This page focuses on decoding the character sequence used in the TV series The Mandalorian so it can be used to configure an accurate display for cosplay using a MandoPuter
If you look closely you will notice that the font used in the gauntlet is different from what was seen in the original Star Wars Series. At this point we lack a complete reference for the font, but we do know 14 characters from the challenge coin.
There are a couple of alternate fonts being made that closely match the new type style. They are over on AurekFonts:
MandoAF (recently updated and accurate) Mando Alban's Bane BETA (the J, L, X glyphs are not accurate)
The MandoAF font is based on the Star Wars: The Mandalorian: The Ultimate Visual Guide, and has better typeface spacing compared to Mando Alban's Bane (at least for MandoPuter Use).
I have a modified version of the MandoAF font with the corrected glyphs. I call it the MandoPuter Font. As of 12/1 the MandoAF font has been updated and is accurate, so the MandoPuter font is not really needed any longer.
You can see the font decoded from the original Star Wars series over on the Erikstormtrooper website. It was decoded from the 2004 Star Wars trilogy DVD set.
This font is useful in trying to decode new characters, or at least making an educated guess of which letter a new font character should be assigned to.
The challenge coin was a big help in the creation of the new font. It has 14 characters listed and spells out "THE MANDALORIAN" and "THIS IS THE WAY"
Star Wars GMK Boba Fett Keycap Set is officially licensed, and has the full alphabet and numerals.
This is the modified font sheet for the characters used in the MandoPuter Font. The graphic is a modified version of Mando Alban's Bane [BETA] font sheet with a couple of characters changed according to the table below.
ABC | Coin | MandoAF | 2004 | Notes |
---|---|---|---|---|
A | ||||
B | ||||
C | ||||
D | ||||
E | ||||
F | ||||
G | ||||
H | ||||
I | ||||
J | ||||
K | ||||
L | ||||
M | ||||
N | ||||
O | ||||
P | ||||
Q | ||||
R | ||||
S | ||||
T | ||||
U | ||||
V | ||||
W | ||||
X | ||||
Y | ||||
Z | ||||
0 | ||||
1 | ||||
2 | ||||
3 | ||||
4 | ||||
5 | ||||
6 | ||||
7 | ||||
8 | ||||
9 |
Sequences from The Mandalorian episodes - work in progress coming soon. ??? characters means the glyphs have not been identified for the clip.
Aldo Andrei has a series of screen shot references that he used to decipher the sequence.
Aldo's chapter 1 reference photos
From | To | Sequence | Notes |
---|---|---|---|
02:11 | 02:16 | ??? | Blury and a lot of motion. Display refresh vs camera frame rate artifacts |
02:22 | 02:29 | ??? | Blury and a lot of motion. Display refresh vs camera frame rate artifacts |
02:46 | 03:22 | ??? | Out of focus, but you can get some timing information on sequence changes |
07:05 | 07:06 | ??? | Out of focus |
10:55 | 10:58 | ??? | Out of focus |
11:39 | 11:43 | ??? | Out of focus, but you can get some timing information on sequence changes |
12:06 | 12:07 | ??? | Out of focus |
12:16 | 12:20 | ??? | Out of focus, but you can get some timing information on sequence changes |
13:02 | 13:04 | ??? | Out of focus |
18:20 | 18:40 | ??? | Out of focus |
19:24 | 19:35 | ??? | Out of focus |
24:09 | 24:38 | ??? | Out of focus, but you can get some timing information on sequence changes |
24:48 | 24:55 | ??? | Out of focus, but you can get some timing information on sequence changes |
35:13 | 35:19 | ??? | Out of focus |
Aldo's chapter 2 reference photos
From | To | Sequence | Notes |
---|---|---|---|
02:44 | 02:48 | DSC SAS TRH | Out of focus, best guess |
04:42 | 04:46 | ??? | Out of focus |
09:55 | 09:66 | ??? ??? | Out of focus, two sequences |
10:11 | 10:15 | SAS DSC SAS | Out of focus, at least three sequences |
10:21 | 10:24 | ??? ??? | Out of focus, at least two sequences |
13:29 | 13:37 | ??? ??? | Out of focus, at least two sequences |
