A New Way of Making Foure Parts in Counterpoint |
Thomas Campion |
John Playford, London |
1615, (reprint 1671) |
IMSLP |
Nicholas Cornia |
Musurgiae Mirifica (from Musurgia Universalis) |
Athanasius Kircher |
Francesco Corbelletti, Rome |
1650 |
IMSLP |
Andrew A. Cashner |
Der allezeit fertige polonoisen- und menüettencomponist |
Johann Philipp Kirnberger |
Winter, Berlin |
1757 |
IMSLP |
Nicholas Cornia |
Einfall einen doppelten Contrapunct in der Octave von 6 Tacten zu machen (from Historisch-kritische Beyträge zur Aufnahme der Musik, volume 3) |
Carl Philipp Emanuel Bach |
Gottlieb August Lange, Berlin |
1757 |
Münchener DigitalisierungsZentrum |
Nicholas Cornia |
Ludus Melothedicus ou le jeu de dez harmonique |
Anonymous |
de la Chevadière, Paris |
1758 |
IMSLP |
Nicholas Cornia |
A Tabular System Whereby the Art of Composing Minuets Is made so Easy... |
Piere Hoegi |
Welcker, London |
1763 |
British Library |
|
Table pour composer des Menuets et des Trios à l'infini |
Maximilian Stadler |
Wenck, Paris |
1780 |
IMSLP |
Denis Lorrain |
Musikalische Würfel-Spiel |
Journal des Luxus und der Modern (1787, February) |
Weimar |
1787, February |
Thuringian State and University Library Jena |
|
Gioco Filharmonico |
Joseph Haydn (attributed) |
Marescalchi, Naples |
1793 |
Biblioteca Nacional Portugal |
Nicholas Cornia |
Anleitung so viel Walzer oder Schleifer mit zwei Würfeln zu componiren... |
Wolfgang Amadeus Mozart (attributed) |
Simrock, Bonn and Hummel, Berlin |
c.1790 |
IMSLP |
Nicholas Cornia (country dances), Abjad (waltzes) |
Au plus heureux jeux harmonique |
Francesco Pasquale Ricci |
Ricci, ? |
18th century |
|
|
Gioco Pitagorico Musicale |
Antonio Calegari |
Valle, Venice |
1801 |
Conservatorio di Musica Benedetto Marcello |
Nicholas Cornia |
Barême musical, ou l'Art de composer la musique sans en connaître les principes |
Gioseffo Catrufo (attributed) |
D. Colas, Paris |
1811 |
Gallica |
Nicholas Cornia, see implementation of Andrea Mangeruva's Nuovo metodo |
Le Tôton harmonique ou nouveau jeu de hazard |
E.F. de Lange |
J. Desoer, Liège |
19th century |
Gallica |
|
Kaleidakunstikon, en musikalsk Underholdning for Claveerspillere |
Frederik Kuhlau |
Lose, Copenhagen |
c.1820 |
Royal Danish Library |
Nicholas Cornia |
Kunst, Schottische Tënze zu componiren, ohne musicalisch zu sein |
Gustav Gerlach |
Lischke, Berlin |
c.1830 |
Bavarian State Library |
|
Nuovo Metodo per Comporre Migliaja di Walser |
Andrea Mangeruva |
Roberti, Palermo |
1839 |
Conservatorio di Musica Benedetto Marcello |
Nicholas Cornia |
The Quadrille Melodist |
John Clinton |
E. Butler, London |
1865 |
British Library |
|