.com/artwork/young-woman-seated-at-a-virginal/",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/2/2b/Vermeer_-_A_young_Woman_seated_at_the_Virginals.jpg",
   "material": "Oil on canvas",
   "Size": "25 x 20 cm.. (9 7/8 x 7 7/8 in.)",
   "Signature": "",
   "Literature": "\"Liedtke  Walter. Vermeer: The Complete Paintings. Ghent  2008  p.175-177  198 (36).; Kinsella  Eileen. \"Steve Wynn Buys a Vermeer and Other Major Works\". ARTnewsletter XXX  17 (2005) (accessed online September 2009) http://artnewsletter.artnews.com/ArchivedIssues.aspx?id=123]; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. 68.\"",
   "Exhibitions": "\"London, Burlington Fine Arts Club. Burlington Fine Arts Club, Winter Exhibition, “Catalogue of a Collection of Pictures, Decorative Furniture and Other Works of Art”. 1907, p. 4 (13, lent by Otto Beit);  Philadelphia, Philadelphia Museum of Art. A Young Woman Seated at the Virginals by Johannes Vermeer. August 11, 2004 –March 1, 2005; Tokyo, Metropolitan Art Museum. Vermeer and the Delft Style. August 2 – December 14, 2008, p. 190-192 (31 and ill.); New York, Metropolitan Museum of Art. Vermeer and the Delft Style. 2009; Norfolk, Virginia, Chrysler Museum of Art. Johannes Vermeer \"A Lady Writing\". June 1, 2010 – January 1, 2011; Cambridge, England, The Fitzwilliam Museum. Vermeer’s Women: Secrets and Silence. October 5, 2011 –January 15, 2012 (28 and ill.); Rome, Scuderie del Quirinale. Vermeer. Il secolo d’oro dell’arte olandese. September 27, 2012 – January 20, 2013, p. 220 (51 and ill.); London, The National Gallery.  Vermeer and Music: Love and Leisure in the Dutch Golden Age. June 26 – September 8, 2013; Raleigh, North Carolina, North Carolina Museum of Art. Small Treasures: Rembrandt, Vermeer, Hals and their Contemporaries. October 12, 2014 - January 4, 2015; Dallas, Dallas Museum of Art. Vermeer Suite: Music in 17th-Century Dutch Painting. January 17 - August 21, 2016; Beijing.  National Museum of China. Rembrandt and His Time: Masterpieces from The Leiden Collection.  June 17 - September 3, 2017.\"",
   "Other": "Vries thinks that it is pseudo-Vermeer",
   "FIELD17": ""
 },
 {
   "Artist": "Esaias Boursse (1631-1672)",
   "Title": "Boy Blowing Soap-Bubbles",
   "Additional Title": "",
   "Personal Name": "\"Boursse, Esaias (1631-1672); Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"Sale, Amsterdam, Roos Collection, 1820 (74 florins, to Kerkhof); sale, Amsterdam, Ch. Haas Collection, 1824; Suermondt-Ludwig Museum, Aachen\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://commons.wikimedia.org/wiki/File:E._Boursse_Bellenblazers.gif",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 567 (45); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 607; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 364; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 218; Museum cat. Berlin (Deutsches) Museum. 1945, p. 216, fig. 3.\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jan de Brajj (1627-1697) (attributed to)",
   "Title": "Boy with White Shirt",
   "Additional Title": "",
   "Personal Name": "\"Braij, Jan de (1627-1697); Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"Private collection, A. Reyer; [Harry B. Yotnakparian, New York City]; sale, New York (Christie's), Old master paintings including important paintings from the Nelda C. and H.J. Lutcher Stark Foundation and the Roman Catholic Diocese of Brooklyn, May 25, 2005, lot. 33.\"",
   "Current Location": "",
   "Date": "Third quarter 17th century (1650-1674)",
   "Image Link": "https://www.mutualart.com/Artwork/Portrait-of-a-boy-in-a-white-shirt/B31CCD9A4F84009D",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "51 x 39 cm. (20 x 15.5 in.)",
   "Signature": "",
   "Literature": "\"Portrait of a Boy in a White Shirt, attributed to Jan de Braij.\" RKD Netherlands Institute for Art History. 2014 [Accessed October 24, 2016] https://rkd.nl/en/explore/images/record?filters%5Bkunstenaar%5D=Vermeer%2C+Johannes&query=&start=17\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Henricus Antonius (Han) van Meegeren (1889 - 1947)",
   "Title": "Girl with Blue Bow",
   "Additional Title": "Bust Portrait of a Young Girl",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"Ch. E. Carruthers, Somerset; sale, London (Christie's), March 23, 1924, lot 62 ; A.F. Reyre, London; Mrs. Louis F. Hyde, Glens Falls, New York; bequeathed by Mrs. Hyde to the Hyde Collection, Glens Falls, New York.\"",
   "Current Location": "Hyde Collection  Glens Falls  New York  United States  private.",
   "Date": "",
   "Image Link": "https://emuseum.hydecollection.org/objects/76/girl-with-blue-bow?ctx=25e40990-9faa-4ad0-bdf4-01712d39ff9c&idx=0",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "40 x 35 cm. (15 3/4 x 13 3/4 in.)",
   "Signature": "",
   "Literature": "\"Borenius, Tancred. \"Old Masters at the Ver Meer Gallery.\" The Burlington Magazine for Connoisseurs. 66.387 (1935): 298; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 162 (37);  Loan Exhibition of Great Paintings: Five Centuries of Dutch Art. Montreal: Art Association of Montreal, 1944. p. 86; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 85 (20); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XXII (36);\"",
   "Exhibitions": "\"London, Vermeer Gallery. Old Masters. 1935; Rotterdam, Boymans Museum. Vermeer: His Origins and His Influence. July 9 - October 9, 1935 (88) (lent by A.F. Reyre); Montreal. 1944 (79) (lent by Mrs. Louis F. Hyde)\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Pieter de Hooch (1629-1684)",
   "Title": "Card Players",
   "Additional Title": "A Game of Cards; Two soldiers playing cards",
   "Personal Name": "\"Hooch, Pieter de (1629-1684); Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"Sale, Amsterdam, November 24, 1806 (300 florins); Sale, London (Christie's), 1819 (£115 pounds: 10 sterling, to Woodburn); Sale, Paris (Hôtel Drouot), Van Cuyck Collection, February 7, 1866, lot 47 (1,060 francs); sale, Paris (Hôtel Drouot), Auguoit Collection, March 1-2, 1875, lot 12; Henri Péreire, Paris; bequeathed to his son, Alfred Péreire, Paris; gustave Péreire, Paris; Wildenstein and Company, New York; Private collection, Switzerland (1984)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://www.wikidata.org/wiki/Q20010850#/media/File:Pieter_de_Hooch_-_Soldiers_Playing_Cards_-_WGA11685.jpg",
   "Secondary Image Link": "https://useum.org/artwork/Two-soldiers-playing-cards-and-a-girl-filling-a-pipe-Pieter-de-Hooch",
   "material": "Oil on panel",
   "Size": "51 x 45.75 cm. (20 x 18 in)",
   "Signature": "Signed (initials on back of chair)",
   "Literature": "Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 550 (12); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 36 (13); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 548-49, 606 (264); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 363; Misme, C. Gazette des Beaux-Arts 15 (June 1927): 372-74; Valentiner, W.R. \"Pieter de Hooch.\" Klassiker der Kunst (1929): 269-70;  Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 216.",
   "Exhibitions": "\"Philadelphia, Philadelphia Museum of Art. Masters of Seventeenth Century Dutch Genre Painting. 1984, p. 218 (2)\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Han van Meegeren (1889-1947)",
   "Title": "Christ and the Adulteress ",
   "Additional Title": "Christ with the Woman Taken in Adultery",
   "Personal Name": "\"Meegeren, Han van (1889-1947); Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "This must be the phony Vermeer which Van Meegeren passed off on Goring; given by (Hermann) Goring to a servant-maid. Alois Miedl September 1943 to Hermann Goering, barter exchange 137 paintings",
   "Current Location": "Museum de Fundatie (long-term loan from the Netherlands Institute for Cultural Heritage)",
   "Date": "1942",
   "Image Link": "https://www.museumdefundatie.nl/en/explore-the-collection/object/?pagina=0&id=0&vervaardigers=&techniek=&datums=&query=van+meegeren",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "96 x 87 cm. (37 3/4 x 34 5/8 in.) ",
   "Signature": "",
   "Literature": "\"Time Magazine. (August 20 - September 15, 1945); En Guardia 4. no. 9 (1945): 39; Coremans, Paul B. Van Meegeren's Faked Vermeers and De Hooghs. Amsterdam: J. M. Meulenhoff, 1949, p. 5, 9, 12, 13, 16, 18, 19, 22, 28-29, 37; Wallach. De Echte van Meegeren. 1947, p. 97-98; Kilbracken, John Raymond Godley, Baron. The Master Forger: the story of Han van Meegeren. New York: W. Funk, 1950, p. 171-72, 180-96.  Dolnick, Edward.  The Forger's Spell, 2008. p. 84.\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Han van Meegeren (1889-1947)",
   "Title": "Christ at Emmaus",
   "Additional Title": "",
   "Personal Name": "Meegeren, Han van (1889-1947); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Planted in the attic of an old French family by the artist, to create the provenance of a Vermeer; Art market, The Netherlands (as Vermeer) in 1937; D.A. Hoogendijk and Company (1938) (as Vermeer); sold, in 1938, to the Boymans Museum, Rotterdam, later renamed the Boymans-Van Beuningen Museum (as Vermeer) until the deception was discovered in 1945\"",
   "Current Location": "",
   "Date": "c. 1937",
   "Image Link": "https://www.boijmans.nl/en/collection/artworks/101464/the-men-at-emmaus",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/2/21/EmmausgangersVanMeegeren1937.jpg",
   "material": "Oil on canvas",
   "Size": "117 x 129 cm. (46 x 50 3/4 in.) ",
   "Signature": "",
   "Literature": "Bredius, A. \"An Unpublished Vermeer.\" Burlington Magazine 61 (October 1932): 145; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 86 (2); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XXIII (40); Dantzig, M.M. van. \"Pictology: an Analytical Method for Attribution and Evaluation of Pictures.\" in Johannes Vermeer: de \"Emmausgangers\" en de critici. Leiden: A.W. Sijhoff, 1947, p. 43-48.",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Pieter de Hooch (1629-1684) (attributed to)",
   "Title": "Concert Party of Four Persons",
   "Additional Title": "",
   "Personal Name": "Hooch, Pieter de (1629-1684); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Collection of Kurt, Berlin (1861)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "91.5 x 122 cm. (36 x 48 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 553 (24); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 37 (27); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 519-20, 606 (163); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 364; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 217.\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Conversation Piece",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Private Collection, The Netherlands",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "63 x 51 cm. (24 3/4 x 20 in.)",
   "Signature": "",
   "Literature": "\"Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 213\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Reyer Jacobsz. Van Blommendael (1628-1675)",
   "Title": "Diana and Her Nymphs, Resting after the Hunt",
   "Additional Title": "",
   "Personal Name": "Blommendael, Reyer Jacobsz. van (1628-1675); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675); Loo, Jacob van (1614-1670); Bor, Paulus (1601-1669); Verschoor, Willem (1620/40-1678)\"",
   "Provenance": "\"[William B. Paterson, London (as Vermeer)]; [Sackville Gallery, London, in 1911 (as Vermeer or Paulus Bor)]; Collection MJ Spiller, England (1939); [Walter Paech, Amsterdam];[H. van der Ploeg, The Hague/Amsterdam, in 1952 (as Paulus Bor)]; E.A. Smulders van Heer Janspolder, Hong Kong (1998)\"",
   "Current Location": "",
   "Date": "1662-1675",
   "Image Link": "https://rkd.nl/en/explore/images/record?query=Reyer+Jacobsz.+van+Blommendael&start=5",
   "Secondary Image Link": "http://www.artnet.com/artists/reyer-jacobsz-van-blommendael/diana-and-her-nymphs-after-the-chase-KE6C0a6bcJKPvJ7Bx8QT7g2",
   "material": "Oil on canvas",
   "Size": "122.5 x 162.5 cm. (48 1/4 x 64 in.)",
   "Signature": "",
   "Literature": "\"Fry, R. 'Diana and her nymphs.' The Burlington Magazine XIX (1911): 206-11; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 220; \"Diana and her nymphs, resting after a hunt, by Reyer Jacobsz. van Blommendael.\" RKD Netherlands Institute for Art History. 2014 [Accessed June 13, 2019] https://rkd.nl/en/explore/images/record?query=Reyer+Jacobsz.+van+Blommendael&start=5",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Natus (1658-1662)",
   "Title": "Drinking and Smoking Group at a Table at a Yard (Drinkend en rokend gezelschap aan een tafel op een erf)",
   "Additional Title": "",
   "Personal Name": "Natus, Johannes (1658-1662); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Private collection, Geneva (1941) (as Vermeer); sale, London (Sotheby's), Old Master Paintings, November 26, 1999, lot. 33; [Johny Van Haeften, London, 2002-2004]; sale, New York (Christie's), Old master paintings, Renaissance, old master & early British drawings & watercolors, January 30-31, 2013, lot 304.\"",
   "Current Location": "",
   "Date": "1658-1662",
   "Image Link": "https://rkd.nl/en/explore/images/record?query=Johannes+Natus&start=2",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/2/2b/Natus%2C_Johannes_-_Two_men_and_a_woman_drinking_and_smoking_at_a_table_outside_a_house.jpg",
   "material": "Oil on canvas",
   "Size": "83.5 x 74.7 cm. (32 4/5 x 29 2/5 in.)",
   "Signature": "",
   "Literature": "\"Old master paintings, Renaissance, old master & early British drawings & watercolors, by Johannes Natus.\" RKD Netherlands Institute for Art History. 2014 [Accessed June 13, 2019] https://rkd.nl/en/explore/images/record?filters%5Bkunstenaar%5D=Vermeer%2C+Johannes&query=&start=4\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Disasterous Landscape",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Collection of W. Burger",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "28 x 38 cm. (11 x 15 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 573 (66)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Artist",
   "Title": "Dutch Room",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Kaiser Freidrich Museum, Berlin (?)",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, ill. opposite p. 40\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Entrance to the Woods",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Museum of Bale",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "38 x 30.5 cm. (15 x 12 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 573 (67)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Entrance to the Woods",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Gallery of Count Czernin, Vienna",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "56 x 45.7 cm. (22 x 18 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 571-72 (61)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Pieter de Hooch (1629-1684)",
   "Title": "Family in the Courtyard of a House",
   "Additional Title": "Group portrait of an unknown family or company",
   "Personal Name": "Hooch, Pieter de (1629-1684); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675); Gerard ter Borch (1617-1681)",
   "Provenance": "\"Count Lamberg (1821); presented to Academy of Fine Arts, Vienna (as Terburg)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.akademiegalerie.at/de/Sammlung/Bildinformation/?image_name=77&active_image=20&GALLERY_ORDER=11,110,92,102,37,63,13,113,56,68,70,60,93,16,89,23,79,64,28,20,77,6,74,87,98,12,42,59,49,4,33,10,26,46,84,15,100,91,78,88,83,47,94,104,22,31,107,96,44,35,108,43,19,40,66,36,53,9,24,82,55,30,67,97,14,32,95,85,7,106,111,112,90,86,65,51,21,99,17,27,80,2,18,61,81,50,103,75,45,58,105,73,39,1,38,57,54,5,101,71,3,52,34,72,76,109,69,48,41,25,29,62,8&mode=28&ART_Name=0&&ARTIST_Name=&GENRE_Name=&opener=http://www.akademiegalerie.at/de/Sammlung/Virtuelle%20Galerie/&final=",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/f/fb/Pieter_de_Hooch_013.jpg",
   "material": "Oil on canvas",
   "Size": "115.6 x 97.8 cm.. (45 1/2 x 38 1/2 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 550-51 (13); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 36 (14); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 565-66, 606 (321); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 363; Catalogue of the Vienna Academy. 1927, p. 209-211 (715); Brière-Misme, C. Gazette des Beaux Arts. July-August 1927, p. 56, 57-58; Valentiner, W.R. \"Pieter de Hooch.\" Klassiker der Kunst series. 1929, p. 269; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 216; Catalogue of Exhibition. \"Chefs-d'oeuvre des Musée de Vienne\". Palais des Beaux-Arts, Brussels, April - June 1947, p. 24 (55); Exhibition catalogue. Art Treasures from the Vienna Collections. National Gallery of Art, Washington. 1949-1950, p. 22 (46).\"",
   "Exhibitions": "\"Brussels, Palais des Beaux-Arts. Masterpieces of the Vienna Museums. 1947 (55); Amsterdam, 1947 (78); Paris, 1947-1948 (91); Stockholm, 1948 (60); Copenhagen, 1948-1959 (79); London 1949 (80); Washington, New York, Chicago, San Francisco, 1949-1950) (46) (lent by the Academy of Fine Arts, Vienna)\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Constantijn van Renesse (1626-1680)",
   "Title": "Family Group ",
   "Additional Title": "A Painter's Studio",
   "Personal Name": "Renesse, Constantijn van (1626-1680); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675); Rijn, Rembrandt van (1606-1669)\"",
   "Provenance": "\"May be a family portrait listed in the estate of Constantijn Jacob Renesse (1781) (which, however, indicated a group of seven figures, whereas there are only five in the present group, unless two other faces are completely hidden in the darkened background); first mentioned as in the Czernin Gallery in 1821; Gallery of Count Czernin, Vienna (132)\"",
   "Current Location": "",
   "Date": "c. 1651",
   "Image Link": "https://www.pubhist.com/w15636",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "123 x 111.75 cm. (52 x 44 in.)",
   "Signature": "",
   "Literature": "\"Bockh, P.A. Merwurdigkeiten der Haupt und Residenzstadt Wien. 1821 (as Rembrandt); Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 546 (4); Vosmaer, Carel. Rembrandt: Sa Vie et ses Oeuvres. 1877 p. 296; Havard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 35 (4); Frimmel, Theodor von. Blatter fur Gemaldekunde 6. (October 1904): 98; Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 606; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 342-43, 363; Falck. Jarbuch der Preuszischen Kunstammlungen 45. (1924): p. 200; Thieme and Becker. Allgemeines Lexikon der Bildenden Kunstler 28. (1934): 160; Wilczek. Katalog der Graf Czernin'schen gemaldegalerie in Wien. 1936, p. 73 (132); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 216\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jacob Martsen (1580-after 1630) (attributed to)",
   "Title": "Family Portrait Right, \"Let the children come to me\"",
   "Additional Title": "",
   "Personal Name": "Martsen Jacob (1580-after 1630); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675); Mijtens, Jan (1614-1670)",
   "Provenance": "\"Private collection of Joosstens, The Hague; sold by them to an English museum in 1910 (as Vermeer); Private collection of GMF Joosstens, The Hague (1969) (as J. Mijtens); Private collection of MGLTh. Joosstens (1969) (as Jan Mijtens); Private collection, The Netherlands (2007-09)\"",
   "Current Location": "",
   "Date": "c. 1620",
   "Image Link": "https://rkd.nl/en/explore/images/record?query=Jacob+Martsen&start=2",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "75 x 103 cm. (29 1/2 x 40 1/2 in.)",
   "Signature": "",
   "Literature": "\"Family Portrait Right, 'let the children come to me,' attributed to Jacob Martsen.\" RDK Netherlands Institute for Art History. 2014 [Accessed June 13, 2019] https://rkd.nl/en/explore/images/record?filters%5Bkunstenaar%5D=Vermeer%2C+Johannes&query=&start=18",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Field",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Rijn, Rembrandt van (1606-1669)",
   "Provenance": "Collection of M. Brentano, Frankfurt-am-Main",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "45.7 x 91.45 cm. (18 x 36 in)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 573 (68)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "\"Dutch School, 17th century, Anonymous\"",
   "Title": "Figure Studies",
   "Additional Title": "",
   "Personal Name": "Dutch School, 17th century, Anonymous; Vermeer, Johannes (1632-1676)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Private collection of Johan Quirijn of Regteren Altena, Amsterdam (1980); Private collection of heirs of Johan Quirijn of Regteren Altena, The Netherlands (1980 - 2014); sale, Amsterdam (Christie's), The I.Q. van Regteren Altena collection, part II : Dutch and Flemish drawings from 1500 to 1900, December 10, 2014, lot 185\"",
   "Current Location": "",
   "Date": "18th century",
   "Image Link": "https://rkd.nl/en/explore/images/record?filters%5Bobjectcategorie%5D%5B0%5D=drawing&query=johannes+vermeer&start=4",
   "Secondary Image Link": "",
   "material": "Paper and pen in black ink",
   "Size": "18.8 x 29 cm. (7 2/5 x 11 2/5 in.)",
   "Signature": "",
   "Literature": "\"I.Q. van Regeteren Altena. \"Een jeugdwerk van Johannes Vermeer.\" Oud Holland 85 (1960): 191, ill. 10, as a study by Vermeer for a lost painting of Saint Francis dating from the beginnings of the artist; \"Figure Studies, by Anonymous, Dutch School, 17th century.\" RKD Netherlands Institute for Art History. 2015-10-21 [Accessed June 13, 2019] https://rkd.nl/en/explore/images/record?filters%5Bobjectcategorie%5D%5B0%5D=drawing&query=johannes+vermeer&start=4\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Olivier van Deuren (1666-1714)",
   "Title": "The Geographer",
   "Additional Title": "The Astronomer",
   "Personal Name": "Deuren, Olivier van (1666-1714); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675); 19th century Immitator of Vermeer",
   "Provenance": "\"Collection of Lord....; sale, Paris, MM. Péreire Collection, March 6, 1872, lot 133 (4,000 francs,); sale, Antwerp, Edouard Kums Collection, May 17-18, 1898, lot 114 (8,500 francs,); Vicomte du Bus de Gisignies, Brussels; inherited by his son-in-law, Comte de Renesse; from whom acquired jointly by René Gimpel, Paris, and Edouard Jonas, Paris and New York (by 1929); sold by Mr. Jonas in January 1936 to E. John Magnin, New York (d.1944); his gift to the Fine Arts Museums of San Francisco, San Francisco, California (75.18.15).\"",
   "Current Location": "",
   "Date": "17th–18th century",
   "Image Link": "https://rkd.nl/en/explore/images/record?query=Olivier+van+Deuren&start=2",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "48.7 x 36.8 cm. (19 x 14 1/2 in.)",
   "Signature": "\"Signed (in inscription, upper left corner of the map) and dated 1665 (on right-hand page of the book propped against the globe)\"",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 560 (35); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 38 (38); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 583-84 (4); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 334-37; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 125-30 (19); Larsen, Erik. Jan Vermeer. Firenze: Octavo, 1996, p.124 (A17)\"",
   "Exhibitions": "Almost identical to Cornelis de Man, The Geographer, \"The geographer, ca. 1668-1680, attributed to Cornelis de Man.\" RKD Netherlands Institute for Art History. 2014. [Accessed June 13, 2019]. https://rkd.nl/en/explore/images/251362\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (imitator of of)",
   "Title": "Girl in a Blue Dress and Yellow Cloak",
   "Additional Title": "",
   "Personal Name": "Unknown Artist; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Paul Cassirer, Berlin sold to Thyssen-Bornemisza",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XQeigYhKh3h",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Girl in a Blue Dress and Yellow Cloak, by an unknown immitator of Vermeer.\" Essential Vermeer. 2001-2016 [Accessed October 26, 2016] http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (copy of)",
   "Title": "copy of A Girl Reading a Letter",
   "Additional Title": "",
   "Personal Name": "Hooch, Pieter de (1629-1684); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Hooch, Pieter de (1629-1684)",
   "Provenance": "\"Vincent L. Bradford, Philadelphia; included in the collection of paintings he gave to Washington and Lee University, Lexington, Virginia (as Pieter de Hooch)\"",
   "Current Location": "Washington and Lee University  Lexington  Virginia  United States  31  public.",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "61 x 45.75 cm.. (24 x 18 in.)",
   "Signature": "",
   "Literature": "Catalogue of Oil Paintings bequeathed by Vuincent L. Bradford. Lexington, Virginia: Washington and Lee University, n.d. ",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Girl Pouring Wine",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Sackville Gallery, London",
   "Current Location": "",
   "Date": "c. 1650",
   "Image Link": "Image can be found in The Burlington Magazine for Connoisseurs, Volume 15, page 247- https://books.google.com/books?id=3sw-AQAAMAAJ&pg=PR7&lpg=PR7&dq=sackville+gallery+girl+pouring+wine&source=bl&ots=Et7ZRbF9oj&sig=ACfU3U33TcWAm5DQ2dVLtxB5-geQVvtHcA&hl=en&sa=X&ved=2ahUKEwieg_6EmefiAhUPmeAKHaCTDp0Q6AEwBnoECAkQAQ#v=onepage&q=sackville%20gallery%20girl%20pouring%20wine&f=false",
   "Secondary Image Link": "",
   "material": "Oil on canvas,",
   "Size": "31 x 25 in ",
   "Signature": "Signed with initials, I and M intertwined ",
   "Literature": "Holmes, C.J. Burlington Magazine. June 1909 v. 15, p. 186; Holmes, C.J. Burlington Magazine, July 1909, v. 15, p. 246.  Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 220",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Hendrick van der Burch  (1627-approx. 1666)",
   "Title": "A Graduation Ceremony at the University of Leyden about 1650",
   "Additional Title": "Procession at the Gateway of Leyden University on Degree-Day",
   "Personal Name": "Burch, Hendrick van der (1627-approx. 1666); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675); Hooch, Pieter de (1629-1684)",
   "Provenance": "\"Sale, Rotterdam, H. Verdonck collection, September 30, 181, as J. ten Oever; sale, Amsterdam, P. van Romondt collection, May 11, 1835, lot 13, as Jan Vermeer of Delft; J.H. Langeveld, Voorhout; bought from him, in 1915, for the Rijksmuseum, Amsterdam (660: B2).\"",
   "Current Location": "Rijksmuseum  Amsterdam  Netherlands  660: B2  public.",
   "Date": "c. 1650",
   "Image Link": "https://upload.wikimedia.org/wikipedia/commons/2/2a/A_graduation_ceremony_at_Leiden_University_about_1650%2C_by_Hendrick_van_der_Burgh.jpg",
   "Secondary Image Link": "https://www.rijksmuseum.nl/en/search/objects?q=Hendrick+van+der+Burch%2c+leyden&p=1&ps=12&st=Objects&ii=1#/SK-A-2720,1",
   "material": "Oil on canvas",
   "Size": "71.75 x 58.8 cm.. (28 1/4 x 23 1/4 in.)",
   "Signature": "Signed lower center (on the parapet): HVB",
   "Literature": "\"Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 604 (52); Hofstede de Groot, Cornelis. Oud-Holland 29. pts. 3-4 (1921): 125; Valentiner, W.R. \"Pieter de Hooch (with Supplement on the genre painters of his circile and on the art of Hendrik van der Burch).\" Klassiker der Kunst. 1929, p. 292; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 221; Catalogue of Paintings. Rijksmuseum. Amsterdam: Rijksmuseum, 1960, p.64 (660 B2).\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jan Steen (1625/1626-1679)",
   "Title": "Old Man and Young Woman Playing the Harpsichord",
   "Additional Title": "The Harpsichord Lesson",
   "Personal Name": "Steen, Jan (1685-1750); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Sale, Paris, Randon de Boisset collection, February 27, 1777, lot 129 (1200 francs,); sale, Paris, Duc de Praslin collection, February 18, 1793 (1310 francs,); sale, Amsterdam, B. de Bosch collection, March 10, 1817, lot 19; sale, London, General Phipps collection, 1859 (£225: 15 s., to Mawson); Collection of Sir Richard Wallace, Marquess of Hertford, London , inv./cat.nr P154\"",
   "Current Location": "",
   "Date": "1660-1669",
   "Image Link": "https://rkd.nl/en/explore/images/record?query=The+Harpsichord+Lesson&start=0",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "37.4 x 48.4 cm. (14 1/2 x 19 in.)",
   "Signature": "Signed",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 551 (15); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 36 (16); Catalogue. Wallace Collection. London: 1901 (154); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 107, 606 (412); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 363-64; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 216. \"Jan Steen, Old man and young woman playing the harpsichord, ca. 1666-1669\" RKD Netherlands Institute for Art History. 2014. [Accessed June 13, 2019].\" https://rkd.nl/en/explore/images/record?query=The+Harpsichord+Lesson&start=0\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Head of a Girl",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"[Edward Hutton, London, in 1931 (name not used on mount)]; presumably now in a Swedish Collection, but still for sale, January 1957.\"",
   "Current Location": "unlocated.",
   "Date": "1652 ",
   "Image Link": "https://digitalcollections.frick.org/digico/#/",
   "Secondary Image Link": "http://nyarc-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/dlDisplay.do?vid=01NYARC&search_scope=01NYARC_EVERYTHING&docId=01NYARC_III.b11020520&fn=permalink",
   "material": "Oil on canvas",
   "Size": "49.53 x 39.37 cm.. (19 1/2 x 15 1/2 in.)",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Ludolf de Jongh (1616-1679) (attributed to)",
   "Title": "The Huntsman's Rest",
   "Additional Title": "",
   "Personal Name": "Jongh, Ludolf de (1616-1679); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Musée du Louvre, Paris (?)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 213\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jacobus Vrel (1654-1670)",
   "Title": "An Interior of a Beguine Convent",
   "Additional Title": "Interior of a Cloister",
   "Personal Name": "Vrel, Jacobus (1654-1670); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Collection of Etienne Joseph Théophile Thoré, sometimes, Thoré-Bürger, (pseudonym Willem Bürger)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 569 (53); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 39 (54); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 365; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 218, ",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "An Interior of a Beguine Convent",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Sale, Amsterdam, Reydon collection, 1827; Collection of Collection of Etienne Joseph Théophile Thoré, sometimes, Thoré-Bürger, (pseudonym Willem Bürger)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "36 x 29 cm.. (14 1/5 x 11 2/5 in.)",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 569 (52); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 39 (53)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Gerard Thomas (1663-1720) (manner/circle of)",
   "Title": "Interior with a Man feeling the Pulse of a Woman, a Dentist beyond",
   "Additional Title": "",
   "Personal Name": "Thomas, Gerard (1663-1720); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Private collection Benjamin C. Smith, Paisley (Scotland), 1925 - reported c. 1925\"",
   "Current Location": "",
   "Date": "18th century",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "oil on canvas",
   "Size": "50.8 x 76.2 cm.;",
   "Signature": "",
   "Literature": "https://rkd.nl/explore/images/266747",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jacobus Vrel (active 1654-1662)",
   "Title": "Street",
   "Additional Title": "An Interior of a Town",
   "Personal Name": "Vrel, Jacobus (active 1654-1662); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Hooch, Pieter de (1629-1684)",
   "Provenance": "\"Owned, some years before 1866, by the son of the dealer and art critic John Smith, London; sale, Brussels, Son of Count Cornet de Ways Ruart collection, April 22, 1868, as Vermeer (1000 francs, to Sedelmeyer); sale, Paris, Tabourier collection, June 18, 1898, as Vermeer (3,650 francs); sale, Amsterdam, Boreel collection, July-August-September 1907, as signed work by J. Vrel; sale, Amsterdam (Mueller), Hoogendyk et al. collections, April 28-29, 1908, called \"La Ruelle\"; bought at this sale by John G. Johnson, on the recommendation of Roger Fry; Johnson Art Collection, Philadelphia\"",
   "Current Location": "Philadelphia Museum of Art, Philadelphia, John G. Johnson Collection, 1917, Cat. 542",
   "Date": "Mid- 17th century",
   "Image Link": "https://www.philamuseum.org/collections/permanent/102333.html?mulR=1849596643|1",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "48.9 x 41.9 cm.. (19 1/4 x 16 1/2 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 570 (57); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 565 (319); Valentiner, W.R. Art in America 18 (1929): 91; Régnier, Gérard. Gazette des beaux-arts 71 (1968): 270.\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jacobus Vrel (active 1654-1662)",
   "Title": "A Street Scene with a Bakery",
   "Additional Title": "A Street Scene; Corner of a Town with a Bakery; An Interior of a Town",
   "Personal Name": "Vrel, Jacobus (active 1654-1662); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Estate of M. de Gruyter, Amsterdam; Christoph Raaben Ruhl, Cologne (1876) (as Jan Vermeer of Delft); sale, Cologne, Ruhl collection, May 15-18, 1876 (as Jan Vermeer of Delft); later collections not known; a lost picture; Dr. Hans Wetzlar, Amsterdam; sale, Amsterdam (Sotheby Mak van Waay B.V.), The late Dr. Hans Wetzlar collection, June 9, 1977, lot 125 (450,000 florins)\"",
   "Current Location": "",
   "Date": "c. 1660",
   "Image Link": "https://en.wikipedia.org/wiki/Jacob_Vrel#/media/File:Vrel1.jpg",
   "Secondary Image Link": "",
   "material": "",
   "Size": "35.56 x 27.94 cm. (14 x 11 in.)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. Annuaire des Artistes. 1862, p. 293; Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 570-71 (56, 58); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 36 (58); Valentiner, W.R. \"Pieter de Hooch.\" Klassiker de Kunst. 1929, p. XXXV; Idem. Art in America 17 (February 1929): 92;  Brière-Misme, C. Revue de l'Art Ancien et Moderne 68 (November 1935): 112-3; Cat. exh. Kunstchatten: Twee Nederlandse collecties Schildrijen. Singer Museum, Laren. June 14 - August 16, 1959 (87); Cat. exh. Fra Rembrandt til Vermeer. Nasjonalgallerie, Oslo. October 9 - December 6, 1959 (87); Cat. exh. La Vie en Hollande au XVIIe Siècle. Musée des Arts Décoratifs, Paris. January 11 - March 20, 1967 (41).\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Han van Meegeren (1889-1947)",
   "Title": "Jesus Teaching in the Temple",
   "Additional Title": "",
   "Personal Name": "Meegeren, Han van (1889-1947); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Painted in two months, in front of six official witnesses, by Hasn van Meegren, to support his claim that he was the painter of the supposed Vermeer \"Christ at Emmaus\" in the Boymans Museum; possibly owned by the government of the Netherlands.",
   "Current Location": "",
   "Date": "c. 1945",
   "Image Link": "https://upload.wikimedia.org/wikipedia/commons/0/04/Jesus_unter_den_Schriftgelehrten_von_Han_van_Meegeren.jpg",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "",
   "Signature": "",
   "Literature": "\"llustrated London News. November 3, 1945, p. 500-501\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (imitator of)",
   "Title": "The Lacemaker",
   "Additional Title": "La Dentellière",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Captain Harold R. Wright, London and Bremen, Germany (1927); [Duveen Brothers, New York (sold to Mellon, in 1927)]; Andrew W. Mellon, Washington D.C. (1927); included in the collection that he presented to the nation as the U.S. National Gallery of Art, Washington D.C. in 1937 (1937.1.54).\"",
   "Current Location": "National Gallery of Art, Washington DC, United States, Andrew W. Mellon Collection, 1937.1.54, public.",
   "Date": "c. 1925",
   "Image Link": "https://www.nga.gov/collection/art-object-page.61.html",
   "Secondary Image Link": "https://commons.wikimedia.org/w/index.php?search=File%3AThe+Lacemaker+%28Fake+Vermeer%29.jpg&title=Special:Search&profile=advanced&fulltext=1&advancedSearch-current=%7B%7D&ns0=1&ns6=1&ns12=1&ns14=1&ns100=1&ns106=1#/media/File:The_Lacemaker_(Fake_Vermeer).jpg",
   "material": "Oil on canvas",
   "Size": "44.5 x 40 cm.. (17 1/2 x 15 3/4 in.)",
   "Signature": "",
   "Literature": "\"Ficci, Seymour de. Gazette des beaux-arts 16 (December 1927): 305-10; New York Herald Tribune. April 6, 1935. p. 8; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 135-36 (24); Art News 35 (March 20, 1937): 15; Letter dated October 15, 1937. Library of Congress, Washington; Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 89-90 (31); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XXII-XXIII (38)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (manner of)",
   "Title": "A Lady in a Blue Hat",
   "Additional Title": "Lady with a Blue Hat",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Sale, Amsterdam, Frederik Muller et al., 1890-1900 (as School of Rembrandt); [Paul Cassirer, Berlin (sold to Thyssen-Bornemiza)]; Baron Heinrich Thyssen-Bornemiza; his daughter, Countess Marget Batthyany; Castle Rohoncz Collection Castagnola, Switzerland until the mid 1950s; Municipality of Lugano.\"",
   "Current Location": "Municipality of Lugano  Lugano  Switzerland  public.",
   "Date": "",
   "Image Link": "",
   "Secondary Image Link": "A color image that looks the same but is uncertain: https://meegeren.net/index.php/fake",
   "material": "Oil on canvas",
   "Size": "23.5 x 21.3 cm. (9 3/8 x 8 1/8 in.)",
   "Signature": "",
   "Literature": "Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 89 (30); Plietzsch, Eduard. Vermeer van Delft. Munich: Bruckmann, 1939; Trautscholdt, Eduard. \"Review of Vermeer van Delft by Plietzsch.\" Pantheon 25 (January 1940): 22; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XXII (37); Cat. Aus der Sammlung Stiftung Schloss Rohoncz. Villa Favorita, Catagnola-Lugano, Switzerland. 1949, p. 76 (261); Goldscheider, Ludwig. Jan Vermeer the Paintings: with Introduction Catalogue List of Attributions. London: Phaidon, 1958, p. IX.; Larsen, Eric. Jan Vermeer. Fierenze: Octavo, 1996, p.122 (A12).",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Han van Meegeren (1889-1947)",
   "Title": "Lady and Gentleman at the Harpsichord",
   "Additional Title": "Lady and Gentleman Talking; Lady and Gentleman at the Spinet",
   "Personal Name": "Meegeren, Han van (1889-1947); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"Private collection, Holand (1932); [J. Tersteeg, The Hague]; [D. Katz, Dieren (Rheden) (1932)]; Fritz Mannheimer, Amsterdam; Stichting Nederlands Kunstbezit, Netherlands (inv./cat.nr NK 3255 1946); Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague (inv./cat.nr NK 3255); whereabouts unknown, no more cat. Netherlands Institute (1992).\"",
   "Current Location": "",
   "Date": "1934-1938",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_two.html#.XQFFzb57ncs",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "63 x 51 cm. (24 3/4 x 20 in.)",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (copy of)",
   "Title": "Lady with a Guitar",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"1696 sale, M. de Gruyter, Amsterdam, Cremer Collection, Brussels, Lord Iveagh's Collection, Henry Bischoffsheim, London; Gooden, London (1896); John G. Johnson, Philadelphia, Pennsylvania; Johnson Art Collection, Philadelphia; John G. Johnson Collection, Philadelphia Museum of Art (497).\"",
   "Current Location": "John G. Johnson Collection  Philadelphia Museum of Art  Philadelphia  Pennsylvania  United States  497  public.",
   "Date": "",
   "Image Link": "https://www.philamuseum.org/collections/permanent/102282.html?mulR=2013828767|5",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/8/88/After_Vermeer_-_Lady_with_a_Guitar_cat497.jpg",
   "material": "Oil on canvas",
   "Size": "69.22 x 43.18 cm.. (20 1/4 x 17 in.)",
   "Signature": "",
   "Literature": "\"Lucas, E.V. Vermeer of Delft. London: Methuen, n.d. p. 35; Gallatin, A.E. American Magazine of Art 8 (August 1907): 389, 390 (10); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co. 1907, p. 593-94 (26); Cat. Hudson Fulton Celebration. Metropolitan Museum of Art, New York. 1909, p. 140 (139); Connoisseur 22 (November 1908): 145; Burlington Magazine 16 (January 1910): 246; Burlington Magazine 18 (December 1910): 133; Catalogue of J.G. Johnson Collection. vol 2. 1913, p. 94, 95 (497); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 267-70; American Magazine of Art 8 (August 1917): 390; International Studio 82 (November 1925): 128; Burlington Magazine 52 (January 1928): 41; The Art Digest 2 (February 1, 1928): 1-8; The Art News. January 21, 1928. p. 1-8; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937. p. 144-46 (29); Catalogue of Flemish and Dutch Paintings. John G. Johnson Collection. 1972, p. 90-91; New York Times. February 26, 1974;\"",
   "Exhibitions": "\"New York, Metropolitan Museum of Art. Hudson Fulton Celebration. 1909 (139).\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jan Vermeer van Haarlem II (1628-1691)",
   "Title": "Cattle in a Landscape",
   "Additional Title": "Landscape with Cows",
   "Personal Name": "Vermeer van Haarlem, Jan, II (1628-1691); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Nationalmuseum, Stockholm (inv./cat.nr NM 509)",
   "Current Location": "",
   "Date": "1671-1705",
   "Image Link": "http://collection.nationalmuseum.se/eMP/eMuseumPlus?service=direct/1/ResultListView/result.t1.collection_list.$TspTitleImageLink.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=3&sp=SdetailList&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=2",
   "Secondary Image Link": "https://rkd.nl/en/explore/images/252772",
   "material": "Oil on panel",
   "Size": "23.6 x 28.9 cm. (9 3/10 x 11 2/5 in.)",
   "Signature": "",
   "Literature": "Görel Cavalli-Björkman, Dutch and Flemish Paintings II, Dutch paintings c. 1600 - c. 1800, Stockholm 2005., s. 290; https://rkd.nl/en/explore/images/252771 ",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Landscape with Dunes",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Collection of M. Blokhuyzen, Rotterdam",
   "Current Location": "",
   "Date": "",
   "Image Link": "< questionable???",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 573 (70)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Landscape, in the genre of Ruisdael",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Estate of M. Gzell, Vienna",
   "Current Location": "",
   "Date": "1660-1670 (?) ",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 573-74 (71)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Artist",
   "Title": "The Lesson",
   "Additional Title": "",
   "Personal Name": "Unknown Artist; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "National Gallery, London (?)",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913 (ill. opposite p. 66)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Dirk Jan van der Laan (1759-1829)",
   "Title": "The Little Street",
   "Additional Title": "",
   "Personal Name": "Laan, Dirk Jan van der (1759-1829); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "",
   "Current Location": "",
   "Date": "1792",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XQFRvr57nct",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Lot and His Daughters",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Hertz Collection, Hamburg",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings.  Boston: Hale, Cushman & Flint, 1937, p. 213\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Charles Hutin (1715-1776)",
   "Title": "A Maidservant Resting in a Hall",
   "Additional Title": "A Dutch Servant Resting",
   "Personal Name": "Hutin, Charles Francois (1715-1776); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "W.A. Coats, Dalskairth, Dumfries; sale, London (Christie's), W.A. Coats collection, June 10, 1927, lot 140 (as Vermeer) (£199, 10s., to Smith); appears to have later been in the collection of Jósef Potocki, Warsaw, and was one of the pictures carried away by the German Occupation authorities, during the years 1939-1945.",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.artnet.com/artists/charles-fran%C3%A7ois-hutin/une-servante-assoupie-QiZnS778DDfABhwYOaefxw2",
   "Secondary Image Link": "http://www.artnet.com/artists/charles-fran%C3%A7ois-hutin/une-servante-assoupie-QiZnS778DDfABhwYOaefxw2",
   "material": "Oil on canvas",
   "Size": "73.66 x 54.61 cm.. (29 x 21 1/2 in.)",
   "Signature": "Forged Vermeer signature (on wall, upper right above chair)",
   "Literature": "\"\"Art Prices Current.\" New Series 6 (1926-1927): 364; Cat. Catalogue of Paintings Removed from Poland by the German Occupation Authorities During the Years 1939-1945. Part 1: Foreign Paintings. ed. W. tomkiewicz. Publications of the Reparations Section, Ministry of Culture and Art. 1950, p. 29 (51)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Artist",
   "Title": "Magdalen at the Foot of the Cross",
   "Additional Title": "Praying Virgin",
   "Personal Name": "Unknown Artist; Vermeer, Johannes (1632-1675) ",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Collection of Nicolas Horton - Major F.H. Fawkes, Otley, Yorkshire England",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "154 x 135 cm. (60 5/8 x 54 in)",
   "Signature": "",
   "Literature": "\"Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 209-10; http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs [accessed June 13, 2019]. ",
   "Exhibitions": "\"Exhibited in Manchester, England, 1934; Rotterdam, Boymans Museum, Vermeer and other Dutch masters (79a)\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Anonymous (17th century Dutch School)",
   "Title": "A Man Reading",
   "Additional Title": "A Man Reading in the Open Air",
   "Personal Name": "Dutch School, 17th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675); Casteleyn, Casper (?), Jan Baptist Weenix?",
   "Provenance": "Collection Naper, Loughcrew Castle, Loughcrew, County Meath, before 1800; inherited by William Lenow Naper (1879-1942), Loughcrew Castle, Loughcrew, County Meath; sold to the dealer D.A. Hoogendijk, Amsterdam, through the mediation of the dealer Rudolf Holzapfel Ward, London, 1933; the dealer D.A. Hoogendijk, ca. 1933-1940;…; collection Hendricus Egbertus ten Cate (1868-1955), Almelo;…; the dealer Katz, Dieren; sold to Baldur Benedikt von Schirach (1907-1974), Vienna, through the mediation of the dealer Goudstikker/ Miedl, Amsterdam, 1941;…; Kunsthistorisches Museum, Vienna, 1941;…; ? purchased by Hermann Göring; war recuperation, Stichting Nederlands Kunstbezit, 29 March 1946 (inv. no. NK 2305);{Provenance from 1933 to 1945 reconstructed by Ekkart et al. 2006; Yeide 2009, p. 444, no. C89; MCCP website, file card no. 20121.} transferred from the Dienst voor 's Rijks Verspreide Kunstvoorwerpen, to the Rijksmuseum, 1960",
   "Current Location": "",
   "Date": "c. 1660",
   "Image Link": "https://www.rijksmuseum.nl/en/collection/SK-A-4019",
   "Secondary Image Link": "https://www.geheugenvannederland.nl/en/geheugen/view/een-lezende-man-anoniem?query=Lezende+man&page=1&maxperpage=36&coll=ngvn&period=1635%2C1685&json_actions%5B%5D=facets&identifier=RIJK01%3ASK-A-4019",
   "material": "Oil on canvas",
   "Size": "85 x 66.5 cm.. (34.45 x 26 in.)",
   "Signature": "https://www.rijksmuseum.nl/en/search/objects?q=Een+lezende+man&f=1&p=1&ps=12&principalMaker=anonymous&f.dating.period=17&st=Objects&ii=2#/SK-A-4018,2",
   "Literature": "Vries, A.B. de. Jan Vermeer de Delft. Amsterdam: J. M. Meulenhoff, 1939, p. 67, 91 (34); Plietzsch, Eduard. Vermeer van Delft. Munich: Bruckmann, 1939; Trautscholdt, Eduard. \"Review of Vermeer van Delft by Plietzsch.\" Pantheon 25 (January 1940): 22; Welker, A. \"Jan Vermeer or Jan Casteleyn?.\" Oud-Holland 61. Issue 1 (1946): 152; Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XXI (34).   https://rkd.nl/explore/images/25007.",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Dirck van Delen (1604 or 1605-1671)",
   "Title": "A Musical Company",
   "Additional Title": "A Merry Company in a Room; A musical company in a Renaissance hall",
   "Personal Name": "Delen, Dirck van (1604 or 1605-1671); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Sale, Amsterdam, May 16, 1696, cat. no. 7 (73 florins,); acquired in 1854 by Museum Boijmans Van Beuningen, Rotterdam",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://www.boijmans.nl/en/collection/artworks/1712/a-musical-company",
   "Secondary Image Link": "",
   "material": "oil on panel",
   "Size": "48.5 x 61.8 cm. (19 1/10 x 24 3/10 in.)",
   "Signature": "",
   "Literature": "Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 599 (40); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 357; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 226; Liedtke, Walter et. al. Vermeer and the Delft School. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2001, p. 40-41.",
   "Exhibitions": "New York, Metropolitan Museum of Art. Vermeer and the Delft School. March 8 - May 27, 2001. p. 40-41.",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Pieter Jansz Quast (1605 or 1606-1647)",
   "Title": "A Party of Merrymakers",
   "Additional Title": "Merry company drinking, singing and playing music in an interior; Merry Drinking, Singing and Making Music, Company in an Interior",
   "Personal Name": "Quast, Pieter Jansz (1605 or 1606-1647); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Private collection Benjamin C. Smith, Paisley (Scotland) Vermeer - 1925 signaled for 1925; Art dealer {A. Palamedesz?) Art Collectors' Association Ltd., London 1925 - signaled ca. 1925; ?[Galerie Dr. Schäffer, Berlin, in 1929, as by Pieter Codde];Private collection Siegfried Bieber, Berlin / New York City; Private collection Josephine Bieber, New York City through inheritance of her husband, Siegfried Bieber 1970; The Metropolitan Museum of Art, New York City, inv./cat.nr 1973.155.1 bequest of Josephine Bieber, in memory of her husband, Siegfried Bieber, 1970\"",
   "Current Location": "",
   "Date": "ca. 1635–38",
   "Image Link": "https://www.metmuseum.org/art/collection/search/437352",
   "Secondary Image Link": "",
   "material": "oil on wood",
   "Size": "37.5 x 49.5 cm.",
   "Signature": "",
   "Literature": "Peter C. Sutton. A Guide to Dutch Art in America. Grand Rapids, Mich., 1986, p. 187, suggests an attribution to Pieter Quast; Justus Müller Hofstede. Letter to Walter Liedtke. April 22, 1989, attributes it to Pieter Quast and dates it to the later 1630s.; Jean L. Druesedow in \"Recent Acquisitions, A Selection: 1989–1990.\" Metropolitan Museum of Art Bulletin 48 (Fall 1990), p. 56.; Katharine Baetjer. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. New York, 1995, p. 310, ill.; Walter Liedtke. Dutch Paintings in The Metropolitan Museum of Art. New York, 2007, vol. 1, pp. 360, 540–42, no. 139, colorpl. 139 , dates it to the mid- to late 1630s.",
   "Exhibitions": "Berlin. Galerie Dr. Schäffer. Die Meister des Holländischen Interieurs,\" April–May 1929, no. 20 (as \"Lustige Geschellschaft,\" by Pieter Codde).; New York. The Metropolitan Museum of Art. \"The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art,\" September 18, 2007–January 6, 2008, no catalogue.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Artist",
   "Title": "The Minuet",
   "Additional Title": "",
   "Personal Name": "Unknown Artist; Vermeer, Johannes (1632-1675) ",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Collection of W.A. Coats, Skelmorlie Castle ",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XREZiehKh3g",
   "material": "oil on canvas",
   "Size": "50 x 45 cm.",
   "Signature": "",
   "Literature": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Anonymous (17th century Dutch School)",
   "Title": "A Monk Contemplating a Crucifix",
   "Additional Title": "",
   "Personal Name": "Dutch School, 17th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "\"Private collection Johan Quirijn of Regteren Altena, Amsterdam 1980; Private collection Heirs Johan Quirijn of Regteren Altena, The Netherlands 1980 - 2014; sold at Christie's (Amsterdam) Dec 10, 2014 lot no. 185\"",
   "Current Location": "",
   "Date": "17th century",
   "Image Link": "https://rkd.nl/nl/explore/images/267390",
   "Secondary Image Link": "",
   "material": "paper and chalk",
   "Size": "290 x 188 mm",
   "Signature": "",
   "Literature": "\"The Sale of the I.Q. van Regteren Altena Collection Part II. Dutch and Flemish Drawings from 1500-1900,\" Christie's Amsterdam December 10, 2014, https://www.christies.com/the-iq-van-regteren-25047.aspx?lid=1&dt=130620190355&saletitle=, [Accessed June 13, 2019].   ",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Hendrik van der Burch (1627-1666) (attributed to)",
   "Title": "An Officer at an Open Window",
   "Additional Title": "",
   "Personal Name": "Burch, Hendrik van der (1627-1666); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Dr. Walter Dickson, purchased in 1863; inherited by his son, Dr. T.H. Dickson of Kingston-on-Thames; sold by his widow through Messrs. Robinson, Fisher and Harding at Willis's auction rooms, London, May 11, 1922 (4000 guineas, to Sabin); Mr. Frank T. Sabin of 172, New Bond Street, London",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "114.3 x 81.28 cm.. (45 x 32 in.)",
   "Signature": "",
   "Literature": "Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 208-09",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jacobus Vrel (active 1654-1662)",
   "Title": "Old Woman Reading the Bible",
   "Additional Title": "Woman at the Window",
   "Personal Name": "Vrel, Jacobus (active 1654-1662); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Collection of Adolphe Schoss (date?); Sale, Paris, James Odier collection, 1864 (470 francs, to M. Mundler); Kunsthistorisches Museum, Vienna",
   "Current Location": "",
   "Date": "1654",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "Oil on panel, 66 x 47.5 cm. (26 x 18 7/10 in.)",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 566-67 (44); Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 606; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 364; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 217",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Artist",
   "Title": "Old Woman with a Reel",
   "Additional Title": "La Devideuse",
   "Personal Name": "Unknown Artist; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Private collection, Ginevra (?)",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XREZiehKh3g",
   "Secondary Image Link": "",
   "material": "",
   "Size": "130x 110 cm.",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 545-46 (3); Havard, Henry. Van der Meer de Delft. 1888. p. 35 (3); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 354; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 224; http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Panorama Landscape",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Collection of the Grand-Duchess Marie of Russia",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "19 x 32 cm. (7.48 x 12.59 in.)",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 572 (64)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Parable of the Unjust Steward",
   "Additional Title": "The Parable of the Unmerciful Servant",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Rijn, Rembrandt van (1606-1669)",
   "Provenance": "[Bottenwieser, Berlin (1926)]; Viscount Rothermere collection, London; National Gallery of Scotland",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "70.01 x 58.42 cm.. (31 1/2 x 23 in.)",
   "Signature": "",
   "Literature": "Konody, P.G. Works of Art in the Collection of Vicount Rothemere. London: Privately printed for Vicount Rothemere, 1932, (52); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 207-08",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Bega, Cornelis Pietersz. (approximately 1631-1664)",
   "Title": "Seated Young Peasant Woman",
   "Additional Title": "Peasant Woman Seated",
   "Personal Name": "Bega, Cornelis Pietersz. (approximately 1631-1664); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Schlossmuseum, Kunstsammlungen zu Weimar, Weimar, Germany (inv. no. KK 5566)",
   "Current Location": "Schlossmuseum  Kunstsammlungen zu Weimar  Weimar  Germany   Inv. no. KK 5566  public.",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XRDy_uhKh3g",
   "Secondary Image Link": "",
   "material": "Black chalk highlighted with white red chalk on blue paper",
   "Size": "25.3 x 16.4 cm. (9.96 x 6.45 in.)",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "Weimar, Weimar Kunsthalle am Theaterplatz. Rembrandt und seine Zeitgenossen. July-September, 1981 (612)",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Man, Cornelis de (1621-1706) (attributed to)",
   "Title": "The Physician",
   "Additional Title": "",
   "Personal Name": "Man, Cornelis de (1621-1706); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Formerly owned by the Dutch branch of the Hope family; P.V. Delarov Sale, Petrograd (1916, as Pieter de Hoogh); V. A. Stchavinsky Collection, Petrograd (as Vermeer)",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "57.15 x 43.18 cm.. (22 3/8 x 17 1/4 in.)",
   "Signature": "",
   "Literature": "Catalogue of V.A. Stachvinsky Collection. Petrograd: 1917, p. 33-36 (translated by MK); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 214",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Man, Cornelis de (1621-1706)",
   "Title": "Portrait of the Artist",
   "Additional Title": "",
   "Personal Name": "Man, Cornelis de (1621-1706); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Sale, 1696 (3); Collection of Thoré-Bürger; sale, The Hague, 1780 (480 florins,); sale, Slingelandt, 1785 (600 florins,); sale, Goll van Franckenstein, 1833 (450 florins)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 566 (42); Harvard, Henry. Van der Meer de Delft. Paris: Librairie de l'Art, 1888, p. 39 (47); Groot, Hofstede de. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 607; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 364",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (attributed to)",
   "Title": "Portrait of the Artist",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Sackville Gallery, London",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 221",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Sweerts, Michael (1618-1664) (attributed to)",
   "Title": "Portrait of a Girl",
   "Additional Title": "",
   "Personal Name": "Sweerts, Michael (1618-1664); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Mr. Charles Andrew Rouse-Boughton-Knight, Downton Castle, Co. Hereford; W.M.P. Kinkaid Lennox by 1958; acquired in the 1970s by the County Museums and Art Gallery (Today: New Walk City Museum Leister), Leicester ac. No. L.F201.1975.0.0",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://artuk.org/discover/artworks/portrait-of-a-girl-81079",
   "Secondary Image Link": "https://commons.wikimedia.org/wiki/File:Michael_Sweerts_-_Portrait_of_a_Girl.jpg",
   "material": "Oil on canvas",
   "Size": "43.18 x 36.83 cm. (17 x 14 1/2 in)",
   "Signature": "",
   "Literature": "Pevsner, Nikolaus. Burlington Magazine 66 (January 1935): 30; Kaines, S.C. The Connoisseur 95 (January 1935): 7; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937, p. 209",
   "Exhibitions": "Birmingham. Art Treasures in the Midlands. December 1934.",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Leveck, Jacobus (1634-1675)",
   "Title": "The Man in the Hat",
   "Additional Title": "Portrait of a Man",
   "Personal Name": "Maes, Nicolaus (1632-1693); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675); Maes, Nicolaus (1634-1693) ",
   "Provenance": "Peter Norton, London (1836); T. Humphry-Ward, London (1888); [Charles Sedelmeyer, Paris (cat. 1898, no. 80, as by Maes)]; E. Otlet, Brussels; sale, Paris (Hôtel Drouot), E. Otlet collection, December 17, 1900 (20,500 or 19,500 francs,); Brussels Museum (as \"Le Calviniste\" by Maes); Musée Royaux des Beaux-Arts, Brussels (as Maes or Vermeer) (later as Carel Fabritius) (catalogued, in 1953, as Maes)",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://www.fine-arts-museum.be/nl/de-collectie/jacobus-leveck-toegeschreven-aan-vroeger-toegeschreven-aan-rembrandt-nicolaes-maes-jan-vermeer-van-delft-jan-victors-willem-drost-carel-fabritius-delftse-school-de-man-met-de-hoed?artist=maes-nicolaes-1",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "73.02 x 59.69 cm. (28 3/4 x 23 1/2 in.)",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Van der Meer de Delft.\" Gazette des beaux-arts 21 (November 1, 1866): 567-68 (47); Burlington Magazine 8 (1905): 205-6; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913, p. 337-39; Catalogue de la Peinture Ancienne. Musée Royaux des Beaux-Arts. Brussels: 1927, p. 231 (665); Commemorative catalogue. Dutch exhibtion. Royal Academy. London: 1929, p. 75 (281); Vermeer, oorsprong en invloed: Fabritius, de Hooch, de Witte. Boymans Museum. Rotterdam, 1935, p. 38-39 (89a); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint 1937, p. 183-84 (42); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisne 1948, p. XX-XXI (33); Catalogue de la Peinture Ancienne. Musée Royaux des Beaux-Arts. Brussels: 1949, p. 46 (665); Catalogue de la Peinture Ancienne. Musée Royaux des Beaux-Arts. Brussels: 1953, p. 79",
   "Exhibitions": "London, Royal Academy. Winter Exhibition. 1888 (55) (as Rembrandt, then bearing a false signature); London, Royal Academy. Dutch Art. 1929 (281); Brussels, Royal Museum of Fine Arts. Dutch Art. 1929; Rotterdam, Boymans Museum. Vermeer: His Origins and Influence. 1935 (as Vermeer or Maes?)",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Ovens, Jurgen (1623-1678)",
   "Title": "Portrait of an Unknown Family with a Glass Sphere",
   "Additional Title": "",
   "Personal Name": "Ovens, Jurgen (1623-1678); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675)",
   "Provenance": "Private collection Den Haag 1948 -; Art dealer S. Nijstad, Lochem/The Hague; Private collection Dirk Hannema, Netherlands; Hannema-de Stuers Fundatie, Kasteel Het Nijenhuis (Raalte); Museum De Fundatie, Zwolle/Heino",
   "Current Location": "",
   "Date": "c. 1685",
   "Image Link": "https://rkd.nl/nl/explore/images/5650",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "141 x 180 cm",
   "Signature": "",
   "Literature": "https://rkd.nl/explore/images/5650",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Drost, Willem (1630-1687)",
   "Title": "Portrait of a Woman",
   "Additional Title": "",
   "Personal Name": "Drost, Willem (1630-1687); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "Rijn, Rembrandt van (1606-1669); Vermeer, Johannes (1632-1675)",
   "Provenance": "Esterházy, Vienna (in 1812 catalogue as Rembrandt); bought with the pictures of that collection by the Hungarian State in 1871; Szépmüvészeti Múzeum Budapest (as Vermeer) (316). ",
   "Current Location": "",
   "Date": "c. 1653-55",
   "Image Link": "https://www.mfab.hu/artworks/portrait-of-a-woman-2/",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "82 x 65 cm. (31 1/4 x 25 5/8 in.)",
   "Signature": "",
   "Literature": "Hofstede de Groot, Cornelis. A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. London: Macmillan and Co., 1907, p. 601 (43); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Small, Maynard, 1913. p. 339-41 (82); Vermeer, oorsprong en invloed: Fabritius, de Hooch, de Witte. Boymans Museum. Rotterdam, 1935, p. 35 (80); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. Boston: Hale, Cushman & Flint, 1937. p. 204-5 (51); Vries, A.B. de. Jan Vermeer de Delft. 1939. Amsterdam: J. M. Meulenhoff, p. 80 (7); Vries, A.B. de. Jan Vermeer de Delft. Paris: P. Tisné, 1948, p. XX (32); Pigler, Andor. Katalog der Galerie Alter Meister, pt. 1. Budapest: Museum der Bildenden Kunste, 1968, p. 742-44 (316); Czobor, Agnes. Rembrandt and His Circle. Budapest: Corvina Press, 1969, p. 15 (44-45)",
   "Exhibitions": "Rotterdam, Boymans Museum. Vermeer: His Origins and Influence. 1935 (80) (lent by the Museum of Fine Arts, Budapest, as Vermeer)",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (manner of)",
   "Title": "Portrait of a Woman; Portrait of a Lady",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Bottwiesser (Berlin) sold to Mr. and Mrs. E.W. Edwards, Cincinnati",
   "Current Location": "E.W. Edwards  Cincinnati  Ohio  United States  private.",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XRDy_uhKh3g",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "8 5/8 x 7 in.",
   "Signature": "",
   "Literature": "Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1937. p. 139-40 (26)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Bourdon, Sebastien (1616-1671) (attributed to)",
   "Title": "Portrait of a Young Boy",
   "Additional Title": "Head of a Boy",
   "Personal Name": "Bourdon, Sebastien (1616-1671); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Anton W.M. Mensing, Amsterdam (as Vermeer); Jules Féral, Paris (as Vermeer); Yves Perdoux, Paris, until 1923 (as Vermeer); bought from them by Duveen for 750,000 francs, in 1923; sold by them to Bache for $175,000 (as Vermeer); Jules S. Bache, New York (as Vermeer); presented by him to the State of New York under the jurisdiction of the Bache Foundation in 1937 (as Vermeer); placed by the Foundation's trustees, after Mr. Bache's death in 1944, as the Bache Collection, with the Metropolitan Museum of Art, New York (as Vermeer); formally transferred by the Bache Foundation in 1949 to the Metropolitan Museum of Art, New York (49.7.39).",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://www.metmuseum.org/art/collection/search/435757?&searchField=ArtistCulture&sortBy=Relevance&ft=Sebastien+Bourdon&offset=0&rpp=20&amp;pos=17",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "23 1/4 x 19 3/4 in.; 59.1 x 50.2 cm",
   "Signature": "",
   "Literature": "Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1937, p. 131-32 (21)",
   "Exhibitions": "Detroit Institute of Arts. \"Loan Exhibition of Dutch Paintings of the Seventeenth Century,\" January 9–25, 1925, no. 34 (as \"Portrait of a Boy,\" by Jan Vermeer, lent by Sir Joseph Duveen, London).; New York. The Metropolitan Museum of Art. \"The Bache Collection,\" June 16–September 30, 1943, no. 39.;  New York Cultural Center. \"Grand Reserves,\" October 24–December 8, 1974, no. 105.",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Immitator of Vermeer",
   "Title": "Portrait of a Young Girl",
   "Additional Title": "",
   "Personal Name": "Unknown Artist; Vermeer, Johannes (1632-1675) ",
   "Rejected Attribution": "",
   "Provenance": "Collection of Charles E. Carruthers, esq., Batheaston, Somerset, England",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs",
   "Secondary Image Link": "",
   "material": "",
   "Size": "37.5 x 32.5; oil on canvas",
   "Signature": "",
   "Literature": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (attributed to)",
   "Title": "Portrait of a Young Girl",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Collection of D.G. van Beuningen, Rotterdam",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "14 3/4 x 12 3/4 in",
   "Signature": "",
   "Literature": "Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 212",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Dutch School, 19th century, Anonymous (attributed to)",
   "Title": "Portrait of a Young Man",
   "Additional Title": "Portrait of Simon Decker (?)",
   "Personal Name": "Dutch School, 19th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Art Market, London, 1922; E.W. Savory, by 1929; Sale, Paul Brandt, Amsterdam, June 6, 1961.",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XRDy_uhKh3g",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "23 x 18 in",
   "Signature": "Signed I V M ",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Dutch School, 19th century, Anonymous (attributed to)",
   "Title": "Portrait of a Young Woman",
   "Additional Title": "",
   "Personal Name": "Dutch Schoool, 19th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Count Berchtold (former Chancellor of Austria-Hungary, at Vienna); Jean Schmit, dealer, Paris, in 1935.",
   "Current Location": "",
   "Date": "1659 (?)",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "",
   "Signature": "",
   "Literature": "Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1937, p. 214",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (copy of)",
   "Title": "The Procuress, copy of",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Mr. George A. hearn, New York; Hearn Collection Sale, American Art Galleries, New York, February 25-March4, 1918 (351) ($250 to B. Kropelien)",
   "Current Location": "unlocated.",
   "Date": "1652 ",
   "Image Link": "https://digitalcollections.frick.org/digico/#/",
   "Secondary Image Link": "http://nyarc-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/dlDisplay.do?vid=01NYARC&search_scope=01NYARC_EVERYTHING&docId=01NYARC_III.b10885584&fn=permalink",
   "material": "oil on canvas",
   "Size": "57 x 51 in",
   "Signature": "",
   "Literature": "\"Catalog, Hearn Collection Sale, American Art Galleries, New York, Februrary 35-March 4, 1918 (351); \"American Art Annual,\" 1918, v. 15, p. 327\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Laan, Dirk Jan van der (1759-1829)",
   "Title": "The Rustic Cottage",
   "Additional Title": "",
   "Personal Name": "Laan, Dirk Jan van der (1759-1829); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Gallery of M. Barthold Suermondt, Aix-la-Chapelle; Collection of Dr. Lombard, Liege; Staatliche Muséen zu Berlin, Gemaldegalerie",
   "Current Location": "",
   "Date": "c. 1880",
   "Image Link": "",
   "Secondary Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XRD5RehKh3h",
   "material": "",
   "Size": "48 x 39 cm.; oil on canvas",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 568-69 (50); Harvard, Henry. Van der Meer de Delft. 1888. p. 39 (51); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 365; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 218; http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.V5DnrOswjcs",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (attributed to)",
   "Title": "Saint Praxedis",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Erna and Jacob Reder, New York, 1943; With Spencer Samuels & Co., New York, 1969; The Barbara Piasecka Johnson Collection, by whom acquired from the above in 1987; Sold at Christie's London, 8 July 2014, lot 39; Deposited to the National Museum of Western Art, Toyko 2014.",
   "Current Location": "",
   "Date": "1655",
   "Image Link": "http://collection.nmwa.go.jp/en/DEP.2014-0001.html",
   "Secondary Image Link": "https://en.wikipedia.org/wiki/Saint_Praxedis_(painting)#/media/File:Vermeer_saint_praxedis.jpg",
   "material": "",
   "Size": "40 x 32 1/5 in; 101.6 x 82.6 cm.; oil on canvas",
   "Signature": "",
   "Literature": "Wheelock, Arthur. Vermeer: The Complete Works. Harry N. Abrams, Inc. Publishers 1997, p. 8-9; https://rkd.nl/explore/images/248806",
   "Exhibitions": "Florentine Baroque Art from American Collections, The Metropolitan Museum of Art, New York, 1969 - 1969, no. 39, pp. 22, 44-45, illustrated as Ficherelli.; Inaugural Exhibition, Spencer A. Samuels Gallery, New York, 1984 - 1984, no. 14, as by Vermeer; Opus Sacrum: Catalogue of the Exhibition from the Collection of Barbara Piasecka Johnson, The Royal Castle, Warsaw, 1990 - 1990, no. 48, pp. 11, 272-277, illustrated, as by Vermeer; Jan Vermeer van Delft, St. Praxedis: An Exhibition of a Painting from the Collection of Barbara Piasecka Johnson, International Cultural Centre and the Wawel Royal Castle, Cracow, 1991 - 1991, pp. 8-28, as by Vermeer; Johannes Vermeer, The National Gallery of Art, Washington D.C., 12 November 1995 - 11 February 1996, The Mauritshuis, the Hague, 1 March-2 June 1996, no. 1, pp. 86-89, as by Vermeer; Johannes Vermeer (1632-1675): Sainte Praxedis, Musée de la Chapelle de la Visitation, Monaco, 1998 - 1998, pp. 4-37, as by Vermeer; Vermeer: Il secolo d'oro dell'arte olandese, Scuderia del Quirinale, Rome, 27 September 2012 - 20 January 2013, no. 45a, as by Vermeer",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (attributed to)",
   "Title": "Sandy Landscape",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Royal Gallery of Schleissheim, near Munich",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "45 x 35 in",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 572 (62)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (attributed to)",
   "Title": "Sandy Landscape",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Museum of Brunswick",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "15 x 19 1/2 in",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 572 (63)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vaillant, Wallerant (1623-1677)",
   "Title": "Self Portrait",
   "Additional Title": "",
   "Personal Name": "Vaillant, Wallerant (1632-1677); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Jean DECOEN private collection, Brussels, Hannema-the Stuers Foundation, Castle Het Hijenhuis (Raalte); Museum Foundation, Zwolle/Heino",
   "Current Location": "",
   "Date": "1638-1677",
   "Image Link": "https://rkd.nl/nl/explore/images/41838",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "https://rkd.nl/explore/images/41838",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Boursse, Esaias (1631-1672) (attributed to)",
   "Title": "The Servant Sleeping",
   "Additional Title": "",
   "Personal Name": "Boursse, Esaias (1631-1672); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Thoré-Bürger Collection Sale, Hôtel Drouot, December 5, 1892 cat. no. 35 (as Vermeer) (1150 francs,); P.A. B. Widener, Philadelphia; sold in possession of W. Heilgendorff, Berlin",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://twitter.com/PP_Rubens/status/1102432716874756096/photo/0",
   "Secondary Image Link": "",
   "material": "",
   "Size": "20 x 16 in",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 562 (38); Harvard, Henry. Van der Meer de Delft. 1888. p. 38 (41); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 217; Information from the Frick Art Reference Library Photoarchive",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Dutch School, 17th century, Anonymous",
   "Title": "Sitting Girl, Asleep",
   "Additional Title": "",
   "Personal Name": "Dutch School, 17th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Private collection Wladimir Nikolaevitch Argoutinsky-Dolgoroukoff (Prince), Paris / Saint-Petersburg; July 7, 1929 sold; Private collection Johan Quirijn of Regteren Altena, Amsterdam; 7 July 1929 to 1980 See auction catalog December 10, 2014; Private collection Heirs Johan Quirijn of Regteren Altena, The Netherlands 1980 - 2014",
   "Current Location": "",
   "Date": "17th century",
   "Image Link": "https://www.christies.com/lotfinder/Lot/dutch-school-17th-century-a-servant-girl-5855418-details.aspx",
   "Secondary Image Link": "",
   "material": "paper and red and white chalk ",
   "Size": "319 x 445 mm",
   "Signature": "",
   "Literature": "Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228;  L. Goldscheider, Vermeer, London, 1958, p. 143, no. II, illustrated (as possibly by E. Boursse). L. Goldscheider, Vermeer, 2nd edition, London, 1967, p. 145, no. II, illustrated (as possibly by E. Boursse). C. Brown, 'Review of the 1976-77 exhibition', Burlington Magazine, CXIX, February 1977, p. 217, where an attribution to Eglon van der Neer is suggested. C. Brown, 'Review of the 1976-77 exhibition', Master Drawings, XVI, 1978, no. 1, p. 64. M. Plomp, 'Drawing and Printmaking in Delft during the Seventeenth Century', Vermeer and the Delft School, exhib. cat., New York, Metropolitan Museum, and London, National Gallery, 2001, p. 584, note 49.",
   "Exhibitions": "Brussels, Palais des Beaux-Arts, Dessins hollandais de Jérôme Bosch à Rembrandt, 1937-38, no. 127, pl. LXXVIII (as Vermeer; catalogue by F. Schmidt-Degener); Rotterdam, Museum Boijmans Van Beuningen, Paris, Fondation Custodia, and Brussels, Bibliothèque Albert 1er, Le Cabinet d'un Amateur: Dessins flamands et hollandais des XVIe et XVIIe siècles d'une collection privée d'Amsterdam, 1976-77, no. 145, pl. 93 (as Vermeer with reservations; catalogue by J. Giltaij).",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (Imitator of)",
   "Title": "The Smiling Girl",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Private collection  Lower Rhine  in 1926 ; sold to Walter Kurt Rohde  Berlin in 1926 ; sold to Duveen Brothers  London ; sold December 1926 to Andrew W. Mellon  Pittsburgh  Pennsylvania ; deeded March 30  1932 to the A.W. Mellon Educational and Charitable Trust  Pittsburgh ; in the collection he presented to the nation in 1937 as the National Gallery of Art  Washington (1937.1.55).\"",
   "Current Location": "National Gallery of Art  Washington  District of Columbia  United States  Andrew W. Mellon Collection  1937.1.55  public.",
   "Date": "1925",
   "Image Link": "https://www.nga.gov/collection/art-object-page.62.html",
   "Secondary Image Link": "https://upload.wikimedia.org/wikipedia/commons/d/d1/Smiling_girl_%28Fake_Vermeer%29.jpg",
   "material": "oil on canvas",
   "Size": "16 1/8 x 12 1/2 in.;41 x 31.8 cm.",
   "Signature": "",
   "Literature": "\"Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1937. p. 134-35 (23); Vries, A.B. de. Jan Vermeer de Delft. 1939. p. 85 (19); Vries, A.B. de. Jan Vermeer de Delft. 1948. p. XXI-XXII (35)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Hooch, Pieter de (1629-1684)",
   "Title": "The Soldiers at a Tavern",
   "Additional Title": "",
   "Personal Name": "Hooch, Pieter de (1629-1684); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Galerie Borghese, Rome, no. 269",
   "Current Location": "",
   "Date": "",
   "Image Link": "",
   "Secondary Image Link": "possible image: http://galleriaborghese.beniculturali.it/it/opera/interno-con-flautista",
   "material": "oil on panel",
   "Size": "24 x 30 in",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 550-51 (11); Havard, Henry. Van der Meer de Delft. 1888. p. 36 (12); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 551-52 (272), 606; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 363; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 216",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Dutch School, 17th century, Anonymous",
   "Title": "Still Life",
   "Additional Title": "",
   "Personal Name": "Dutch School, 17th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Marczell de Nemes Collection Sale, Amsterdam, November 13-14, 1928, lot 66 (as Vermeer van Delft) (sold for 21,000 Gulden)",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://www.mutualart.com/Artwork/Nature-morte-aux-fruits/4AEB1EC27F360A95",
   "Secondary Image Link": "",
   "material": "oil on canvas",
   "Size": "15 3/4 x 20 in.",
   "Signature": "",
   "Literature": "Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1937, p. 211-12",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vemeer, Johannes (1632-1675) (attributed to)",
   "Title": "Still Life",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "J.O. Kronig, The Hague",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "20 5/8 x 17 5/14 in",
   "Signature": "",
   "Literature": "Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 210-11",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (attributed to)",
   "Title": "Still Life on a Table",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Sale  Christie's  London  May 14  1926  lot 35 (to Duits).",
   "Current Location": "unlocated.",
   "Date": "",
   "Image Link": "https://digitalcollections.frick.org/digico/#/",
   "Secondary Image Link": "http://nyarc-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/dlDisplay.do?vid=01NYARC&search_scope=01NYARC_EVERYTHING&docId=01NYARC_III.b12917916&fn=permalink",
   "material": "",
   "Size": "17 x 14 1/2 in",
   "Signature": "",
   "Literature": "Christie's London May 14, 1924 (35)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vrel, Jacobus (active 1654-1662)",
   "Title": "Street Scene",
   "Additional Title": "A Nun Conversing with a Woman in the Street",
   "Personal Name": "Vrel, Jacobus (active 1652-1662); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "about 1654–1662",
   "Provenance": "\"Purchased by Thoré-Bürger before 1866 in Holland; Thoré Burger Estate Collection Sale, Hôtel Drouot, Paris, December 5, 1892, lot 33 (as attributed to Jan Vermeer of Delft) (1800 francs,); Adolphe Schloss, Paris; owned by his widow; Adolphe Schloss Collection Sale, Galerie Charpentier, Paris, December 5, 1951, lot 60 (2,000,000 francs, to Rosenberg and Stiebel, dealers representing Mr. Getty); given by Mr. Getty to the museum he founded, the J. Paul Getty Museum, Malibu, California (g) (70.PB.21).\"",
   "Current Location": "",
   "Date": "about 1654-1662",
   "Image Link": "http://www.getty.edu/art/collection/objects/556/jacobus-vrel-street-scene-dutch-about-1654-1662/?dz=0.5000,0.5981,0.48",
   "Secondary Image Link": "https://commons.wikimedia.org/w/index.php?search=jacobus+vrel+Street+Scene&title=Special%3ASearch&go=Go&ns0=1&ns6=1&ns12=1&ns14=1&ns100=1&ns106=1#/media/File:Jacobus_Vrel_-_Street_Scene_-_70.PB.21_-_J._Paul_Getty_Museum.jpg",
   "material": "Oil on panel",
   "Size": "16 1/4 x 13 3/8 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 569-70 (54); Harvard, Henry. Van der Meer de Delft. 1888. p. 39 (55); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 607; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 365; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 218\"",
   "Exhibitions": "\"Palais des Champs-Elysées. Paris. Exposition rétrospective: Tableaux anciens empruntés aux galeries particulières. May 1866 (Cat. 112); Los Angeles Museum of History, Science and Art. Los Angeles. Loan Exhibition of Dutch Paintings G. [sic] Paul Getty Collection.  1952. North Carolina Museum of Art. Raleigh. Masterpieces of Art: In Memory of William R. Valentiner, 1880-1958 [...] April 6 - May 17, 1959. (Cat. 91); Stedelijk Museum Het Prinsenhof. Delft. Delft Masters, Vermeer's Contemporaries. March 1 to June 2, 1996. (no cat. no.)\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vrel, Jacobus (1654-1670)",
   "Title": "Street Scene",
   "Additional Title": "View of a Street",
   "Personal Name": "Vrel, Jacobus (1654-1670); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Slagregen, Amsterdam; acquired 1888, from the Hudtwalcker-Wesselhoeft Collection; Museum of Hamburg",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://apps.carleton.edu/kettering/stone-ferrier/?module_api=image_detail&module_identifier=module_identifier-mcla-ImageSidebarModule-mloc-pre_sidebar-mpar-da9af63edc444779df2c954dfc8d4d40&image_id=1089509",
   "Secondary Image Link": "",
   "material": "",
   "Size": "19 5/8 x 15 1/4 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 570 (55); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 365; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 218\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vrel, Jacobus (active 1654-1662)",
   "Title": "View of a Town",
   "Additional Title": "Street View; Poor Quarter in a Dutch Town",
   "Personal Name": "Vrel, Jacobus (active 1654-1662); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Amsterdam: Purchased by Rijksmusuem in December 1892",
   "Current Location": "",
   "Date": "1654-1662",
   "Image Link": "http://hdl.handle.net/10934/RM0001.COLLECT.6492",
   "Secondary Image Link": "",
   "material": "oil on panel ",
   "Size": "36 x 27.5 cm.",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (manner of)",
   "Title": "Study of a Head",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "(c) Sale  Amsterdam  G. Leembruggen Collection  March 1866 ;(c) Suermondt ;(c) Kupferstichkabinett  Berlin (4581).",
   "Current Location": "Kupferstichkabinett  Berlin  Germany  4581  public.",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "oil on paper",
   "Size": "163 x 197 cm.",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile J. Burger (William Burger), \"Van der Meer de Delft,\" in Gazette des Beaux-Arts 21 (October-December 1866) p. 567 (46); Groot, Hofstede de., A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. 1907. \"Johannes Vermeer.\" p. 602 (46b); Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1911/13 p. 316-17; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1937. p. 213-14.\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Hooch, Pieter de (1629-1684)",
   "Title": "The Visit",
   "Additional Title": "Two Ladies and Two Gentlemen in an Interior",
   "Personal Name": "Hooch, Pieter de (1629-1684); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Gallery of M. Francois Delessert, Paris, May 15, 1869, cat. no. 35 (150,000 francs,); B. Narischkine, Paris, Arpil 5, 1883 (160,000 francs,); Collection of M. Secretan, Paris, July 1, 1889 (270,000 francs,); Possession of Durand-Ruel of Paris; Havemeyer Collection, New York, bequeathed to the Metropolitan Museum, New York, 1929\"",
   "Current Location": "",
   "Date": "ca. 1657",
   "Image Link": "https://www.metmuseum.org/art/collection/search/436678",
   "Secondary Image Link": "",
   "material": "oil on panel",
   "Size": "26 3/4 x 23 in. (67.9 x 58.4 cm)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 551 (14); Harvard, Henry. Van der Meer de Delft. 1888. p. 36 (15);  Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 529-30 (192), 606; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 363; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 216\"",
   "Exhibitions": "\"\"New York. The Metropolitan Museum of Art. \"Loan Collection of Paintings,\" May–November 1891, no. 6.; New York. American Fine Arts Society. \"Loan Exhibition,\" February 13–March 26, 1893, no. 16 (as \"Interior,\" lent by Mr. H. O. Havemeyer, probably this picture).; New York. The Metropolitan Museum of Art. \"The Hudson-Fulton Celebration,\" September–November 1909, no. 53 (lent by Mrs. Henry O. Havemeyer, New York).; New York. M. Knoedler & Co. \"Loan Exhibition of Masterpieces by Old and Modern Painters,\" April 6–24, 1915, no. 5 (lent anonymously).; New York. The Metropolitan Museum of Art. \"The H. O. Havemeyer Collection,\" March 11–November 2, 1930, no. 71 [2nd ed., 1958, no. 15].; Little Rock. Arkansas Arts Center. \"Five Centuries of European Painting,\" May 16–October 26, 1963, unnumbered cat. (p. 28).;  University Art Museum, University of California at Berkeley. \"Dutch Masters from The Metropolitan Museum of Art,\" November 25, 1969–January 4, 1970, checklist no. 7.; Houston. Rice University. \"Dutch Masters from The Metropolitan Museum of Art,\" January 18–March 1, 1970, checklist no. 7.; New York. The Metropolitan Museum of Art. \"Splendid Legacy: The Havemeyer Collection,\" March 27–June 20, 1993, no. A326.; Delft. Prinsenhof. \"Delft Masters, Vermeer's Contemporaries,\" March 1–June 2, 1996, unnumbered cat. (fig. 134).; Paris. Musée d'Orsay. \"La collection Havemeyer: Quand l'Amérique découvrait l'impressionnisme...,\" October 20, 1997–January 18, 1998, no. 6.; London. Dulwich Picture Gallery. \"Pieter de Hooch, 1629–1684,\" September 3–November 15, 1998, no. 8.; Hartford, Conn. Wadsworth Atheneum. \"Pieter de Hooch, 1629–1684,\" December 17, 1998–March 14, 1999, no. 8.; New York. The Metropolitan Museum of Art. \"Vermeer and the Delft School,\" March 8–May 27, 2001, no. 25.; London. National Gallery. \"Vermeer and the Delft School,\" June 20–September 16, 2001, no. 25.; New York. The Metropolitan Museum of Art. \"The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art,\" September 18, 2007–January 6, 2008, no catalogue.; Tokyo Metropolitan Art Museum. \"Vermeer and the Delft Style,\" August 2–December 14, 2008, no. 18.; New York. The Metropolitan Museum of Art. \"Vermeer's Masterpiece 'The Milkmaid',\" September 9–November 29, 2009, no. 2.; Rome. Scuderie del Quirinale. \"Vermeer: il secolo d'oro dell'arte olandese,\" September 27, 2012–January 20, 2013, no. 15.; New York. The Metropolitan Museum of Art. \"In Praise of Painting: Dutch Masterpieces at The Met,\" October 16, 2018–October 4, 2020, no catalogue.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vrel, Jacobus (active 1654-1662)",
   "Title": "Street Scene with Figures in Covnersation",
   "Additional Title": "Two Pictures of Streets with Figures",
   "Personal Name": "Vrel, Jacobus (active 1654-1662); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "“Sale D. Teengs, Amsterdam, April 24, 1811, cat no. 75 and 75 (258 florins,); J.J. de J.J. de Faesch, Amsterdam, July 3, 1833, cat no. 33 (192 florins,); Samuel Woodburn, London; His estate sale, London, Christie's, 15-19 May 1854, lot 799 (as van der Meer); There acquired by Beriah Botfield; Thence by descent to the Marquess of Bath, Longleat House, until 1986; With Otto Naumann Ltd., New York, 1987; From whom acquired by a private collector. Sold at Sotheby’s Master Paintings Evening Sale January 20, 2019 (Lot 31) for 855,000 USD.”",
   "Current Location": "",
   "Date": "",
   "Image Link": "https://www.mutualart.com/Artwork/STREET-SCENE-WITH-FIGURES-IN-CONVERSATIO/43134034A9D97322",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "14 1/4 by 11 in.; 36.2 by 27.5 cm",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (51e and f); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 360-61;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228; Adams, Ann Jensen. Dutch and Flemish Paintings from New York Private Collections, exhibition catalogue, New York 1988, pp. 136-137, cat. no. 57, reproduced. p. 123.\"",
   "Exhibitions": "",
   "Other": "Samuel Woodburn, London; His estate sale, London, Christie's, 15-19 May 1854, lot 800 (as van der Meer); There acquired by Beriah Botfield; Thence by descent to the Marquess of Bath, Longleat House, until 1986; With Otto Naumann Ltd., New York, 1987; From whom acquired by the present collector. ",
   "FIELD17": "http://www.sothebys.com/en/auctions/ecatalogue/2019/master-paintings-evening-n10007/lot.31.html"
 },
 {
   "Artist": "Vrel, Jacobus (active 1654-1662)",
   "Title": "Street Scene with Two Figures Walking Away",
   "Additional Title": "Two Pictures of Streets with Figures",
   "Personal Name": "Vrel, Jacobus (active 1654-1662); Vermeer, Johannes, 1632-1676",
   "Rejected Attribution": "",
   "Provenance": "\"Sale D. Teengs, Amsterdam, April 24, 1811, cat no. 75 and 75 (258 florins,); J.J. de J.J. de Faesch, Amsterdam, July 3, 1833, cat no. 33 (192 florins,); Samuel Woodburn, London; His estate sale, London, Christie's, 15-19 May 1854, lot 799 (as van der Meer); There acquired by Beriah Botfield; Thence by descent to the Marquess of Bath, Longleat House, until 1986; With Otto Naumann Ltd., New York, 1987; From whom acquired by a private collector. Sold at Sotheby’s Master Paintings Evening Sale January 20, 2019 (Lot 30) for 1,215,000 USD.”",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.artnet.com/artists/jacobus-vrel/street-scene-with-two-figures-walking-away-YrC_Os4oylGljzbdU53WHQ2",
   "Secondary Image Link": "http://www.sothebys.com/en/auctions/ecatalogue/2019/master-paintings-evening-n10007/lot.30.html",
   "material": "Oil on panel",
   "Size": "35.7 x 27.8 cm. (14.1 x 10.9 in.)",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (51e and f); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 360-61;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228; Wright, Christopher. Vermeer, London 1976, p. 10, reproduced, fig. 4; Sutton, Peter C. Pieter de Hooch, Oxford 1980, reproduced fig. 59; Adams, Ann Jensen. Dutch and Flemish Paintings from New York Private Collections, exhibition catalogue, New York 1988, pp. 136-137, cat. no. 56, reproduced. pp. 122.\"",
   "Exhibitions": "",
   "Other": "both sold jan 30 2019",
   "FIELD17": ""
 },
 {
   "Artist": "\"Morley, Malcolm (b. 1931)\"",
   "Title": "Vermeer, Portrait of the Artist in His Studio",
   "Additional Title": "",
   "Personal Name": "Morley, Malcolm (b. 1931); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Art dealer Kornblee Gallery, Manhattan (New York); The Broad Museum, Downtown Los Angeles, inv./cat.nr B Morl-2P92.33\"",
   "Current Location": "",
   "Date": "1968",
   "Image Link": "https://rkd.nl/nl/explore/images/268750",
   "Secondary Image Link": "",
   "material": "canvas and acrylic paint",
   "Size": "266.5 x 221 cm.",
   "Signature": "",
   "Literature": "Clearwater, Bonnie. Malcom Morley: The Art of Painting, Miami: Museum of Contemporary Art, 2005, p. 15, fig. 11; JP Marandel, 'The Deductive Image', Art International 15 (September 1971), p. 60. (ill.)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Witte, Emanuel de (1617-1692) (attributed to)",
   "Title": "Vestibule of the St. Agatha Cloister",
   "Additional Title": "",
   "Personal Name": "Witte, Emanuel de (1617-1692); Vemeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Museum of Amsterdam (?)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "47 x 38 cm.",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 569 (51); Harvard, Henry. Van der Meer de Delft. 1888. p. 39 (52); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 607; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 365; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 218\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer van Haarlem, Jan, II (1628-1691)",
   "Title": "View of a City, with a River, that the Men Navigate on Their Boats",
   "Additional Title": "",
   "Personal Name": "Vermeer van Haarlem, Jan, II (1628-1691); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Museum of Hanover (Welfen Museum)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "8 x 16 in",
   "Signature": "",
   "Literature": "Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 573 (69)",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "\"Dutch School, 17th century, Anonymous\"",
   "Title": "View of Delft",
   "Additional Title": "",
   "Personal Name": "Dutch School, 17th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Städel Museum collection, Frankfurt am Main, 884 inv./cat.nr ",
   "Current Location": "",
   "Date": "after 1660 – 1661",
   "Image Link": "https://sammlung.staedelmuseum.de/en/work/view-of-delft",
   "Secondary Image Link": "https://rkd.nl/nl/explore/images/202414",
   "material": "Chalk, oil pastel, and ink on paper",
   "Size": "182 x 289 mm",
   "Signature": "Signed lower left (by a third hand, with the pen in brown): Joannes Vermeer",
   "Literature": "\"Löffler, Erik P. 'Het Rijksbureau voor Kunsthistorische Documentatie in Den Haag. De afdeling Oude Nederlandse Tekenkunst', Kunst- en Antiekjournaal 1998, no. 3, p. 8, fig. (If: not by Vermeer)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Craeyvanger, Reinier (1812-1880)",
   "Title": "View of The City of Delft Delft",
   "Additional Title": "View of Delft",
   "Personal Name": "Craeyvanger, Reinier (1812-1880); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Bequest of Carel Joseph Fodor to Museum Fodor, Amsterdam , inv./cat.nr A 10489; Fodor collection transferred to the Amsterdam Museum inv.nr. TA 10489 (Fodor Museum disolved in 1993). ",
   "Current Location": "",
   "Date": "1832-1880",
   "Image Link": "http://am.adlibhosting.com/amonline/advanced/Details/collect/40229",
   "Secondary Image Link": "https://rkd.nl/nl/explore/images/52691",
   "material": "paper and watercolor paint",
   "Size": "35.7 x 44.0 cm",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer van Haarlem, Jan, II (1628-1691)",
   "Title": "View of Delft, With a Bleaching Ground in Front",
   "Additional Title": "",
   "Personal Name": "Vermeer van Haarlem, Jan, II (1628-1691); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Goudstikker, Amsterdam; Count Cavens, Brussels; Schloss Rohoncz, Castagnola; no longer in that collection.",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "oil on canvas",
   "Size": "32 1/2 x 42 3/4 in.",
   "Signature": "",
   "Literature": "\"Munich, New Pinakothek. Sammlung Schloss Rohoncz [exh.]. 1930, p.98, pl.68 (338); Schloss Rohoncz Catalogues.; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 212-13\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Immitator of Vermeer, 18th century",
   "Title": "View of Delft from the South",
   "Additional Title": "",
   "Personal Name": "Unknown Immitator of Vermeer, 18th century; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Dorotheum (Vienna) 2009-10-27, fig. Color reproduction , lot. 205, Auctioned as: anonymous, 18th century Northern Netherlands, to Johannes Vermeer",
   "Current Location": "",
   "Date": "possibly 18th century",
   "Image Link": "https://rkd.nl/explore/images/196472",
   "Secondary Image Link": "",
   "material": "paper and pen in brown",
   "Size": "83 x 186 mm;",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Meer, Dirk Jan van der (?)",
   "Title": "View of Dunes",
   "Additional Title": "",
   "Personal Name": "Meer, Dirk Jan van der (?); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Gallery of M.B. Suermondt; Staatliche Muséen zu Berlin, Gemaldegalerie",
   "Current Location": "",
   "Date": "",
   "Image Link": "http://www.essentialvermeer.com/fakes_thefts_school_of_delft_lost_sp/erroneously_attributed_vermeers_one.html#.XQkZ5IhKh3h",
   "Secondary Image Link": "",
   "material": "oil on panel",
   "Size": "45 x 37 cm.",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 571 (59)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (attributed to)",
   "Title": "View of Holland",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Collection of Thoré-Bürger",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "27 x 36 cm.",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 573 (65)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Hoogstraten, Samuel van (1627-1678)",
   "Title": "View of an Interior",
   "Additional Title": "Perspective of a Dutch Interior Viewed from a Doorway; The Slippers",
   "Personal Name": "Hoogstraten, Samuel van (1627-1678); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Imported by Chaplin, English dealer, in 1839 (no signature, date or child); W. Thoré-Bürger, Paris (is 1866) (with signature and date by not child; Heris, dealer, Brussels (child painted in); Comte de Lambertye Collection 1650 to Ch. Sedelmeyer) (with date, signature and child); Charles Sedelmeyer, dealer, Paris; sold by him to Max Kann, Paris;  Mme. Brooks Collection Sale, Hôtel Drouot, Paris, April 16-18, 1877 (34) (as by Pieter de Hooch) (11,800);  Baron de Beuronville Collection Sale, Hôtel Drouot, Paris, May 21-22, 1883 (66) (as by Pieter de Hooch) (9,700 frs.) (rachete); Baron de Beurnonville Collection Sale, Paris, June 3, 1884 (253) (6,800 frs.) (Comte de l'Espine); Comte de l'Espine; presented, in 1930, by Hortense (de l'Espine) Croy, Princesse Louise de Croy, to the Louvre, Paris; Louvre Museum, Paris (inv./cat.nr RF3722)  \"",
   "Current Location": "",
   "Date": "c. 1660",
   "Image Link": "https://www.louvre.fr/en/oeuvre-notices/view-interior-or-slippers-traditional-title-given-19th-century",
   "Secondary Image Link": "",
   "material": "",
   "Size": "40 1/2 x 27 1/2 in (103 x 70cm)",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonee of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol 1. 1907. \"Johannes Vermeer.\" p. 504 (108).\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Adriaenssen Alexander, 1587-1661",
   "Title": "Woman Buying Poultry at the Market",
   "Additional Title": "",
   "Personal Name": "Adriaenssen Alexander, 1587-1661; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Private collection of Benjamin c. Smith, Paisley (Scotland)\"",
   "Current Location": "",
   "Date": "1650-1680",
   "Image Link": "https://rkd.nl/explore/images/11392",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "106.6 x 137.2 cm.",
   "Signature": "",
   "Literature": "https://rkd.nl/explore/images/11392",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Hooch, Pieter de, 1629-1684",
   "Title": "A Woman Peeling Apples",
   "Additional Title": "",
   "Personal Name": "Hooch, Pieter de (1629-1684); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Périer sale, Christie's, 05 May 1848, no. 6; Richard Seymour-Conway, 4th Marquess of Hertford; Collection of Sir Richard Wallace, Marquess of Hertford, Manchester House, London; collection and house bequeathed to nation as the Wallace Collection (Inv. P23)\"",
   "Current Location": "",
   "Date": "c. 1663",
   "Image Link": "https://wallacelive.wallacecollection.org/eMP/eMuseumPlus?service=direct/1/ResultListView/result.t1.collection_list.$TspTitleImageLink.link&sp=10&sp=Scollection&sp=SfieldValue&sp=0&sp=0&sp=2&sp=SdetailList&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=1",
   "Secondary Image Link": "https://en.wikipedia.org/wiki/A_Woman_Peeling_Apples#/media/File:Pieter_de_Hooch_-_Woman_Peeling_Apples_-_WGA11704.jpg",
   "material": "Oil on canvas",
   "Size": "67.1 x 54.7 cm (26 x 21 in)",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 551-52 (16); Harvard, Henry. Van der Meer de Delft. 1888. p. 36 (19); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 485-86 (33); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 216'; Duffy, Stephen et al., The Wallace Collection, London: Scala Publishers Ltd. 2011; Duffy, Stephen, and Hedley, Jo, The Wallace Collection's Pictures: A Complete Catalogue, London: The Trustees of the Wallace Collection, 2004, p. 212; Ingamells, J., 'The Wallace Collection Catalogue of Pictures IV', London: The Wallace Collection, 1985, pp. 167-169\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675) (Imitator of)",
   "Title": "A Young Woman Reading",
   "Additional Title": "Woman Reading",
   "Personal Name": "Unknown Imitator of Vermeer, 20th century; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Dr. Rademaker, The Hague; [Wildenstein, New York, until 1928; sold for $134,800 to Bache]; Jules S. Bache, New York (1928–d. 1944; his estate, 1944–49; cats., 1929, unnumbered; 1937, no. 41; 1943, no. 40); donated to the Metropolitan Museum, New York in the Jules Bache Collection, 1949 (49.7.40)\"",
   "Current Location": "Metropolitan Museum of Art  New York  New York  United States  49.7.40  public.",
   "Date": "1925-1927",
   "Image Link": "https://www.metmuseum.org/art/collection/search/437882?exhibitionId=%7b4318132f-0779-46f5-a12c-54823e3da1b2%7d&amp;oid=437882&amp;pos=1&amp;ft=*",
   "Secondary Image Link": "https://www.metmuseum.org/art/collection/search/437882?exhibitionId=%7b4318132f-0779-46f5-a12c-54823e3da1b2%7d&amp;oid=437882&amp;pos=1&amp;ft=*",
   "material": "oil on canvas",
   "Size": "19.7 x 14.6 cm (7 3/4 x 5 3/4 in)",
   "Signature": "",
   "Literature": "“Berliner Tageblatt (September 21, 1927) [see Ref. Bache 1929].; Comœdia (October 4, 1927) [see Ref. Bache 1929].; Excelsior (October 4, 1927) [see Ref. Bache 1929].; Vitale Bloch. \"Die 'Kleine Briefleserin' des Vermeer.\" Der Cicerone 20 (June 1928), pp. 357–60, ill.; A Catalogue of Paintings in the Collection of Jules S. Bache. New York, 1929, unpaginated, ill., as by Vermeer.; Groot, Cornelis Hofstede de. Jan Vermeer von Delft und Carel Fabritius [second supplement]. Amsterdam, [1929?], pp. 5–6, pl. 52.; Royal Cortissoz. \"The Jules S. Bache Collection.\" American Magazine of Art 21 (May 1930), p. 259.; A Catalogue of Paintings in the Bache Collection. under revision. New York, 1937, unpaginated, no. 41, ill.; Hale. Phillip L. Vermeer. Boston, 1937, pp. 130–31, pl. 20, as \"attributed by some critics to Jan Vermeer of Delft\".; Wehle. Harry B. \"The Bache Collection on Loan.\" Metropolitan Museum of Art Bulletin 1 (June 1943), pp. 288, 290.; A Catalogue of Paintings in the Bache Collection. rev. ed. New York, 1943, unpaginated, no. 40, ill.; Bianconi, Piero. in L'opera completa di Vermeer. Milan, 1967, p. 99, no. 68, ill. [English ed., 1970], lists it among works attributed to Vermeer that have been rejected by most recent critics.; Fakes and Forgeries. Exh. cat., Minneapolis Institute of Arts. Minneapolis, 1973, unpaginated, no. 81, ill., calls it a pastiche, stating that the head and attitude are derived from the \"Lady Reading a letter\" (Gemäldegalerie, Dresden) and the painting in the background from the \"Love Letter\" (Rijksmuseum, Amsterdam).; H[orst]. Gerson. \"Recent Literature on Vermeer [review of Blankert et al. 1975].\" Burlington Magazine 119 (April 1977), p. 289.; Baetjer, Katharine. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. New York, 1995, p. 337, ill.; Larsen, Erik. Jan Vermeer: Catalogo completo. Florence, 1996, p. 126, no. A21, ill. p. 128, catalogues it with works erroneously attributed to Vermeer, noting that it was rejected by Hale [see Ref. 1937] and is now ignored by critics.; Wynne, Frank. I Was Vermeer: The Rise and Fall of the Twentieth Century's Greatest Forger. New York, 2006, pp. 245, 261, in text, calls it a forgery, possibly by Han van Meegeren; in appendix, erroneously lists it as by Vermeer.; Quodbach, Esmée. \"The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art.\" Metropolitan Museum of Art Bulletin 65 (Summer 2007), pp. 42, 47–48, fig. 56 (color).; Liedtke, Walter. Dutch Paintings in The Metropolitan Museum of Art. New York, 2007, vol. 1, p. x; vol. 2, pp. 902–6, no. 207, color pl. 207, calls it \"a forgery painted in the Netherlands about 1925–27\"; Lopez, Jonathan. The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren. Orlando, Fla., 2008, pp. 55–56, 114, 265–66 nn., ill.”",
   "Exhibitions": "\"New York. Reinhardt Galleries. \"Paintings of Women and Children by Masters from the Fifteenth to the Twentieth Century,\" February 23–March 16, 1929, no. 6 (as \"Young Woman Seated Reading a Letter,\" by Vermeer, lent by Jules S. Bache); Indianapolis. John Herron Art Museum. \"Dutch Paintings of the Seventeenth Century,\" February 27–April 11, 1937, no. 71 (as by Vermeer, lent by Jules S. Bache); New York. The Metropolitan Museum of Art. \"The Bache Collection,\" June 16–September 30, 1943, no. 40 (as by Vermeer); Minneapolis Institute of Arts. \"Fakes and Forgeries,\" July 11–September 29, 1973, no. 81 (as by an imitator of Vermeer); New York. The Metropolitan Museum of Art. \"The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art,\" September 18, 2007–January 6, 2008, no catalogue.\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Gabriel Metsu (1629-1667)",
   "Title": "Woman Reading a Letter and Maid",
   "Additional Title": "Woman reading a letter",
   "Personal Name": "Metsu, Gabriel (1629-1667); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Amsterdam, 28 March 1720, Hendrick Sorgh sale, lot 29 (fl. 560 with its pendant); Amsterdam, 16 March 1724, G. Bruyn sale (fl. 785 with its pendant); Johannes Coop; Gerrit Braamcamp, Amsterdam, c.1744-1750; Amsterdam, 31 July 1771, G. Braamcamp sale,no. 125 (f. 5205 with its pendant), bt. Jan Hope; Jan Hope; Lord Francis Pelham Clinton Hope, Deepdene, thence by descent; the collection purchased en bloc by A. Wertheimer and P. & D. Colnaghi, 1898; Sir Alfred Beit, London and Blessington; private collection Alfred Beit, London/Kaapstad 1900 - 1906; private collection Otto Beit (Sir), London 1906 - 1930; private collection Alfred Beit (Sir), Russborough House, Co, Wicklow, Ireland 1930 - 1987; presented by Sir Alfred and Lady Beit to National Gallery of Ireland, Dublin, 1987 (Beit Collection) inv./cat.nr NGI.4537\"",
   "Current Location": "",
   "Date": "1664-1666",
   "Image Link": "http://onlinecollection.nationalgallery.ie/objects/8709/woman-reading-a-letter?ctx=3c58d9a2-e9f8-4ee4-a6b7-da62f60304a1&idx=0",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "52.5 x 40.2 cm.",
   "Signature": "",
   "Literature": "\"Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 8, ill. opposite p. 8\"",
   "Exhibitions": "\"British Gallery, London, 1815; British Institution, London, 1849; British Institution, London, 1865; Winter Exhibition, Royal Academy of Arts, London, 1881; The Hope Collection of Pictures of the Dutch and Flemish Schools, South Kensington Museum, London, 1891; Winter Exhibition, Royal Academy of Arts, London, 1900; Exhibition of Dutch Masters of the Seventeenth Century, Burlington Fine Arts Club, London, 1900; Exhibition in Aid of National Funds, Messrs. Colnaghi and Obach's Gallery, London, 1914-1915; Dutch Art 1450-1900, Royal Academy of Arts, London, 1929; Old Master Paintings from the Beit Collection, National Gallery of South Africa, Capetown, 1949-1950; Dutch Painting - The Golden Age, Metropolitan Museum, New York; Toledo Museum of Art, Toledo; The Art Gallery of Toronto, Toronto, 1954-1955; Manchester Art Treasures Centenary Exhibition, City Art Gallery, Manchester, 1957; Gabriel Metsu, Stedelijk Museum de Lakenhal, Leiden, 22 June - 5 September 1966; Tot Leering en Vermaak: betekenissen van Hollandse genrevoorstellingen uit de zeventiende eeuw, Rijksmuseum, Amsterdam, 1976; Art, Commerce, Scholarship: a window onto the Art World - Colnaghi 1760 to 1984, Colnaghi, London, 1984; Acquisitions 1986-88, National Gallery of Ireland, Dublin, June - July 1988; The Glory of the Golden Age. Dutch Art of the 17th Century: Paintings, Sculpture and Decorative Art, Rijksmuseum, Amsterdam, 2000; Love Letters: Dutch Genre Paintings in the Age of Vermeer, National Gallery of Ireland, Dublin, 1 October - 31 December 2003; Bruce Museum of Arts and Science, Greenwich, Connecticut, 31 January - 2 May 2004; Gabriel Metsu, National Gallery of Ireland, Dublin, 4 September - 5 December 2010; Rijksmuseum, Amsterdam, 16 December 2010 - 21 March 2011; National Gallery of Art, Washington, 17 April - 24 July 2011; Johannes Vermeer and the Golden Age of Dutch Art, Scuderie del Quirinale, Rome, 26 September 2012 - 20 January 2013\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Wooded Landscape",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Gallery of M.B. Suermondt; Sale Weyer",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "21 x 28 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 571 (60)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Gabriel Metsu (1629-1667)",
   "Title": "Young Gentleman writing a Letter",
   "Additional Title": "",
   "Personal Name": "Metsu, Gabriel (1629-1667); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Hendrik Sorgh, Amsterdam, Marh 28, 1720, cat. No. 29 (560 florins, with the pendant); G. Bruyn, Amsterdam, July 31, 1724 (785 florins, with pendant); Sale Braancamp, Amsterdam, July 31 1771, cat. no. 125 (5,205 florins, with pendant, Jan Hope); Collection of Lord Francis Pelham Clinton Hope, Deepdene, which was bought as a whole in 1898 by A. Wertheimer and P. and D. Colnaghi (with the pendant);  Sir Alfred Beit, London and Blessington; presented by Sir Alfred and Lady Beit to National Gallery of Ireland, Dublin, 1987 (Beit Collection) inv./cat.nr NGI.4536\" ",
   "Current Location": "",
   "Date": "1664-1666",
   "Image Link": "http://onlinecollection.nationalgallery.ie/objects/8708/man-writing-a-letter",
   "Secondary Image Link": "",
   "material": "Oil on panel",
   "Size": "21 x 16 in;",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 564-65 (40); Harvard, Henry. Van der Meer de Delft. 1888. p. 38 (45); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 311-12 (185), 607; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 364; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 218\"",
   "Exhibitions": "\"British Gallery, London, 1815; British Institution, London, 1849; British Institution, London, 1865; Winter Exhibition, Royal Academy of Arts, London, 1881; The Hope Collection of Pictures of the Dutch and Flemish Schools, South Kensington Museum, London, 1891; Winter Exhibition, Royal Academy of Arts, London, 1900; Exhibition of Dutch Masters of the Seventeenth Century, Burlington Fine Arts Club, London, 1900; Exhibition in Aid of National Funds, Messrs. Colnaghi and Obach's Gallery, London, 1914-1915; Dutch Art 1450-1900, Royal Academy of Arts, London, 1929; Old Master Paintings from the Beit Collection, National Gallery of South Africa, Capetown, 1949-1950; Dutch Painting - The Golden Age, Metropolitan Museum, New York; Toledo Museum of Art, Toledo; The Art Gallery of Toronto, Toronto, 1954-1955; Gabriel Metsu, Stedelijk Museum de Lakenhal, Leiden, 22 June - 5 September 1966; Tot Leering en Vermaak: betekenissen van Hollandse genrevoorstellingen uit de zeventiende eeuw, Rijksmuseum, Amsterdam, 1976; Acquisitions 1986-88, National Gallery of Ireland, Dublin, June - July 1988; The Glory of the Golden Age. Dutch Art of the 17th Century: Paintings, Sculpture and Decorative Art, Rijksmuseum, Amsterdam, 2000; Love Letters: Dutch Genre Paintings in the Age of Vermeer, National Gallery of Ireland, Dublin, 1 October - 31 December 2003; Bruce Museum of Arts and Science, Greenwich, Connecticut, 31 January - 2 May 2004; Gabriel Metsu, National Gallery of Ireland, Dublin, 4 September - 5 December 2010; Rijksmuseum, Amsterdam, 16 December 2010 - 21 March 2011; National Gallery of Art, Washington, 17 April - 24 July 2011; Johannes Vermeer and the Golden Age of Dutch Art, Scuderie del Quirinale, Rome, 26 September 2012 - 20 January 2013\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "(Anonymous) 17th century Dutch School",
   "Title": "Young Man Seated Next to a Barrel",
   "Additional Title": "",
   "Personal Name": "Dutch School, 17th century, Anonymous; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "J. de Vos; Sale, Amsterdam, J. de Vos Collection, October 30, 1833 (Lugt 13425), F 15 (as Delftische Van der Meer) (to Michaelis for the Teylers Museum); Teylers Museum, Haarlem (R 10).",
   "Current Location": "",
   "Date": "c. 1630",
   "Image Link": "https://www.teylersmuseum.nl/en/collection/art/r-010-zittende-jongeman-bij-ton-met-het-hoofd-naar-links",
   "Secondary Image Link": "",
   "material": "",
   "Size": "405 x 276 cm.",
   "Signature": "",
   "Literature": "\"H. Kleinmann and Co., Haarlem, pub., \"Handzeichnungen alter Meister der Hollaendischen Schule,\" n.d., pt. 5; Plomp, Michiel C. The Dutch Drawings in the Teyler Museum: Volume II: Artists Born between 1575 and 1630. Haarlem, 1997, p.477 (577).\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Jan Cossiers (1600-1671)",
   "Title": "Young Woman with Fruit on Her Lap Looking at a Man",
   "Additional Title": "",
   "Personal Name": "Cossiers, Jan (1600-1671); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Art dealer Legat (The Hague), The Hague, 1952; Art dealer or private collection Dr. Opalski, Zurich; Private Collection, Switzerland in 1972; sold at Gallerie Koller, Switzerland September 8-10, 1999 for CHF 15,000 (lot no. 45).",
   "Current Location": "",
   "Date": "1640",
   "Image Link": "https://rkd.nl/explore/images/59067",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "166 x 144 cm.",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Gerard Terburg the Younger (1617-1681)",
   "Title": "Apple Peeler",
   "Additional Title": "A Young Woman Peeling an Apple for her Child",
   "Personal Name": "Terburg, Gerard, the Younger (1617-1681); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "\"Collection of Carl von Lorraine, Brussels 1780; Acquired by Kunsthistorisches Museum, Vienna in 1780; 1809-1815 in Paris; returned to Vienna (inv. No. 588)\"",
   "Current Location": "",
   "Date": "c. 1660",
   "Image Link": "www.khm.at/de/object/0e01938fc4/",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "36.3 x 30.7 cm.",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 552 (17); Harvard, Henry. Van der Meer de Delft. 1888. p. 37 (20); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 606; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 364; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 217\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Unknown Artist",
   "Title": "Young Woman with a Pearl in the Ear",
   "Additional Title": "",
   "Personal Name": "Unknown Artist; Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Vianen, Vianen, inv./cat.nr 767",
   "Current Location": "",
   "Date": "19th century",
   "Image Link": "https://rkd.nl/explore/images/55321",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "17 x 13.3 cm.",
   "Signature": "",
   "Literature": "",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Young Woman Plays at on a Harpsichord in Her Room with a Teacher who Listens ",
   "Additional Title": "",
   "Personal Name": "Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Sale of 1696, cat. no. 6",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 549 (10)\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Hendrik van der Burch (1627-1666) (attributed to)",
   "Title": "A Young Woman Sewing",
   "Additional Title": "",
   "Personal Name": "Burch, Hendrik van der (1627-1666); Vermeer, Johannes (1632-1675)",
   "Rejected Attribution": "",
   "Provenance": "Sale Amsterdam, 1779, cat. no. 105; J. Pekstock, Amsterdam, December 17, 1792, cat. no. 70 (30 florins,)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "19 x 15 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 566 (43); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 587-88 (12); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 351-52; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 218; Blankert, Albert, Vermeer of Delft: complete edition of the paintings, Oxford, 1987, p. 64-65, fig. 46.\"",
   "Exhibitions": "possibly: http://www.artnet.com/artists/hendrick-van-der-burch/a-young-girl-sewing-in-an-interior-with-seated-zyAH4JVNfjPBDwxeHZfBfQ2",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Dirck Jan van der Laan",
   "Title": "The Country House ",
   "Additional Title": "",
   "Personal Name": "",
   "Rejected Attribution": "",
   "Provenance": "Kaiser Freidrich Museum, Berlin (?)",
   "Current Location": "",
   "Date": "",
   "Image Link": "no image available",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 365.\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Anonymous (possibly Philips Angel 1618 - 1664) ",
   "Title": "\"Portrait of Vermeer in a room, with many accessories, painted especially well by himself\"",
   "Additional Title": "\"Interior with an older woman, a young woman with a child (fragment)\"",
   "Personal Name": "",
   "Rejected Attribution": "\"Koedijck, Isaac (1616 - 1666) ; Brekelenkam, Quiringh van (1622 - 1669) ; Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"Anthony  Reyre, London. Cut before 1956. Left half offered at an auction in 1956 (Drouot, Parijs). Both halves sold from estate, 1959; art dealer Karl Loevenich (Savoy Art & Auction Galleries), New York City 1959 - 1963 reported, 1963; 2017, private collection, Switzerland; both parts again reattached\"",
   "Current Location": "",
   "Date": "c. 1655-1657",
   "Image Link": "https://rkd.nl/en/explore/images/284012",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "\"105 x 63 cm after 1956, before 1956, 105 x 144 cm\"",
   "Signature": "Lid of jewel case initials J.R.V.M",
   "Literature": "Information from the Frick Art Reference Library Photoarchive;  https://rkd.nl/explore/images/284012; https://rkd.nl/en/explore/images/284016",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Michiel van Musscher (1645-1705) ",
   "Title": "Self Portrait of the Artist in His Studio",
   "Additional Title": "Self Portrait of the Youthful Artist",
   "Personal Name": "",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675) (until 1978 at least) ",
   "Provenance": "Collection Baron Floriet; (Dealer M. Brandt, New York, 1957-8), Sale, W. Hillsborough, London, 1959, W. Suhr,  John and Johanna Bass, New York (Parke-Bernet), October 24, 1962 no. 49 ($90,000), engraving by Joannes Meyssens",
   "Current Location": "",
   "Date": "c. 1665",
   "Image Link": "https://www.codart.nl/guide/agenda/splendor-in-the-bass-the-portraits/",
   "Secondary Image Link": "",
   "material": "",
   "Size": "23 1/2 x 20 1/2 in ",
   "Signature": "Signed with initials  V M ",
   "Literature": "\"Holmes, C.J.  Burlington Magazine, July 1909, v. 15, p. 246; Russell, Margarita.  Paintings and Textiles of the Bass Muiseum of Art- Selections from the Collection.  Miami, 1990, p. 60-61; http://www.essentialvermeer.com/lost_vermeer_self_portrait_baron_rolin/self-portrait_comparison.html\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (imitation of)",
   "Title": "A Mathematician ",
   "Additional Title": "",
   "Personal Name": "",
   "Rejected Attribution": "Vermeer, Johannes (1632-1675) (imitation of) ",
   "Provenance": "J.H. Galloway, dealer, Ayr, Scotland.",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "Information from the Frick Art Reference Library Photoarchive",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675); Unknown Artist",
   "Title": "Portrait of Young Man ",
   "Additional Title": "",
   "Personal Name": "",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "",
   "Current Location": "",
   "Date": "",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "14 1/2 x 12 1/4 in ",
   "Signature": "",
   "Literature": "\"Holmes, C.J.  Burlington Magazine, March 1962, v. 104; Hale, Philip, Vermeer, 1937, p. 137. pl. 21 (?); Information from the Frick Art Reference Library Photoarchive\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Vermeer, Johannes (1632-1675)",
   "Title": "Portrait of a Young Girl ",
   "Additional Title": "",
   "Personal Name": "",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"New York, October 3, 1945\"",
   "Current Location": "",
   "Date": "c. 1665-1668 ",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "Information from the Frick Art Reference Library Photoarchive",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (imitation of) ",
   "Title": "A Portrait in Antique Costume",
   "Additional Title": "",
   "Personal Name": "",
   "Rejected Attribution": "",
   "Provenance": "\"1696 Dissius auction; James H. Galloway, April 7, 1947\"",
   "Current Location": "",
   "Date": "1658",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "19 x 15 in ",
   "Signature": "Signed across the Gorgon's face on subject's necklace ",
   "Literature": "Information from the Frick Art Reference Library Photoarchive",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Diana and her attendants ",
   "Additional Title": "Portrait Group; Three Muses ",
   "Personal Name": "",
   "Rejected Attribution": "",
   "Provenance": "\"J. H. Galloway, Ayr, Scotland\"",
   "Current Location": "",
   "Date": "1672",
   "Image Link": "Contact photoarchive@frick.org for more information.",
   "Secondary Image Link": "",
   "material": "",
   "Size": "44 1/2 x 48 1/2 in ",
   "Signature": "Signature and date intertwined in the dark foliage ",
   "Literature": "",
   "Exhibitions": "\"Annual Exhibition of the Royal Glasglow Institute of the Fine Arts, 1933\"",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Georg Held (1710-1756)",
   "Title": "Still life of shells on a marble table",
   "Additional Title": "",
   "Personal Name": "",
   "Rejected Attribution": "\"Vermeer, Johannes (1632-1675)\"",
   "Provenance": "\"Jacques Goudstikker, Amsterdam 1933, private collection G. Murray Bakker; Amsterdam 1946 (attributed to Vermeer), sale, Anne J. Hilversum, 1946 lot 340 (as by Vermeer); sale, Rheims, Maurice, Paris, 1950 lot 37 (as W. Kalf?); sale, Sotheby Parke Bernet 1983 lot 57, as early 18th century German school\"",
   "Current Location": "",
   "Date": "1733",
   "Image Link": "https://rkd.nl/en/explore/images/281769",
   "Secondary Image Link": "",
   "material": "Oil on canvas",
   "Size": "78 x 64 cm ",
   "Signature": "signed and dated lower left: G. Held 1733",
   "Literature": "https://rkd.nl/explore/images/281769",
   "Exhibitions": "",
   "Other": "possible attribution: Willem Kalf (1643 - 1680)",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "At the Art-Dealer's",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale M. Neven, Cologne, March 17, 1879, cat no. 132\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "11 x 10 in",
   "Signature": "\"Signed on the paper subject is holding, \"J.v.d Meer\"\"",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 587 (10a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 351; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 222\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Back of a House with a Courtyard",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, July 6, 1829 (9 florins, 10); Amsterdam, May 10, 1830, cat. No. 74 (7 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "canvas",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (51d); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 360;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Concert ",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale London, December 21, 1901, cat. no. 94\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "15 x 11 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 595 (30b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 356;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 226\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Country Fair",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale J. kamermans, Rotterdam, October 2, 1825, cat. no. 195 (66 florins, 10)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 601 (41b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 358;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 227",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Domestic Scene",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Rotterdam, 1820 (194 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 567-68 (47); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 591 (22b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 356;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Domestic Scene",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Rotterdam, 1832 (190 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 567-68 (47); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 591 (22c); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 356;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Flower-Girl",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Clave-Bouhaben, Cologne, June 4, 1894, cat. No. 266\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "oil on canvas",
   "Size": "19 1/2 x 16 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 587 (10b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 351; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 222-23\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Gentleman and Lady Eating Oysters",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Jacob Crammer Simonsz, Amsterdam, November 25, 1778, cat. no. 20 (65 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "canvas or panel",
   "Size": "19 1/2 x 16",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 600 (40a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 357; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 221\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Girl with the Cat",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale E. Ruelens, Brussels, April 17, cat. no. 284\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": " oil on canvas",
   "Size": "22 x 18 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 590 (19a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 355; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 224\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Girl and a Cavalier",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Dr. Luchtmans, Rotterdam, April 20, 1816, cat. no. 91 (60 florins, 50)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "oil on panel",
   "Size": "12 x 9 1/2 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 552 (21); Harvard, Henry. Van der Meer de Delft. 1888. p. 37 (24); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 600 (40b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 357;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 226\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Goldsmith's Shop",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Barend Kooy, Amsterdam, April 20, 1820, cat no. 56 (21 florins)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "oil on canvas",
   "Size": "12 x 13 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 586 (9); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 350; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 222\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Head of a Person in Antique Costume",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, May 16 , 1696, cat no. 40 (17 florins,); Pendant to the Arenberg Portrait of a Young Girl. Possibly The Smiling Girl, Melon Collection\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 602 (45); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 358;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 227\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "\"An Interior, with a Gentleman Washing His Hands\"",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, May 16, 1696, cat. no. 5 (95 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 564 (39); Harvard, Henry. Van der Meer de Delft. 1888. p. 38 (42); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 591 (21); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 355;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Lady with a Maid-Servant and a Page",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Maclean, London, November 21, 1903, cat. No. 110\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "28 x 25 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 590 (19b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 355;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Lady Making Lace",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale D. de Jongh, Rotterdam, March 26, 1810, no. 51\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "9 1/2 x 8 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 588 (12a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 352; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 223\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Lady at the Spinet, with a Gentleman",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale of J.J. de J.J. de Faesch, Amsterdam, July 3, 1833, cat. no. 34 (105 florins, Twist)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "oil on canvas",
   "Size": "32 x 25 1/2 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 549 (9); Harvard, Henry. Van der Meer de Delft. 1888. p. 36 (11); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 595 (30a);  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Landscape with Trees",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, January 25, 1825 cat no. 55 (36 florins, 10)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (51a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 360;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Lady Writing",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale (probably) Amsterdam 1696; Dr. Luchtmans, Rotterdam, 1816; (probably) J. Kamermans, Rotterdam, 1825; H. Reydon and others, Amsterdam, 1827; Comte F. de Robiano, Brussels, 1837. Possibly No. 35 in the 1696 catalogue; perhaps the Lady Writing, J.P. Morgan Collection\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "canvas",
   "Size": "18 1/2 x 14 in",
   "Signature": "",
   "Literature": "\"Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 356-57; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 226.\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Love Letter",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Hope Edwards and others, London, April 27, 1901, cat. no. 79\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": " oil on canvas",
   "Size": "15 1/2 x 14 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 598 (35a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 356;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 226\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Man Playing Music with a Lady in an Interior",
   "Additional Title": "The Concert",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, 1696, cat. no. 10 (81 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Harvard, Henry. Van der Meer de Delft. 1888. p. 36 (9); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 595 (30);  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Man Reading",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Leyden, 1821\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "copper",
   "Size": "17 x 15 in",
   "Signature": "",
   "Literature": "\"Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 350\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Nun Reading",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Leyden, July 3, 1821, cat. no. 35 (9 florins, 15)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "copper",
   "Size": "17 x 15 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 585 (7a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 22\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "The Oude Gracht in Haarlem, near Klein Hiligland",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale G. van der Pals, Rotterdam, August 30, 1824, cat no. 25 (640 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "18 x 15 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 603-4 (50); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 359-60;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 227-28\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Part of a Town with a View into an Entry",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, August 15, 1825 cat no. 242 (60 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (51b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 360;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Picture of a Street",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, March 24, 1828, cat no. 55 (36 florins, 10)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (51c); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 360\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Picture of a Street",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale H. Reydon and others, Amsterdam, April 5, 1827, cat. No. 28 (161 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "15 x 10 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 605 (52b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 361;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228-29\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Portrait of Vermeer",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, May 16 1969, cat. no. 3 (45 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 602 (46); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 358;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 227\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Portrait of a Young Lady",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Neven, Cologne, March 17, 1879 cat no. 231\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "29 x 22 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 602 (45a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 358;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 227\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Portrait of a Young Man",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Lafontaine, Paris 1822; Museum of Brussels\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "9 x 7 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 567-68 (47); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 602 (46a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 359\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Public Place at The Hague",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Demidoff, San Donato near Florence, March 15, 1880, cat no. 1128\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "52 x 77 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 605 (54); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 362;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 229\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Scene in a Courtyard",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale A.W.C Baron van Nagell van Ampsen, The Hague, September 5, 1851 cat no. 38 (70 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "18 x 14 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (52a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 361;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Trooper and a Girl",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale. Von Woyna and others, Bonn, march 1, 1898, cat. no. 136\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "16 x 20 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 600 (41a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 358;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 226\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A View of Some Houses",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Amsterdam, May 16, 1696 cat no. 33 (48 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 603 (49); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 359;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 227\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "View of a Street in Delft",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Abraham de Haas, Amsterdam, November 8, 1824 cat no. 24 (76 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "14 x 9 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 604 (51); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 360;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 228\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Woman and Boy Sitting by the Fireside in a Room",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale A. van Beestingh and others, Rotterdam, April 30, 1822, cat. No. 11 (190 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "24 x 18 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 588 (12d); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 352; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 223\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "Woman and Child",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale C . Triepel, Munich, September 28, 1874, cat. no. 48\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "oil on canvas",
   "Size": "14 1/2 x 19 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 588 (14); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 353-54; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 224\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman Combing Her Hair",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Pieter de Klok, Amsterdam, April 22, 1744, cat. no. 87 (18 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "15 x 13 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 567-68 (47); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 591 (22); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 355;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman Making Lace",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Hoorn, July 8, 1817, cat. No. 135 (7 florins, 5)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "20 x 16 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 588 (12b); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 352; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 223\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman Making Lace",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale H. Stokvisch, C. Henning, and others, Amsterdam, May 22, 1823, cat no. 81 (15 florins, 10)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "12 x 10 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p.588 (12c); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 352; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 223\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman with Needlework on Her Lap",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sales P.M. Kesler, C. Apostool, and others, Amsterdam, May 13, 1844, cat. No. 218 (26 florins, 50); J.A.A. de Lelie and others, Amsterdam, July 29, 1835, cat. No. 280 (63 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "panel",
   "Size": "36 x 26 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 588 (13a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 353; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 223\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman Pairing Turnips",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale J.A. Brentano, Amsterdam, May 13, 1822 cat. no. 209 (701 florins, De Vries)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "oil on panel",
   "Size": "23 1/2 x 19 1/2 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 552 (19); Harvard, Henry. Van der Meer de Delft. 1888. p. 37 (22); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 590 (18); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 354;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 224\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman Washing a Boy's Head in a Room",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale. H. van der Heuvel and J. Hackefort, Rotterdam, April 18, 1816, cat no. 107 (8 florins,)\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 591 (22a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 355;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 225\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman Weighing Gold",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale The Hague 1780 (?) cat. no. 97 (180 florins,); Sale Amsterdam, June 13, 1809, cat. no. 100 (126 florins,)\"",
   "Current Location": "Fine Arts Museums of San Francisco San Francisco California United States  75.18.15 public.",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "canvas",
   "Size": "24 x 21 in",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 554-55 (26); Harvard, Henry. Van der Meer de Delft. 1888. p. 37 (29); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 586 (9a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 350-51; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 222\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Woman at Work with a Child",
   "Additional Title": "An Interior, where a woman in a satin gown, garnished with furs, works at a table; a young girl presents an apple to her",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale of Estate of Roos, Amsterdam, 1841\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "93 x 61 cm.",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 552 (18); Harvard, Henry. Van der Meer de Delft. 1888. p. 37 (21); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 353\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Young Girl Conversing with a Doctor",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale J. Hulswit, Amsterdam, 1822\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "",
   "Size": "80 x 66 cm.",
   "Signature": "",
   "Literature": "\"Thoré-Bürger, Theophile. \"Gazette des beaux-arts.\" Nov. 1, 1866. p. 552-53 (22); Harvard, Henry. Van der Meer de Delft. 1888. p. 37 (25); Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 585 (7); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 350; Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 221\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Young Woman Skinning an Eel",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"Sale Neville D. Goldsmid of The Hague, Paris, May 4, 1876, cat no. 77\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": "canvas on panel",
   "Size": "12 x 8 1/2 in",
   "Signature": "",
   "Literature": "\"Groot, Hofstede de., A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co.,  1907, \"Johannes Vermeer,\" p. 590 (18a); Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1913, p. 354-55;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 224-5\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 },
 {
   "Artist": "Johannes Vermeer (1632-1675) (attributed to)",
   "Title": "A Violent Storm at Sea",
   "Additional Title": "",
   "Personal Name": "\"Vermeer, Johannes (1632-1675)\"",
   "Rejected Attribution": "",
   "Provenance": "\"In the possession of Von Krane-Maten, Darmstadt, in 1863\"",
   "Current Location": "",
   "Date": "",
   "Image Link": "(lost)",
   "Secondary Image Link": "",
   "material": " canvas",
   "Size": "20 x 16 in",
   "Signature": "",
   "Literature": "\"Hofstede de Groot, Cornelis. A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 1. London: Macmillan and Co., 1907, p. 605 cat. no. 53; Hale, Philip. Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings. 1913, p. 361;  Hale, Philip, Jan Vermeer of Delft: with Reproductions of all of Vermeer's Known Paintings, 1937, p. 229\"",
   "Exhibitions": "",
   "Other": "",
   "FIELD17": ""
 }
]