17:04 | 17:05 | ??? ??? A?? | Out of focus |
17:27 | 17:30 | ??? SAS DSC | Out of focus, at least two sequences |
21:32 | 21:37 | MLM ?RS TRH | Out of focus, at least two or three sequences |
24:27 | 24:39 | ??? TLH ACS | Out of focus |
24:48 | 24:53 | SAS LRS MLM SAS AJS SAS ASJ | Scene is mirrored |
Aldo's chapter 3 reference photos
From | To | Sequence | Notes |
---|---|---|---|
06:29 | 06:35 | SAS TRH SAS ??? | Last sequence not clear |
08:21 | 08:26 | ??? | Out of focus |
08:46 | 08:55 | ??? | Out of focus |
09:19 | 09:23 | ??? | Out of focus, but you can get some timing information on sequence changes |
10:19 | 10:24 | ??? | Out of focus, but you can get some timing information on sequence changes |
11:22 | 11:30 | ??? | Out of focus, but you can get some timing information on sequence changes |
14:47 | 14:50 | ??? ??? ??? | The first time we see the Beskar gauntlet |
14:58 | 15:03 | ??? | Out of focus |
15:30 | 15:34 | ??? | Has some timing information |
15:51 | 16:02 | TRH ??? | Good sequence to decode on a large TV |
16:11 | 16:26 | ??? ??? | Has some timing information |
20:09 | 20:12 | ??? | |
20:26 | 20:30 | JBM | |
21:21 | 21:23 | ??? TRH | |
21:47 | 21:50 | ??? ??? | Various other short views in the rescue scene up to the whistling birds |
23:55 | 24:01 | ??? | |
28:34 | 28:35 | ??? | |
29:59 | 30:01 | TRH | |
30:16 | 30:12 | TRH SAS MLM | SAS is shown for only 2 frames |
30:16 | 30:18 | DSC JAS ??? | Could be SAS instead of JAS |
30:43 | 30:49 | ??? ??? | |
30:55 | 30:57 | ??? TRH ??? | |
31:06 | 30:13 | ??? TRH ??? | Out of focus |
Aldo's chapter 4 reference photos
From | To | Sequence | Notes |
---|---|---|---|
05:59 | 06:00 | ||
07:04 | 07:07 | ||
07:33 | 07:33 | ||
07:35 | 07:37 | ||
07:49 | 07:50 | Timing | |
07:55 | 07:58 | Hard to make out, but timing | |
08:11 | 08:11 | ||
10:05 | 10:08 | Good reference for sequence timing/cycling | |
10:14 | 10:16 | Good reference for sequence timing/cycling | |
10:27 | 10:28 | Hard to make out, 2 strings | |
10:44 | 10:45 | Angle hard to make out | |
12:49 | 12:51 | Blurry and angled when clear shot | |
13:17 | 13:19 | Angle makes it hard to decipher. Cant tell if "twitch" cycling is video glitch or new sequence | |
13:26 | 13:27 | ||
14:47 | 14:47 | Blurry until he stops his turn for about ~4 frames | |
14:55 | 15:05 | This would of been perfect had it not been for focus blur. You can make out the timing for what I believe might be the full sequence | |
16:28 | 16:29 | ||
16:33 | 16:34 | Few frames fisible with swing of hand | |
17:08 | 17:10 | (JQS/SQS/JQJ?) DS(T/C?) SAS TLH MLM | Quick cycle of 5 or 6 Ehns |
17:45 | 17:48 | TLH JRS JAS(This is the Ehn that lasts for about 0.15) SAS AJS TLH JAS | Yet another visible sequence. Here we can see the really short "twitch" from one Ehn to another before continuting the sequence |
18:21 | 18:26 | Same as previous. There is a frame that the Mandoputer becomes too blurred to see. Assuming a consistent patterm, My best guess would be that the blurred Ehn is TLH followed by a visible MLM. Going back to Chapter 3, we can assume DCS and LBM follows | |
18:41 | 18:43 | ||
18:47 | 19:00 | AJS JB(?)M JAS JB(?)M MLM JB(?)M AJS JB(?)M SAS DSC | We get a good and long shot of the mandoputer and its sequence. Its fairly clearn until the very end when the camera shifts focus |
22:10 | 22:16 | A lot of frames on this one are blurry the first few seconds) TLH JRS JAS SAS |
Aldo's chapter 5 reference photos
From | To | Sequence | Notes |
---|---|---|---|
05:59 | 06:00 | ??? | |
02:41 | 02:42 | SAS JAS JRS | Significant amount of motion blur. Some Ehns are discernable |
03:02 | 03:03 | ??? | Out of focus |
03:06 | 03:06 | Lots of motion blur. ?SC can be made out. Since we know repeating Ehns are a thing, one can assume it is DSC | |
04:20 | 04:22 | JAS | Cant tell if its just artifacting from the video or if the Ehns go over a JRS JAS(0.15) "twitch" cycle |
04:31 | 04:34 | Too blurry to make out. We see that the first Ehn transition takes about 0.30 while doing the "twitch/morph" effect. Second quick transition seems to take about the previously established 0.15 | |
09:23 | 09:23 | (AJS?) | Hard to make out |
09:26 | 09:27 | Out of focus | |
18:10 | 18:10 | Hard to make out. Possibly MLM | |
18:16 | 18:16 | Angle and motion blur make it hard to make out | |
18:20 | 18:23 | J(?)AS (AJS?) | Angles and focus make it hard to make out. Some chracters discernable |
27:00 | 27:06 | Long shot. Distance and out of focus makes it hard to discern | |
28:21 | 28:21 | ??? TLH | Lighting, angle, and focus makes it hard to discern |
Aldo's chapter 6 reference photos
From | To | Sequence | Notes |
---|---|---|---|
03:51 | 03:58 | ??? | |
13:56 | 14:00 | ??? | Can see half of the characters, but they are in focus |
15:42 | 15:44 | ??? | |
29:22 | 29:24 | ??? | |
29:57 | 29:58 | ??? |
Aldo's chapter 9 reference photos
From | To | Sequence | Notes |
---|---|---|---|
02:40 | 02:48 | (CR)?M LBM SAS TLH LLR SAS D(R?)M JAS JSR JRS | Good walking shot towards the camera. Certain Ehns are not as readable due to the angle and motion blur caused by the sway of his arm |
05:15 | 05:18 | JAS LBM AJS ?SC(Assume DSC) JAS LBM | Short shot, some characters get cut off but we can use previous known Ehns to complete these |
05:25 | 05:36 | DJN JAS DSJ TLH SAS JRS JSR JRS JSR GWL DR(?)M JRS T(?)LH SAS JRS (DRM?) | We get a decent shot, although out of focus, we can still make out a few Ehns. Towards the end, there is a new sequence we have not seen before. Certain characters appear incomplete and cut as seen on the 0525TLHcorrupt screenshot and 0525Unk. This could also be due to angle and out of focus |
10:21 | 10:26 | TLH JKN JBM JRS JKN DCN GWL JRS DCW | Good shot, we can see new Ehns that confirm some in previous time stamp |
10:48 | 10:51 | DCN TLH GWL JSR | |
11:19 | 11:19 | ??? DCW SAS JSR | Pan up shot. Unk Ehn before transitioning to DCW |
14:25 | 14:28 | JRS JRF AJS JRN | Here we can see how JRF has a substancially longer "nose" than when JRN. Second opinions on this might be needed |
Gauntlet sequences from behind the scenes footage in Disney Gallery Star Wars: The Mandalorian. Timestamps are close, and should get you close to when the sequence starts. ??? charaters mean I do not know what they are. Many shots are blurry or too far away to make out clearly.
Episode | From | To | Sequence | Notes |
---|---|---|---|---|
#3 | 03:59 | 04:01 | MLM JBM SAS JAS | Assuming the J glyph is correct. Video cuts away after the last sequence and might still be in transition (Beskar) |
#3 | 04:09 | 04:13 | ??? TRH ??? | Small text with some detail missing. Might yield some sequences (Beskar) |
#3 | 04:29 | 04:33 | SAS JBM JRS SAS | Assuming the J glyph is correct. Very clear sequence (no Beskar) |
#3 | 04:40 | 04:41 | ??? | Hard to make out, display refresh vs camera frame rate artifacts (Beskar) |
#3 | 09:27 | 09:29 | ??? TRH | Small and slightly out of focus (Beskar) |
#3 | 09:51 | 09:55 | ??? | Small and out of focus (Beskar) |
Episode 2: The Child - 24:48
messages = [ "SAS", "LRS", "MLM", "SAS", "AJS", "SAS", "ASJ"]
delays = [ 0.80, 0.25, 0.84, 1.00, 0.25, 0.80, 0.84 ]
Episode 3: The Sin - 06:29
messages = [ "SAS", "TRH", "SAS"]
delays = [ 1.00, 0.67, 1.00]
Disney Gallery Star Wars: The Mandalorian episode #3 - 03:59
messages = [ "MLM", "JBM", "SAS", "JAS"]
delays = [ 0.75, 0.75, 0.65, 0.75 ]
Thanks to Luke Dailey for starting the conversation and sparking renewed interest in finding the sequence. Also thanks to Luke for pointing me to the AurekFont fonts.
Thanks to Aldo Andrei for pouring through video clips and putting together the most accurate sequence for the MandoPuter.
Thanks to the many folks in the Mandalorian Facebook groups who are always willing to pitch in and help: